Perhaps it is because I’ve been nursing a slight and recent obsession with zany detective movies of the 1960s — prompted by “The Pink Panther,” then by following the Peter Sellers trail to “A Shot in the Dark” and “After the Fox” — but when I first heard that President Donald Trump had reportedly escaped Turkey in an “airport catering cart,” the scene arrived in my mind already blocked and costumed: a white-tableclothed trolley, steered by a nervous waiter in a bow tie, perhaps topped with a silver cloche. Beneath the linens, taking care that his shoes did not give him away, Trump crouched while he was wheeled past a succession of unfriendly eyes, their owners somehow oblivious to the president concealed at knee height.
The reality was, of course, considerably less cinematic.
