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SHOCKING: 3 | Mind Blowing Facts

The week in classical: Marx in London!; The Barber of Seville; LSO/ Stutzmann; RPO/ Petrenko – review

A day in the life of the father of communism is full of laughs in Scottish Opera’s new production of Jonathan Dove’s buoyant farce. Elsewhere, notable house debuts at ENO, a Bruckner double bill and Rachmaninov to remember

The Guardian - UK

LSO/Stutzmann review – her monumental Bruckner is also light on its feet

Singer-turned-conductor Nathalie Stutzmann presented Bruckner’s unfinished Ninth with his Te Deum, making an eloquent and majestic statement

The Guardian - UK

Elijah review – LSO and Pappano make it big, bold and beautiful

Antonio Pappano conducted the London Symphony Orchestra, Chorus and an excellent lineup of soloists in this superbly detailed and rousing performance

The Guardian - UK

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The week in classical: Elektra; Jenůfa; Scottish Ensemble with Jasdeep Singh Degun – review

In the hands of two great conductors, high drama and outstanding playing converge in Strauss’s unyielding tragedy and Janáček’s dark masterpiece

The Guardian - UK

Jenůfa review – muscle and lyricism as Rattle leads superb cast through Janáček’s formidable opera

With the power of the LSO on stage alongside them, this concert performance found Agneta Eichenholz magnetic in the title role and tenor Aleš Briscein a particular standout

The Guardian - UK

LSO/Noseda/Trpčeski at Barbican Hall review: a dazzling rendition of Prokofiev's forgetten work

Rarely does this concerto get the outing it deserves, but Noseda coaxes magic from the music

Evening Standard

LSO/Ward review – soaring and accomplished, Faust resisted flashy indulgence

In Bartók and Chausson, violinist Isabelle Faust was elegant and expressive, and conductor Duncan Ward brought orchestral colour and focus to orchestral showpieces by Debussy and Janáček

The Guardian - UK

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Wigs, kisses and the pope’s jumpsuit: can Maestro reveal the real Bernstein?

Bradley Cooper has audiences in raptures as electrifying conductor Leonard Bernstein in a new authorised biopic. Musicians from the London Symphony Orchestra remember playing for the great man – and rate the man who now plays him

The Guardian - UK

The week in classical: Cumnock Tryst; LSO: A Dance to the Music of Time

James MacMillan’s inspiring four-day festival brings together top-class professionals and local performers, and Antonio Pappano gives the Barbican a tantalising taster

The Guardian - UK

LSO/Pappano review – Kopatchinskaja dazzles and ravishes in Say’s Violin Concerto

Fazil Say’s theatrical ‘1001 Nights in the Harem’ was terrific fun, played with exhilarating precision by the LSO and soloist Patricia Kopatchinskaja. Rachmaninov of drama and power ended a concert full of colour

The Guardian - UK

LSO/Pappano at the Barbican review: the Covent Garden maestro steps into Simon Rattle’s shoes

This marked Sir Antonio Papano’s first concert as chief conductor designate of the London Symphony Orchestra

Evening Standard

LSO/Hannigan review – season opens with haunting Vivier and superb Strauss

The London Symphony Orchestra’s associate artist Barbara Hannigan conducted a programme that mixed mainstream repertoire by Haydn and Strauss with less familiar music from the second half of the 20th century.

The Guardian - UK

‘The music conjures emotions to reflect the mystery of outer space’: Inon Zur on the musical universe of Starfield

The composer was involved at the earliest stages of development of the space-exploration game, providing concept music that inspired its themes. It’s no wonder his soundtrack evokes its very essence

The Guardian - UK

LSO/ Hannigan at the Barbican review: the virtuoso orchestra flourished under this mesmerising conductor

Barbara Hannigan is a supremely mobile conductor, at times almost dancing, her hands shaping the music like a sculptor

Evening Standard

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The Guardian - UK

The week in classical: LSO/ Rattle; Boston Symphony Orchestra/ Nelsons – review

The LSO gave Simon Rattle an unforgettable send-off in Mahler’s Ninth, while the Boston Symphony Orchestra and Andris Nelsons turned on the style with Stravinsky, Ravel and Gershwin

The Guardian - UK

Prom 56: LSO/Rattle review – a packed Albert Hall hung on every note in utter silence

In his last UK concert as the LSO’s music director, Simon Rattle bid farewell with an outstanding and assured performance of Mahler’s final symphony. The BBC Singers’ Poulenc, beginning the Prom, was expert and impassioned

Louder

Beatrix Players announce joint headline shows with Amanda Lehmann

New-look Beatrix Players also launch pre-orders for brand new album Living & Alive

The Guardian - UK

Hooked on classics? But if you want to learn to play, you’d better be posh

My state school taught me the value of Bach and Vivaldi. Today’s pupils aren’t so lucky

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The Guardian - UK

Colin Bradbury obituary

Principal clarinet of the BBC Symphony Orchestra for more than 30 years and exponent of the instrument’s lesser-known repertory

The Guardian - UK

The week in classical: Dialogues des Carmélites; Tristan und Isolde; LSO/Rattle – review

Poulenc’s shattering opera disturbs and confounds in Barrie Kosky’s new Glyndebourne production; Wagner meets the pre-Raphaelites at Grange Park Opera. Plus, a thrilling farewell from Simon Rattle

The Guardian - UK

LSO/Rattle review – wistful and life-enhancing, a terrific farewell for the departing chief

Signing off with a joyous new commission from 96-year-old Betsy Jolas and a return to a longtime Messiaen favourite, Sir Simon led a regretful but sunny evening

Creative Bloq

The ingenious LSO logo still has people talking

Can you see the conductor?

The Independent UK

Bronze bust honouring conductor Sir Simon Rattle to be unveiled

The sculpture will be unveiled on June 15 before Sir Simon conducts his final concert as the London Symphony Orchestra’s (LSO) music director.

The Guardian - UK

LSO Futures review – works new and nearly new are a sparkling showcase for this superb orchestra

Premieres by Jonathan Woolgar and Colin Matthews sat alongside music by Lili Boulanger, Cassie Kinoshi and Bartók in a concert full of interest and energy

The Guardian - UK

LSO/Tilson Thomas/Tetzlaff review – Brahms soars and glows

In an all Brahms programme, Christian Tetzlaff brought momentum and shape to the Violin Concerto, and Tilson Thomas made every note glow

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