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FORGOTTEN HISTORY: 4 - Caught on Camera

Russell Watson: English National Opera would be great for the north

Watson, originally from Salford, Greater Manchester, spoke before performing with the English National Opera for a Eurovision event in Liverpool.

The Independent UK

Liverpool 'could be new home of English National Opera'

Liverpool is a "really strong contender" to become the new home of the opera company, its chief executive has said

Liverpool Echo

Bristol could be new home of English National Opera

But Liverpool and Manchester are strong contenders

Bristol Post

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Violin virtuoso joins ‘real battle’ to save classical music from UK funding cuts

Soloist Nicola Benedetti has added her voice to those speaking up for a genre now facing severe financial constraints

The Guardian - UK

ENO chief says Liverpool and Manchester ‘strong contenders’ for new home

Stuart Murphy says other cities in running but stresses chances of either northern city hosting opera company

The Guardian - UK

The week in classical: Symphony of Sorrowful Songs; RPO/Petrenko; LPO/Mäkelä – review

Chart-topping Górecki becomes exquisite spectacle at ENO; Mahler’s Third is worth the wait; plus, the Finnish flourish of Klaus Mäkelä

The Guardian - UK

Liverpool throwing Eurovision ‘pre-party to end all pre-parties’

Eccentric array of acts from the Vengaboys to the ENO and Hot Chip to play series of mostly free gigs

The Guardian - UK

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The week in classical: Blue; Bach: Mass in B Minor – review

A potent US tale of Black lives hits home with fervour and humanity at ENO. Plus shock and roar from John Eliot Gardiner at 80

The Guardian - UK

Queenie author credits ‘super-considerate’ Ryan Calais Cameron during work on TV adaptation

Candice Carty-Williams is working on the TV version of her award-winning novel

Evening Standard

Gorecki’s Symphony of Sorrowful Songs at ENO review: a bold end to the troubled company’s season

Both sombre and hopeful, Henryk Górecki’s Third Symphony echoed the mood at the embattled ENO

Evening Standard

English National Opera gets £24m to help with move — and can keep London base

The ENO will be able to keep its London Coliseum base while moving headquarters as part of the Government’s levelling-up agenda

Evening Standard

OPINION - This latest English National Opera agreement is a face-saving fool’s game

Somebody, somewhere, must want an opera company, right? That seems to be the thinking behind the latest agreement struck between ENO (fighting to stay alive) and Arts Council England (fighting to save face).

Evening Standard

English National Opera to receive up to £24 million to support new base outside London

It comes after the ACE announced plans in November to remove the opera company as a national portfolio organisation.

The Independent UK

English National Opera set for £24m to support relocation from London

Equity union welcomes increased funding while continuing to oppose move being imposed on ENO chorus

The Guardian - UK

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The Guardian - UK

The week in classical: The Dead City; Black Angels; Re:sound – review

ENO give a thoughtful account of Korngold’s uneven study of loss; Manchester Collective revel in an eerie George Crumb masterpiece; and Streetwise Opera tell a five-star tale of three cities

The Independent UK

Ukrainian Eurovision winner ‘likely to collaborate with opera stars’

The boss of English National Opera was speaking at the launch of EuroFestival in Liverpool.

The Guardian - UK

Most chorus members would quit if ENO leaves London, survey suggests

Exclusive: ‘Baffling’ levelling up plan to move company to another city may lead to staff exodus, says Equity

Evening Standard

The Dead City at the London Coliseum review: ENO’s lyrical ode to grief is almost unbearably poignant

Korngold’s virtuoso score has all the jewel-like glitter of Strauss’s Salome with a lyrical flow to match Puccini

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The Guardian - UK

The Dead City review – study of grief, guilt and obsession unsettles and enraptures

Annilese Miskimmon’s new production of Korngold’s hallucinatory 1920 work sacrifices some of its disturbing power but musically it is magnificently alert to the mood-shifts and beauty of its sound-world

Evening Standard

Akhnaten at the ENO review: hallucinatory revival of Philip Glass opera is blistering and bold

Akhnaten is an eccentric kind of performance art, simultaneously gaudy and glamorous, mysterious and nonsensical

The Guardian - UK

‘I fear we are losing a whole generation of talent’: ENO head hits back at the ‘leave London’ ultimatum

As she stages a new production of The Dead City, Korngold’s wild opera banned by the Nazis, English National Opera’s artistic director Annilese Miskimmon talks about the company’s strong present and uncertain future

The Guardian - UK

The week in classical: Rusalka; The Rhinegold

Royal Opera’s new staging of Dvořák’s watery Rusalka finds fresh resonsances, while the ENO’s updated Ring cycle is really starting to shine

Evening Standard

OPINION - Rishi needs to summon his Jedi skills or face electoral oblivion

Rishi Sunak is a huge Star Wars fan and it’s been said that he looks to the films for inspiration, both personally and politically. The power of The Force in Star Wars can be seen as a metaphor for faith that resonates and inspires from within. Our Prime Minister does…

The Guardian - UK

If we defund opera saying it is for toffs, then only the toffs will go. Where’s the sense in that?

It is painful to see our top companies starved of funds and strangled by politics, while our best artists head abroad, says the Guardian’s chief culture writer, Charlotte Higgins

The Guardian - UK

The Rhinegold review – witty and insightful, Jones’s production delivers an emphatic win for ENO

The Rhine shimmers, the gold dazzles and the gods posture – Richard Jones has by and large gone back to Wagnerian basics for his assured and cogent staging. In the pit, Martyn Brabbins and ENO’s orchestra add lustre

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