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YOU WONT BELIEVE: 3 - You Need To See This

The week in classical: Tosca; Gloriana review – made in Britain

The sensational Freddie De Tommaso soars alongside Natalya Romaniw in a catch-it-while-you-can Tosca

The Guardian - UK

Aurora Orchestra/Collon review – Shostakovich of rage and precision

There was nowhere to hide in this compelling reading of the Russian composer’s 14th symphony, the centrepiece of a programme that also featured Mahler and Britten

The Guardian - UK

The week in classical: The Rape of Lucretia; Solomon’s Knot – review

A shocking update of Britten’s chamber opera feels wearily relevant. And one of the UK’s finest vocal ensembles probes the musical kinship of JS Bach and his uncle

The Guardian - UK

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The Rape of Lucretia at the Royal Opera House’s Linbury Theatre review: a musical triumph

Contemporary resonances abound in this revival of Benjamin Britten’s opera

Evening Standard

Classical home listening: Mutter and Ferrández play Brahms; Ruby Hughes sings Huw Watkins

Anne-Sophie Mutter and Pablo Ferrández excel in the Double Concerto while Hughes soars in Watkins’s song cycle Echo

The Guardian - UK

An explosive act of violence: why Britten’s Rape of Lucretia speaks to our brutal times

Britten’s opera is a strange, unsettling and unbearably private piece. Set in ancient Rome and written over 70 years ago, its theme is still all too contemporary, writes the director of a new production

The Guardian - UK

Birmingham Royal Ballet: Into the Music review – an allegro trio

From dancers partnering with projections and CCTV-style surveillance to an engrossing piece inspired by Edvard Munch, Carlos Acosta’s company is continuing to carve out a niche

The Guardian - UK

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Britten: The Music for String Quartet review – group’s bright sound illuminates early works

Britten’s complete works for string quartet are brought together on these three discs in which the Quartet’s rather brittle playing serves the earlier works better than the more mature ones

The Guardian - UK

Ed Lyon/James Cleverton/Psappha review – touching, lyrical premieres

Conor Mitchell’s Look Both Ways was the centrepiece of an evening of new music at the Cheltenham festival: a song cycle setting the love letters of Benjamin Britten and Peter Pears

The Guardian - UK

Snape Maltings concert hall in Suffolk given Grade II* listing

Hall is home to Aldeburgh festival of music and arts, founded by Benjamin Britten, which opens on Friday

The Guardian - UK

Concert hall that hosted Ed Sheeran performance granted listed status

Snape Maltings Concert Hall is close to Sheeran’s Suffolk home and was chosen as the venue for his Radio 1 Big Weekend gig last year.

The Independent UK

‘She’s badass’: how brick-throwing suffragette Ethel Smyth composed an opera to shake up Britain

She was bisexual, served a prison sentence, and was so outraged by cuts to her opera The Wreckers that she stormed the orchestra pit. Finally, this summer, it will be heard as its extraordinary composer intended

The Guardian - UK

Groundbreaking Composer Harrison Birtwistle Dies at 87

Harrison Birtwistle, the creator of daringly experimental modern music who was recognized as one of Britain’s greatest contemporary composers, has died at 87. Birtwistle’s publisher, Boosey & Hawkes, said he died Monday at his home in Mere, southwest England.

Asharq Al-Awsat

Groundbreaking composer Harrison Birtwistle dies at 87

Harrison Birtwistle, widely recognized as one of Britain’s greatest contemporary composers, has died at 87

The Independent UK

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Chicago Sun-Times

Pandemic-delayed memorial planned for Jan Bach, prolific composer who taught at NIU

He studied under Aaron Copland, played French horn in an Army band at JFK’s funeral and had a four-decade teaching career even as he continued to write music.

The Guardian - UK

Ghosts in the Ruins review – Nitin Sawhney’s ‘new take’ on Britten’s War Requiem falls short

With only a vague sense of narrative and precious little to stir the emotions, this new work struggles to reflect Coventry’s proud, vibrant history

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