I’ve taught “The Odyssey” to college students for over a decade, including in a course on witches in Western culture. I suspect my students would immediately notice that the Circe in Christopher Nolan’s adaptation of “The Odyssey” is a departure from the one who appears in Homer’s ancient poem.
Homer’s Circe is an immortal goddess, desirable and beguiling. In classics scholar Emily Wilson’s 2017 translation of “The Odyssey,” she is described as “the lovely Circe with her braided hair.” She lives in a “beautiful tall house of polished stone” and “shining doors,” along with dozens of nymphs, fellow goddesses who serve her and her guests. When Odysseus arrives in Book 10, Circe and her household treat him with the highest standard of hospitality, giving him a bath, fresh clothes, and wine to drink from golden cups.
