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BIZARRE: 4 - You Need To See This

“That was also where Mitch Mitchell brought Jimi’s white Woodstock Strat for me to set up, prior to him selling it”: My afternoon interviewing Hank Marvin over beans on toast and chickening out of a Paul McCartney 'audition'

Neville Marten's first assignment for Guitarist was one for the ages, at a venue that is now sadly lost but for a time was the place for the biggest bands to rehearse

Guitar World

“I’m finding that new gear can actually sound really good, and that old gear can be really overrated”: Why folk legend Richard Thompson is embracing new guitar gear – but drawing the line at digital

Thompson may be impressed with modern guitar gear, but he’s explained why he doesn’t like digital amp simulations

Guitar World

“It was under a staircase for 50 years. The owner’s family thought it could be worth £5,000. They were told, ’It’s worth more than that…’” The curious tale of Joe Bonamassa’s ‘Royal Albert’ Les Paul – and its mysterious mod

Bonamassa tells the story of the salvaged 1960 Les Paul and its bizarre mod, which was theorized to be inspired by Peter Green

Guitar World

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“I buy them out of Sweetwater”: Joe Bonamassa might be the king of vintage gear – but most of his pedalboard is off the shelf

With some exceptions – which can be replaced on a budget – the guitarist’s current pedalboard is surprisingly humble

Guitar World

“My manager said, ‘Wow, you did a good job putting everything back.’ I said, ‘This is what I left behind’”: Joe Bonamassa on the evacuation of Nerdville – one of the world’s latest gear collections – following L.A. wildfires

The guitarist’s worst fears nearly played out in January and he knew he could only save select gear picks – here’s what he picked

Guitar World

“You can do anything with a Stratocaster”: Joe Bonamassa explains how to make any Fender Strat the “Swiss army knife of guitars” – and unlock Gibson-like Angus Young tones in the process

The guitarist has detailed how to mimic infamous Les Paul and SG tones from the instrument, believing its versatility is unmatched

Guitar World

“I wanted to say, ‘There’s nobody out there. We gotta walk away from this.’ But I couldn’t. He was a great player”: The guitarist who saved Thin Lizzy – and made their last album hit like a “sledgehammer”

Scott Gorham pays tribute to the player who breathed new life into the band

Guitar World

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He played a guitar held together by a belt, was admired by Keith Richards, covered by Springsteen and described by Bert Jansch as “the most underrated guitarist ever” – the life and times of a beatnik folk pioneer

Wizz Jones may not be a household name but he came out of the same scene as Eric Clapton and influenced everyone from Keith Richards to Thurston Moore

Guitar World

“Can you imagine Kramer being more successful than Fender and Gibson? It sounds crazy, but Eddie Van Halen made that happen”: H.E.A.T’s Dave Dalone on taking rock back to the future, learning from Gary Moore, and why he's a Kramer man through and through

They may have titled their latest album Welcome To The Future, but make no mistake, Swedish rockers H.E.A.T are paying homage to the past, with Dalone's scorching riffs and solos leading the way

Guitar World

“To my utter horror I heard myself noodling all the way through our chat. On Brian’s own guitar!”: The first time I met Brian May – and we were both wearing clogs

It was 1985, and Brian May was the most high-profile musician our own Neville Marten had yet interviewed. He had a fresh tape. He left in plenty of time. But it didn't quite go to plan... Luckily, the Queen guitarist was a good sport

Guitar World

“That’s one of the first things Phil said to me, ‘You’re in, but we gotta change that guitar’”: Scott Gorham may have passed his Thin Lizzy audition – but his budget Les Paul copy certainly didn’t

The Irish rockers finally found their man after auditioning 24 hopefuls when Gorham turned up for his turn – but Phil Lynott was left underwhelmed by his choice of instrument

Guitar World

“Freddie is always with me. He was like a brother, and now I have a Mercury on my guitar, too, which makes me very happy”: Brian May on how astronomy, the Everly Brothers and Freddie Mercury influenced the design of his Gibson SJ-200 12-string

The Queen guitarist's signature model is a super-rare example of a 12-string Gibson jumbo, replete with May's own aesthetic flourishes. But why is it strung like a Ricky? Here, May explains all

Guitar World

“I’d met Leslie West, and like a lot of guitar players, you couldn’t meet Leslie West and come out unscathed”: Martin Barre explains how the Mountain man influenced his most iconic solo on Jethro Tull’s Aqualung

The Jethro Tull legend says his meeting with the Mountain man left an indelible mark on him as a player

Guitar World

“I literally made the change that Eddie Van Halen was known for and was thinking about”: Larry DiMarzio says his revolutionary bridge tweak pre-empted Van Halen’s own mods

The guitar hero’s mods showed an intimate understanding of what makes a guitar sing, and they echoed thoughts DiMarzio was also having

Guitar World

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Guitar World

“I’m waiting for the right calibre of player. I can’t just pick somebody off the line”: Scott Gorham doesn’t rule out a future for Thin Lizzy – but he’s biding his time to find the perfect guitar foil

Lizzy’s most faithful guitarist, Scott Gorham, has left the door open for a potential return of the iconic band – but only under the right circumstances

Guitar World

“You don't have to spend a lot of money to get a great sound”: Joe Bonamassa reveals his go-to rig for guest-spots – and the amp he uses when he doesn’t want to cart out his Dumbles

The blues rock gear guru explains his bare bones gear choices for run ’n’ gun live sit-ins - and which amps complement different venues.

Guitar World

“I had 30 days left on my visa or they’re gonna throw me out of the country. I didn’t know they’d already auditioned 24 guitarists”: Scott Gorham recalls his nerve-racking Thin Lizzy audition – and his first impressions of Brian Robertson

Back in 1974, Thin Lizzy were auditioning a second guitarist to accompany their newest recruit: the 18-year-old Les Paul-wielding Brian Robertson

Guitar World

“Sonically, it’s astonishing. You plug in, turn it on and there it is – there’s the Andy Timmons sound”: That Pedal Show’s Daniel Steinhardt reveals his top 5 pedals (from the past 5 years)

Looking for some 'board inspiration? Here, the man behind GigRig and one half of YouTube's favorite pedal show gives us his shortlist

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Guitar World

“We haven’t broken a string on a Les Paul for more than three years”: Joe Bonamassa swears by this easy string-saving hack – which was inspired by Jimmy Page and Billy Gibbons

Bonamassa’s go-to stringing method for his Les Pauls improves durability – and helps achieve a slinkier feel

Guitar World

“I subsequently became the world’s most famous guitarist with The Police. I wanted to play with somebody else to see how I’d do, like an experiment on myself”: At the height of his ’80s success, Andy Summers needed a challenge – he found Robert Fripp

As Summers’ and Fripp’s avant-garde albums of the 80s are reissued, we hear all about how the side-project came to be – and whether it could happen again

Guitar World

“He mostly played bass. I had a ’64 Strat that I got for $200. Tom didn’t really have a good electric, so I let him use that one”: How Mike Campbell and Tom Petty developed their Heartbreakers sound – with the help of some choice early gear picks

Though Petty was in need of a decent electric, the two Heartbreakers quickly landed on a sound that would define their guitar partnership

Guitar World

“The rest of the world didn't know that the world's greatest guitarist was playing a weekend gig at this place in Chelmsford”: The Aristocrats' Bryan Beller recalls the moment he met Guthrie Govan and formed a new kind of supergroup

As per Aristocrats lore, the power trio formed right after an impromptu jam at NAMM 2011

Guitar World

“I had never done that before. I thought Jimmy was going to go, ‘Nice one’ – he looks at me and goes, ‘Don’t you ever do that again’”: That time Chrissie Hynde enraged one of her Pretenders bandmates because she stopped playing mid-gig

The guitar icon once decided to spontaneously shake things up on stage, and ended up feeling the wrath of Jimmy Scott

Guitar World

“I wasn’t into King Crimson at all. Definitely not my kind of music”: How Andy Summers formed one of the 1980s’ most unlikely guitar partnerships with Robert Fripp – despite not being especially keen on some of his work

The worlds of stadium rock and prog came together for a time in the early 1980s, when The Police and King Crimson guitarists teamed up for a handful of avant-garde records

Guitar World

“My mate found the guitar in a skip down the bay in the early '70s. It had been in a fire”: Andy Fairweather Low’s favorite guitar was a dumpster find

The Eric Clapton and Roger Waters collaborator paid just £47 to buy the discarded Gibson from Tom Jones’ guitarist

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