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INSANE: 13 - The Real Truth

Viltrox AF 16mm F1.8 review: a high-tech lens that really plays the (wide) angles

The sophisticated Viltrox AF 16mm F1.8 for Nikon Z and Sony E mount full-frame cameras has just resurfaced in another format as the company’s first ever L-mount lens

Digital Camera World

Fujifilm GF 500mm F5.6 R LM OIS WR review: Super-telephoto super-powers for GFX medium format cameras

The Fujifilm GF 500mm F5.6 R LM OIS WR medium format super-telephoto lens combines a lightweight design with 6-stop stabilization, ideal for handheld shooting.

Digital Camera World

Novoflex Auto Bellows review: Powerful macro magnification with precision and full electronic communication

The Novoflex Auto Macro Bellows might look screamingly retro but it’s bang up to date for digital photography, with up to 7.0x magnification with a 35mm lens.

Digital Camera World

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Novoflex MagicBall review: a precision-engineered German twist on tripod ball heads

The Novoflex MagicBall looks, feels and works in a whole different way to conventional ball heads.

Digital Camera World

Yongnuo YN33mm f/1.4 DA DSM WL Pro review: not just an autofocus lens, it’s got built-in RF wireless too

The clever APS-C format Yongnuo YN33mm F1.4 DA DSM WL Pro is a not-so-standard prime, adding wireless communication for optional remote control

Digital Camera World

Sigma 24-70mm F2.8 DG DN II Art review: the Mark II edition comes with a raft of upgrades and improvements

The Sigma 24-70mm F2.8 DG DN II Art aims to set a new standard, or at least standard zoom, for Sony E and Leica L mount mirrorless cameras

Digital Camera World

Manfrotto 190go! tripod review: a compact and convenient yet feature-rich set of carbon fiber legs

Manfrotto’s 190 series of tripods have long been a top choice with discerning photographers, but the 190go! adds a new twist

Digital Camera World

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Fujifilm GF 110mm f/2 R LM WR review: a perfect portrait prime for GFX cameras

The Fujifilm GF 110mm f/2 R LM WR has a focal length and aperture that make it perfect for portraiture with GFX medium format cameras.

Digital Camera World

Viltrox AF 20mm f/2.8 review: it goes large on viewing angle, small in purchase price

The ultra-wide-angle Viltrox AF 20mm f/2.8 packs a lot into a small, lightweight and amazingly affordable package.

Digital Camera World

Fujifilm GF 100-200mm f/5.6 R LM OIS WR review: the only telephoto zoom in the GF lens line-up

The Fujifilm GF 100-200mm f/5.6 R LM OIS WR aims to give you telephoto reach with zoom versatility.

Digital Camera World

Fujifilm GF 45mm f/2.8 R WR review: A pimped-up prime with a classic effective focal length

The Fujifilm GF 45mm f/2.8 R WR is a great choice for everyday shooting with a GFX medium format camera.

Digital Camera World

Nikon Z 28-400mm f/4-8 VR review: monster zoom range, and then some...

The Nikon Z 28-400mm F4-8 VR gives you everything from wide-angle coverage to super-telephoto reach at the twist of a ring.

Digital Camera World

Fujifilm GF 120mm f/4 Macro R LM OIS WR review: a powerful medium format lens ideally suited to extreme close-ups

If you’re ready for your close-up, the Fujifilm GF 120mm f/4 Macro R LM OIS WR is the medium format tool for the job, in more ways than one.

Digital Camera World

Viltrox AF 56mm f/1.7 review: a portrait lens at a price to make you smile

The portrait-friendly Viltrox AF 56mm f/1.7 prime lens for Fujifilm X and Nikon Z APS-C format cameras is insanely good value.

Digital Camera World

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Digital Camera World

datacolor Spyder LensCal review: DIY autofocus calibration for your camera

The datacolor Spyder LensCal is a calibration tool to help you fine-tune the autofocus accuracy of your cameras and lenses.

Digital Camera World

datacolor SpyderCube review: smarter than a gray card for overall accuracy

The datacolor SpyderCube is like a little magic box that helps you edit photos accurately and consistently

Digital Camera World

Fujifilm GF 63mm F2.8 R WR review: setting a new standard

This Fujifilm GF 63mm F2.8 R WR lens is the equivalent of a ‘nifty fifty’ for the medium format GFX camera system

Digital Camera World

Canon RF 400mm f/2.8L IS USM review: if it ain’t broke, don’t fix it

The ‘new’ Canon RF 400mm F2.8L IS USM isn’t really new. It’s more a tweaked EF-mount lens for mirrorless EOS R-series cameras

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Digital Camera World

Sony FE 16-25mm f/2.8 G review: do the best things really come in small packages?

The Sony FE 16-25mm f/2.8 G delivers wide viewing angles while keeping size and weight to a minimum

Digital Camera World

Vanguard VEO BH-250S review: it’s a whole different ball game

The Vanguard VEO BH-250S is a very clever head, full of neat tricks, super-strong and hugely versatile.

Digital Camera World

Vanguard Alta Pro 3VRL 303CV 18 review: A sturdy video tripod kit and more besides

The Vanguard Alta Pro 3VRL 303CV 18 is designed from the ground up for shooting video, but can easily adapt itself for stills as well if you add an extra head.

Digital Camera World

AstrHori 25mm F2.8 Macro 2.0x-5.0x review: a macro lens and then some, with up to 5x magnification

The AstrHori 25mm F2.8 Macro 2.0x-5.0x gives you anything from 2x to 5x magnification, but it’s a bit of a one-trick pony

Digital Camera World

Fujifilm GF 50mm F3.5 R LM WR review: did you think medium format lenses were too chunky for street photography?

The diminutive Fujifilm GF 50mm F3.5 R LM WR is the closest thing you’ll find to a ‘pancake lens’ for the medium format GFX system

Digital Camera World

Sigma 50mm F1.2 DG DN Art review: A new go-faster standard prime

The Sigma 50mm F1.2 DG DN Art joins the super-fast f/1.2 club, available in L-mount Sony E-mount options

Digital Camera World

7Artisans AF 50mm F1.8 review: this nifty fifty is the company’s first ever autofocus lens

The 7Artisans AF 50mm F1.8 for Sony E-mount cameras is full-frame compatible, as expected, but it also features the big bonus of autofocus.

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