It’s Saturday morning and a group of women are standing in a nervous huddle, waiting to see if the vases and bowls they popped into the kiln last week have survived. “That came out really nice,” says one student. “Oh, wow!” proclaims another, holding up a small bowl. “I’m so proud of me.”
Freya Bramble-Carter, their 30-year-old teacher, looks on at this studio in Kingsgate Workshops, in London, like a mother watching her children make fairy cakes for the first time. “It’s really fun seeing their reactions,” she says. “Especially after they’ve applied the glaze. Then the clay’s been through all of its transformations.”
