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The Guardian - UK
The Guardian - UK
Entertainment
Philippe Sands

UNCOVERED: The experience that coloured everything britten went on to write | History Defined

Benjamin Britten with raised baton stands before an orchestra and choir in a brick concert hall
Benjamin Britten conducting a rehearsal for the opening of the Snape Maltings Concert Hall in June 1967, with Anita Lasker-Wallfisch the second cellist on the right. Photograph: Hans Wild/Britten Pears Arts

In 1945, the violinist Yehudi Menuhin was on a short tour of Germany, offering recitals to survivors of the concentration camps. On Friday 27 July 1945 he reached Bergen-Belsen, liberated three months earlier, and gave two concerts, in the cinema at the camp. The experience had a profound impact. “I shall not forget that afternoon as long as I live,” said Menuhin. “After Belsen, Yehudi was never the same again,” his sister Yaltah Menuhin reported. Anita Lasker, a survivor of Belsen, was present at one of those concerts. Nineteen years old, and a cellist, as a child she had been at Auschwitz, where she played in the women’s orchestra, under the direction of Alma Rosé, the niece of Gustav Mahler.

Lasker wrote to her cousin about the concert. “Who would ever have believed that Belsen Camp would hear Yehudi Menuhin playing? A wonderful evening”, which included “the Bach/Kreisler Prelude and Fugue, the Kreutzer Sonata, Mendelssohn’s Concerto, something by Debussy and several smaller, unfamiliar items”.

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