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REVEALED: 2 | Rare Historical Photos

Schumann Quartet/Anna Lucia Richter review – immaculate playing prized efficiency over emotion

Despite great commitment from the mezzo-soprano, the four string players merged into corporate facelessness in this performance of Brahms and Schumann

The Guardian - UK

Lars Vogt obituary

German pianist and conductor who brought exceptional sensitivity and lyricism to his performances

The Guardian - UK

Crowd pleaser

The Royal Bangkok Symphony Orchestra has for a very long time enjoyed the enthusiastic support of a sizeable, loyal local cohort of music aficionados who attend many (in a few cases, all) of each season's concerts as a significant part of their essential cultural experience. Following the latest outing by…

Bangkok Post

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Prom 31: Ulster Orch/Rustioni review – ravishing and mesmerising

Daniele Rustioni and his orchestra brought accuracy and beauty to Wagner, Mahler and Schumann, while soprano Louise Alder’s account of Strauss’s Four Last Songs was deeply moving

The Guardian - UK

Leif Ove Andsnes/Marc-André Hamelin review – duo bring uncompromising brilliance to Stravinsky

The pianists united to play Stravinsky’s overwhelming and savage two-piano version of the Rite of Spring, with Adams, Schumann and Debussy in the first half

The Guardian - UK

Radu Lupu obituary

Pianist of exceptional talent whose lack of flamboyance, together with his technical command, emphasised the effortlessness of his playing

The Guardian - UK

Radu Lupu: Five key performances

The celebrated Romanian pianist has died aged 76. We pick five of his greatest recordings

The Guardian - UK

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Kaufmann/Damrau and Deutsch review – deeply felt, rapturous performance

Tenor Jonas Kaufmann’s dark and beautiful tone captured Schumann’s introspection and interlocked with soprano Diana Damrau’s wonderful vocal lines for a ravishing Brahms closer

The Guardian - UK

OAE/Manacorda/Faust review – nimble brilliance and refined care

Isabelle Faust and Antonello Manacorda did their best to make the case for Schumann’s problematic violin concerto, while Manacorda brought something fresh to familiar works

The Guardian - UK

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