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THE TRUTH ABOUT: Alex brenner - Caught on Camera

A Slow Fire at Jermyn Street Theatre review: From ashes to ashes, guff to guff

2/5

Evening Standard · Aug 26

Precipice at New Diorama Theatre review: 'an insult to the audience’s intelligence'

1/5 This dumbass post-apocalypse musical features a talented cast trapped singing some of the worst rhymes ever written

Evening Standard · Nov 18, 2025

A Knock on the Roof at Royal Court Jerwood Theatre Downstairs review: raw and confronting

3/5 Khawla Ibraheem asks how you would react to a five-minute warning of impending extinction

Evening Standard · Feb 27, 2025

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Pilot review – party games and profound thoughts in a knotty fringe show

Lekan Lawal’s one-man multimedia performance mashes storytelling, comedy and dance into a richly stimulating hour

The Guardian - UK · Aug 25, 2023

The Flying Dutchman review – Wagner updated to England’s dystopian present

With a people-smuggling mariner, vigilant volunteers helping those seeking asylum and a setting evoking prison hulks, Lucy Bradley’s reworking is a sharp reflection of our island nation

The Guardian - UK · Jul 6, 2023

It’s a Motherf**king Pleasure review – a darkly comic satire on disability

This debut from disability-led theatre company FlawBored is not afraid to make us squirm as it skewers virtue signalling and corporate buzzwords

The Guardian - UK · Apr 30, 2023

‘It feels like a healing process’: Breach Theatre on making a musical about Section 28

Two decades on from the repeal of the law that banned the ‘intentional promotion’ of homosexuality in schools, risk-taking theatre company Breach are making a musical about Section 28. They tell Isobel Lewis about the present day parallels

The Independent UK · Mar 1, 2023

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Everything Has Changed review – a children’s guide to navigating our new normal

Covid and the climate crisis are the subjects of a smart and fun two-hander that processes disaster through drama

The Guardian - UK · Aug 10, 2022

Dance of Death review – lethally dull Strindberg staging

A strong creative team featuring Lindsay Duncan and Hilton McRae cannot bring this dreary revival to life

The Guardian - UK · May 31, 2022

We Started to Sing at the Arcola review: this rambling family yarn is intriguing but exhausting

Barney Norris has mined his family’s stories but its meandering structure gives it the air of an anecdote that goes on too long

Evening Standard · May 24, 2022

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