Ben Affleck may have given up Batman, but he’s not done with superheroes. In the 2016 film The Accountant, Affleck played Christian Wolff, one of many aliases for an autistic mathematical savant who worked as a forensic accountant and money launderer for every stripe of black money organization. A plethora of confusing or outright sad flashbacks served as his superhero origin story: a cold military Psyop father trained Chris, bullied for his difference and struggling with tantrums, and his neurotypical brother to become lethal fighting machines. The film, written by Bill Dubuque (co-creator of Netflix’s Ozark), treated Chris’s neurodivergence as a superpower, the key to exceptional skill in all fields – a noble intention, though one squandered by the misanthropic stupidity of everything around it.
In practice, Chris was a pretty standard-issue movie assassin, and The Accountant a solid but overly complicated and forgettable action movie that did not need nor set up a second chapter. Nevertheless, business persists. Like Another Simple Favor, this year’s SXSW opening night premiere film, The Accountant 2 is a long-gestating sequel from Amazon MGM Studios to a modest 2010s movie costarring Anna Kendrick that performed well outside of theaters; The Accountant was low-key the most-rented movie of 2017 in the US, gaining a relatively loyal if quiet following. And also like Another Simple Favor, The Accountant 2 is not so much a redux as fan service that leans into the inherent ridiculousness of the enterprise. The Accountant 2, which reunites Dubuque with director Gavin O’Connor, is an even more convoluted, impenetrable, outlandish spectacle of male hyper-competence than its predecessor, doubling down on what one might call divorced dad camp.
