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UNCOVERED: 2 | History Defined

“Makes you realise just how good budget guitars have become”: Harley Benton ST-62LA review

Hand-relic'd with a spec sheet that doesn't get old, Harley Benton's Aged Series brings vintage feel on a budget

MusicRadar

“At this price point, there is no room for anything other than excellence, and despite a few niggles, that is what this guitar delivers”: Gibson ES-335 ‘50s review

Harking back to the golden age of guitar innovation, Gibson promises to deliver stellar vintage tones with this authentically spec’d 335

Guitar World

Fender Japan’s new Stratocaster collection is inspired by Kyoto, katanas and matcha: “Designs that symbolize its unique world”

The Made in Japan Limited Japan-Inspired Collection Stratocaster celebrates Japanese culture with five fresh aesthetics

Guitar World

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“I’ve tested my fair share of import guitars – this Hawk flies above the rest”: Washburn Hawk review

There’s plenty to love about this refreshed reissue of Washburn's original Hawk guitar

Guitar World

Is this the future of the S-style market? LsL Instruments shares first new model since Fender cease-and-desist – and it could be a sign of things to come

The family-owned guitar maker was the first to publicly confirm it had been targeted by Fender’s legal action – and it’s taking steps to offset the impact

Guitar World

Fender refreshes the vintage-inspired US models that offer “a near 1:1 comparison with their original predecessors” – adding classic finishes from the paint room

More finish options for the American Vintage II series and, my oh my, that rosewood 'board '61 Strat looks good in Surf Green

MusicRadar

Why do PRS Guitars have a 25-inch scale length? Paul Reed Smith explains

The iconic guitar builder sought to differentiate himself from the likes of Fender and Gibson… and overhauled the specs of his early designs to do so

Guitar World

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"A high-quality alternative that may not only suit you better, but could also save you a stack of cash": Sire Larry Carlton L7dx review

With a reputation for quality on a budget, Sire shows us what it can do beyond entry-level guitars

Guitar World

“I was set up in the garage with Rick Rubin. Tom picked up my Broadcaster. He just started playing that rhythm. That’s what ended up on the record”: Mike Campbell on 5 classic Tom Petty and the Heartbreakers tracks recorded with his Fender Broadcaster

Campbell's 1951 Broadcaster was integral to that Heartbreakers sound – no matter who was playing it

Guitar World

“We were making a $10,000 guitar and selling it for $3,000”: From Chet Atkins to the Acoustasonic – the surprising history of hybrid acoustic-electric guitars

Sonic expansion or evolutionary dead-end? The acoustic-electric has undergone a radical reinvention over the years

Guitar World

“Years later, he saw me playing it and he was mad at me. He said I took advantage of him. I was like, ‘You were gonna throw it away…’”: Wilco’s Jeff Tweedy on his greatest gear bargains –and why Billy Gibbons now owns his two of them

The Wilco guitarist discusses his best gear finds and why he has his mom to thank for some of them

Guitar World

“A holy relic among blues devotees”: The story of Muddy Waters’ “The Hoss” Telecaster, the guitar that helped define the sound of electric blues

Played by Waters throughout the final two decades of his career, this bright red Tele has been displayed at the Rock and Roll Hall of Fame and Metropolitan Museum of Art

Guitar World

“Ideal for beginner guitarists chasing heavier sounds”: Sire Larry Carlton X1 review

The jazz-minded session ace goes heavy metal with his latest wallet-friendly collaboration with Sire, and it’s heavy in both senses of the word

MusicRadar

Fender CEO clarifies his controversial comments comparing cover songs to AI: “My intent was to talk about how technology can help artists and players learn and grow”

Edward “Bud” Cole’s comments likening cover music to “analogue AI” did not go down well with musicians – but he still believes AI can be a useful tool for players

MusicRadar

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Guitar World

“I was watching a Brad Paisley video and saw this contraption attached to his strap: ‘What is going on here?’ I heard of this thing called the B-bender…” How John Osborne fell down the B-bender rabbit hole and came out with a signature Fender Tele

Don’t do the B-bender thing, they told him... He did it anyway. Brent Mason has a lot to answer for

Guitar World

"The Floyd Rose genuinely feels like the finishing touch this model always needed": Gibson Victory Floyd Rose review

Gibson’s latest iteration of this cult, rediscovered ‘80s model is the big win fans have been waiting for

MusicRadar

“Since we debuted Motion at NAMM, the anticipation has been off the charts”: Fender’s Motion MIDI controllers have finally landed – and they come with a free copy of the Fender Studio Pro DAW

Fender's first entry into the pad controller market, Motion 16 and Motion 32 pair polyphonic aftertouch-equipped FATAR pads with deep Studio Pro integration

Guitar World

Fender CEO responds to backlash after comparing cover bands to AI: “Great songs are born out of people’s lives – something no machine can ever replicate”

Edward “Bud” Cole came under fire after his controversial comments concerning AI from earlier this year were recirculated online

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The Guardian - UK

‘I didn’t understand what Gaz was singing. It’s about needing a hug’: how Reef made Place Your Hands

‘We were swept up in the moment and full of testosterone. The 90s wasn’t a time when men were encouraged to be sensitive’

Guitar World

“All I was using was one Fender Twin Reverb, which I stole off Bob Marley… I had it turned up to 10 the whole time”: Stolen amps and punk rivalry – inside the making of the Sex Pistols’ Never Mind the Bollocks

Guitarist Steve Jones reflects on the making of the Pistols' incendiary studio album, Johnny Rotten's overdub myths, and why they had to keep Sid Vicious away from the studio

Guitar World

“Harrison lost interest in the Rosewood Telecaster well before Let It Be came out. In December 1969, he gave it away”: How George Harrison fell in and out of love with the Tele he played at the Beatles’ final performance – and where it is now

George Harrison’s heavyweight prototype Fender shaped the late-era Beatles sound, and later passed through the hands of Delaney Bramlett and, briefly, Jerry Garcia

Guitar World

“Harley Benton might have outdone itself. This is custom shop-level detail for under $350”: My pick of the best new guitar gear launched this week – and the new drops you might have missed

New drops from Orange, Kramer, Harley Benton and more

MusicRadar

Billie Joe Armstrong’s punk rock riff machine, Orange’s mighty micro-amp, and the $150 acoustic that gives us serious John Mayer vibes – it’s MusicRadar’s monthly guitar gear roundup, the July 2026 edit

Featuring hot new gear from Harley Benton, Epiphone, Bad Cat, Shergold, IK Multimedia, Mooer Audio, Gibson and more

Guitar World

“I contacted Stevie Ray Vaughan’s amp tech. He approached amps the way a tailor fits a suit. Watching him work was like seeing magic happen”: Philip Sayce on the gear that changed him – and how he learned to wield it

The high-energy blues-rocker – who missed out on buying one of his dream instruments only to find it again years later – explains what he picked up from Jeff Healey, Melissa Etheridge and almost every player he listened to

Guitar World

“Cover music has been analog AI for a long time”: Fender CEO Bud Cole under fire from online guitar community for AI comments

Cole's comments on AI's place in the guitar world from earlier this year have resurfaced – and not been well-received

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