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FORGOTTEN HISTORY: 5 - The Untold Story

“Brian asked me if I wanted to do a lead. I got excited and was ready to shred”: The Lost Beach Boy on the classic song he overdubbed on

Brian Wilson typically turned to his brother, Carl, for leads, but David Marks got a rare chance to buck that trend in 1964

Guitar World

“The thing is, Jake doesn't appreciate how spectacularly special that is”: When Chris Turpin started playing with Jake Kiszka, the Greta Van Fleet guitarist's live rig surprised him

Turpin's new Mirador bandmate doesn’t like relying on pedals for his sound

Guitar World

“He handed me that famous pink Strat. That riff is the first thing I played – it had that riff in it. I’m lucky to be the guy it came out for”: Mark Morton on his all-star solo album feat. Grace Bowers, Tyler Bryant and a perfect solo from Jason Isbell

The Lamb of God guitarist reveals how he enlisted some of Southern rock’s finest for Without the Pain

Guitar World

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“I see other players with one of them on their ’boards and say, ‘You get that off of me?’ They go, ‘Yeah, as a matter of fact, I did’”: Brent Mason on his affordable secret tone weapon – and how it's become a go-to pedal for session guitarists

The $130 stompbox has been a vital tool across 40 years of session work – and other players have started to take note

Guitar World

“Our producer had a Marshall Lead that had been modded by Dumble. He paid him with a Nutribullet”: When Dave Cobb traded a blender for the services of a legendary amp modder, he found the sound for Mirador’s blockbuster debut

According to Chris Turpin – who used the amp on his new album with Jake Kiszka – Cobb acquired the mod in exchange for a $80 kitchen gadget

Guitar World

“Bowie heard we were thinking of packing it in. He wrote a letter saying, ‘I really love your band… would you consider doing this song?’” The life and times of Mick Ralphs, the innovative founding guitarist of Mott the Hoople and Bad Company

The trailblazing English guitarist passed away on June 23 and left a formidable legacy, influencing the likes of Joe Bonamassa and countless others

Guitar World

“They said, ‘Now it’s time to play the solo.’ I just came up with it on the spot”: Remembering Rick Derringer – the B.C. Rich-toting maverick who brought the fire to Johnny Winters’ band, and was a one-take ace for Steely Dan and more

The Ohio guitarist was one of rock’s most adaptable talents and had the production skills to go with his playing

Guitar World

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“I always wanted to reconcile, tell him there weren’t any hard feelings and end things on a friendly note. I got to do that”: Jake E. Lee had a hero’s welcome at Back to the Beginning – but mending his rift with Ozzy Osbourne was what meant the most

Lee reflects on Ozzy’s final show, explains why he never bore a grudge over being fired, and recalls how the late Prince of Darkness made him a better guitarist with a single comment

Guitar World

“We were opening for Deep Purple, and Ritchie Blackmore got food poisoning and was in the hospital overnight”: How a support slot with Deep Purple and a last-minute guitarist replacement led to Eric Johnson meeting Christopher Cross

Johnson cut his teeth as a session player for the likes of Cat Stevens, Carole King, Steve Morse, and, of course, Christopher Cross

Guitar World

“They have always been a big thing for me because I think they’re the heart and soul of a Fender”: What gives a Fender guitar its spirit? For the Custom Shop's Senior Master Builder, there’s only one answer

Paul Waller has singled out what he believes to be the defining feature of a Fender guitar – and it might surprise you

Guitar World

“I got tired of carrying different guitars with me. It’s delightful”: Skunk Baxter is a session legend – and his cutting-edge guitar rig probably isn’t what you expect

Baxter has settled on a Roland/Fender Stratocaster, which he uses alongside some other off-the-shelf Roland gear

Guitar World

“We were on stools next to each other, going back and forth on the parts in front of the board. That was the first time we’d met”: How Grace Bowers ended up on Lamb of God guitarist Mark Morton’s latest solo record

Bowers recently guested at the 67th Grammy Awards with Coldplay’s Chris Martin and collaborated with Peter Frampton and Trey Anastasio

Guitar World

“I compared the two and the $140 Squier Telecaster, to me, sounded better”: Why Skunk Baxter chose to buy a beginner guitar over a “bazillion” dollar vintage Telecaster

Baxter pitted the two guitars against each other during a trip to Guitar Center – and there was a clear winner

Guitar World

“The story is nuts. I was sat in the control room when our receptionist rang through and said, ‘Bob Dylan’s on the phone’”: How Eurythmics legend Dave Stewart became friends with his hero – after what he thought was a prank call

Stewart was alone in the studio when he received a call from what he thought was prankster

Guitar World

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Guitar World

“I could hardly believe it when James reached over to the guitar case sitting opposite and lifted out his Olson acoustic”: What I learned from interviewing folk-rock icon James Taylor

Neville Marten recalls interviews with one of his musical idols, the singer-songwriter supreme and total legend, the great JT himself

Guitar World

“I’m waiting for the right player. I don’t want to break the chain of great guitarists coming through”: Scott Gorham on the future of Thin Lizzy – and how the late John Sykes gave them some thunder when they needed it most

Gorham remembers John Sykes, the player who stepped in and stepped up, breathing new life into Thin Lizzy with the super hard rock sound of his Les Paul Custom

Guitar World

“I have a rule: I never argue with a woman holding a knife. So I’m like, ‘All right, Bonnie, I’ll bite...’” How a blues legend ended up engraving her name into Joe Bonamassa’s favorite 1955 Fender Strat

It has been his number one road Strat for years, but until the iconic singer put her Dremmel to the back of its body, it didn’t have a name

Guitar World

“That was also where Mitch Mitchell brought Jimi’s white Woodstock Strat for me to set up, prior to him selling it”: My afternoon interviewing Hank Marvin over beans on toast and chickening out of a Paul McCartney 'audition'

Neville Marten's first assignment for Guitarist was one for the ages, at a venue that is now sadly lost but for a time was the place for the biggest bands to rehearse

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“I’m finding that new gear can actually sound really good, and that old gear can be really overrated”: Why folk legend Richard Thompson is embracing new guitar gear – but drawing the line at digital

Thompson may be impressed with modern guitar gear, but he’s explained why he doesn’t like digital amp simulations

Guitar World

“It was under a staircase for 50 years. The owner’s family thought it could be worth £5,000. They were told, ’It’s worth more than that…’” The curious tale of Joe Bonamassa’s ‘Royal Albert’ Les Paul – and its mysterious mod

Bonamassa tells the story of the salvaged 1960 Les Paul and its bizarre mod, which was theorized to be inspired by Peter Green

Guitar World

“I buy them out of Sweetwater”: Joe Bonamassa might be the king of vintage gear – but most of his pedalboard is off the shelf

With some exceptions – which can be replaced on a budget – the guitarist’s current pedalboard is surprisingly humble

Guitar World

“My manager said, ‘Wow, you did a good job putting everything back.’ I said, ‘This is what I left behind’”: Joe Bonamassa on the evacuation of Nerdville – one of the world’s latest gear collections – following L.A. wildfires

The guitarist’s worst fears nearly played out in January and he knew he could only save select gear picks – here’s what he picked

Guitar World

“You can do anything with a Stratocaster”: Joe Bonamassa explains how to make any Fender Strat the “Swiss army knife of guitars” – and unlock Gibson-like Angus Young tones in the process

The guitarist has detailed how to mimic infamous Les Paul and SG tones from the instrument, believing its versatility is unmatched

Guitar World

“I wanted to say, ‘There’s nobody out there. We gotta walk away from this.’ But I couldn’t. He was a great player”: The guitarist who saved Thin Lizzy – and made their last album hit like a “sledgehammer”

Scott Gorham pays tribute to the player who breathed new life into the band

Guitar World

He played a guitar held together by a belt, was admired by Keith Richards, covered by Springsteen and described by Bert Jansch as “the most underrated guitarist ever” – the life and times of a beatnik folk pioneer

Wizz Jones may not be a household name but he came out of the same scene as Eric Clapton and influenced everyone from Keith Richards to Thurston Moore

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