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REVEALED: 83 - The Real Truth

“You actually had to be good at your instrument – that doesn’t seem to be a necessary requisite these days”: Roger Taylor and Brian May remember Bohemian Rhapsody

We were taking up “where the Beatles left off”, says May

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“Even today, that instrument is fascinating. I’ve passed it around and players of all sorts have all come to the same conclusion – there is something magic in that instrument”: Billy Gibbons on why Pearly Gates is one of the greatest Les Pauls of all time

All Gibson Les Paul Standards from 1959 are special but what is it about the ZZ Top frontman's Pearly Gates that makes it so unique? As Gibbons says, it might be something entirely supernatural

MusicRadar

"We didn't find it difficult to write pop songs, but it was VERY difficult to write one for the Stones”: 60 years of The Last Time – the Stones’ big breakthrough

It was the group’s first self-penned Number One

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“This breaks my heart and is a sick way of looking at it”: Jack Antonoff responds to Michael Rapino’s comments about ‘underpriced’ concert tickets

Make it illegal to resell at a profit, he says

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“It’s one of George's best songs. His mind is clear and his music is clear”: The genius of the profound 1967 Beatles song that John Lennon held up as George’s greatest

The opening to Sgt Pepper’s second side underlined just how boundless the Beatles’ musical scope had become

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"For garage, punk, and rock styles, it’s got the tonal firepower on offer": Gretsch Electromatic CVT Double-Cut review

A revived classic returns to the Gretsch line-up as an affordable, two-humbucker rock machine

MusicRadar

“Usually I’ve done the demos on my laptop, which can be a bit creatively stifling. You can get lost in the sauce trying to program the drums properly and kinda lose that itch”: Wolfgang Van Halen says he’s taking more chances on his new Mammoth album

“Some of these songs couldn’t have existed on a prior album,' he says

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“I wanted a song Whitney Houston would be proud to sing. It had to be sensual but never cheap, powerful but not overwrought”: DC producer bags first Future Sound Award for AI music

Judges praised the “richness and emotion” of shortlisted songs

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“The record company thought I was mad – but sometimes you sign acts to make money, and sometimes you sign acts to make music”: The making of Enya's Orinoco Flow, the unexpected No. 1 hit that created a New Age superstar

In memory of Enya's longtime producer Nicky Ryan, we take a backwards glance at the ethereal earworm that launched her career

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“Offers a very useful solution for clap emulation without needing to use electronics”: Zultan Raw SlapClap review

If you’re happy and you know it, Zultan is offering a cut-price solution to clapping your hands

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“How can I play machines like they're instruments? How do I play these machines the same way I play a piano or guitar?”: Jack Antonoff reveals the two vintage delay units and classic ‘80s synth that provide the secret sauce on Sabrina Carpenter’s Manchild

“I'm really focusing on how to utilise this stuff to make things feel like they could have only happened in that moment,” he explains

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“That actually came from me and Oz jamming on the piano in my apartment in North Hollywood”: From Ozzy Osbourne to Papa Roach, Fleetwood Mac to George Harrison, here's 5 career-defining songs you didn’t know were written on the piano

We take a deep dive into classic guitar-driven songs that actually started life on the piano

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Focusrite releases blue Anniversary Edition of its Scarlett 2i2 interface

This limited-edition version of the 2i2 comes with three additional premium plugins from Sonnox, Softube and Acustica Audio

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Reverb wants to help you buy more gear with new Wallet feature

Sellers earn 1% cash back to spend on Reverb when funds from sales are stored in the Reverb Wallet

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“I would like to do it. We’re having conversations”: Brian May suggests a Queen Sphere residency could be on the cards

Guitarist is fed up with traditional touring

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“I think it was a song that I wasn’t sure about at first. It felt different, you know, uptempo and sexy, but I love it”: Olivia Dean admits to having initial doubts about her current global hit single

Man I Need is one of the most streamed songs in the world right now

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“I simply could not go on working with Liam a day longer”: Noel's "#1 favourite guitar" that Liam smashed the night Oasis split is up one of over 100 Gallagher-related items up for auction

It could fetch up to £500,000

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“Complex chords and sustained lead tones are reproduced with stunning clarity”: With an 8-octave range, real-time control, has Boss raised the standard for pitch-shifting pedals with the XS Poly Shifter series?

The XS-100 is a pitch-shifting workstation with integrated expression pedal, 30 memory slots, MIDI, and lots of range while the XS-1 presents a 6-octave range in compact format

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“His body of work is unparalleled in its quality and also in the incredibly varied number of musicians he worked with”: Danny Thompson, Pentangle bassist supreme, who played for Kate Bush, Roy Orbison, Nick Drake, and more has died

Tributes have come in from Tony Visconti, Graham Coxon and others

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“Ultra-natural vocal performances that are indistinguishable from live recording sessions”: Could IK Multimedia’s "ethical" ReSing software be a gamechanger for AI voice modelling?

Feed it your scratch vocal and it will replace it with an “expressive, professional-quality voice”

MusicRadar

“We were side of stage every night, salivating and looking at their pedalboards”: Paradise Lost's Greg Mackintosh on channelling Radiohead, covering the Smiths, Trouble’s elusive tone tricks – plus the '80s Ibanez pickup behind his epic sound

The Paradise Lost guitarist on how '80s nightclubs shaped his style, writing guitar as a vocals, and how an old overwound Ibanez Iceman pickup was the holy grail tone on new album Ascension

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“He wanted all that at an undoable selling price”: Mesa/Boogie founder Randall Smith confirms rumours that it built James Hetfield a signature model – and it combined three iconic amps in one

A Diezel, a JC-120 and a Mark IIC+ all in one? That would have cost a whack – and it would have, which is why the Metallica frontman's prototype never got released

MusicRadar

“Once we had done that, we were in the game”: 60 years of The Last Time – the Stones’ big breakthrough

It was the group’s first self-penned Number One

MusicRadar

9 mistakes producers make when using an audio interface - and how to avoid them

From misused monitoring to phase disasters, here are 9 music-making lessons learned the hard way

MusicRadar

“My brother took me there and we waited in line when I was 14 years old, and I’ve been a fan ever since”: 30 years after queuing for his autograph, The Killers’ Brandon Flowers has the "honour" of performing with ‘80s synth-pop legend Howard Jones

The pair duet on Jones’ ‘80s hits No One Is To Blame and Hide And Seek

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