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DARK SECRETS: Patricia kopatchinskaja - The Real Truth

Oslo Philharmonic/Gražinytė-Tyla/Kopatchinskaja review – weapons-grade charisma and anarchic delight

Patricia Kopatchinskaja hurls herself into Stravinsky’s Violin Concerto, while conductor Mirga Gražinytė-Tyla brings precision and intensity to Prokofiev

The Guardian - UK

LSO/Treviño/ Kopatchinskaja review – he conducts with a coiled-spring muscularity

Robert Treviño’s sure hand led the London Symphony Orchestra through mystical Messiaen and cinematic Rachmaninoff with Patricia Kopatchinskaja precise and playful in Márton Illés’s Vont-tér

The Guardian - UK

Prom 67: BBCSO/Peltokoski/Kopatchinskaja review – conducting sensation reveals what the fuss is about

The 24-year-old Tarmo Peltokoski showed there’s substance to the hype with thoughtful Schoenberg – Kopatchinskaja playing with elfin grace – and an ambitious and moving account of Shostakovich’s fifth

The Guardian - UK

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‘I’m not humble. I expect miracles’: why violinist Patricia Kopatchinskaja wants to blow you out of your seat

She plays barefoot in jeans with a thrilling unpredictability that makes every show electric. Ahead of a performance that promises to transform the concert stage into a living room, we meet the whirlwind violinist

The Guardian - UK

On my radar: Alison Balsom’s cultural highlights

The classical trumpeter on a complex marital drama, an uncompromising violinist and a garden that feels like stepping back in time

The Guardian - UK

London's top tourist attractions 2024: what's on in the capital's most visited sites

New figures released today reveal how the capital’s biggest attractions are bouncing back after Covid

Evening Standard

Patricia Kopatchinskaja/Aurora Orchestra review – ferocious evocation of humanity’s reckoning

The violinist leads an unsparing assault of pieces from Biber’s dissonant Battalia à 10 to Ustvolskaya’s Composition No 2 as sirens bellow and metronomes tick down our existence

The Guardian - UK

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LSO/Pappano review – Kopatchinskaja dazzles and ravishes in Say’s Violin Concerto

Fazil Say’s theatrical ‘1001 Nights in the Harem’ was terrific fun, played with exhilarating precision by the LSO and soloist Patricia Kopatchinskaja. Rachmaninov of drama and power ended a concert full of colour

The Guardian - UK

Maria Mater Meretrix review – beautifully paced evening of drama and quiet darkness

Devised by violinist Patricia Kopatchinskaja and soprano Anna Prohaska, this sequence of vocal and instrumental pieces explored depictions of the Virgin Mary and Mary Magdalene with stylish verve

The Guardian - UK

Patricia Kopatchinskaja/Joonas Ahonen review – freewheeling explosive expressionism

The violinist’s extraordinary playing ensured a recital built around two Beethoven sonatas was anything but staid

The Guardian - UK

Hough, Dutilleux & Ravel: String Quartets review – witty scenes of 20s Paris and gossamer delicacy

A long-awaited recording of Ravel is accompanied by Stephen Hough’s composition, absurdist vignettes of Paris

The Guardian - UK

The week in classical: Dalia; Ukrainian Freedom Orchestra and Aurora Proms – review

Garsington’s refugee community opera bowls everyone over. At the Proms, uprooted Ukrainian musicians play as one, and Aurora Orchestra go to the brink

The Guardian - UK

BBC Proms: Aurora Orchestra/Nicholas Collon at the Royal Albert Hall review: Impressive

The orchestra’s celebrated from-memory performance filled the Albert Hall to near capacity

Evening Standard

CBSO/Morlot review – remarkable Thorvaldsdottir and phenomenal Kopatchinskaja

Anna Thorvaldsdottir’s Catamorphosis, premiered here by Ludovic Morlot and the City of Birmingham Symphony Orchestra, is an extraordinary achievement

The Guardian - UK

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The Guardian - UK

LSO/Roth review – vivid, violent and virtuosic premieres

Three UK premieres by Francisco Coll, Helen Grime and Joel Järventausta sat alongside two of Strauss’s symphonic poems in the latest LSO Futures concert

The Guardian - UK

BFO/Fischer review – Stravinsky dazzles and thrills in two sensational concerts

Iván Fischer and his Budapest Festival Orchestra triumphed in this pair of concerts focusing on the works of Stravinsky, with virtuosic soloists Patricia Kopatchinskaja and Nicolas Namoradze

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