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HISTORICAL FACTS: 2 - Caught on Camera

BBC NOW/Otaka/Lamsma review – all-English programme flows from disquiet to joy

Conductor Tadaaki Otaka demonstrated his quiet authority and his instinctive way with Elgar during a concert that also included Britten and Elizabeth Maconchy

The Guardian - UK

‘It takes a community to develop a musician’: the Royal Philharmonic Society’s John Gilhooly

In an edited extract from his speech at the 2023 Royal Philharmonic awards, its chairman urges joined up thinking to ensure a healthy future for an art form that is central to the wellbeing and prosperity of our national life

The Guardian - UK

Gloriana review – superb singing and smart staging illuminate Britten’s coronation opera

English National Opera’s one-off performance of Britten’s uneven opera was very fine in every respect, with Christine Rice an exceptional Elizabeth I

The Guardian - UK

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CBSO/Morlot review – remarkable Thorvaldsdottir and phenomenal Kopatchinskaja

Anna Thorvaldsdottir’s Catamorphosis, premiered here by Ludovic Morlot and the City of Birmingham Symphony Orchestra, is an extraordinary achievement

The Guardian - UK

LPO/Gardner review – timely celebration of the brilliance of Oliver Knussen

The LPO’s celebration of the late composer included a superbly assured performance of his Horn Concerto by the 19-year-old Annemarie Federle, a last-minute replacement. Glittering Ravel and sequences from Britten’s only ballet followed.

The Guardian - UK

The week in classical: Peter Grimes; Emerson Quartet; RPO/Petrenko

An all-star production of Britten’s opera thrilled; Soviet-era melancholy flowed through Shostakovich’s quartets; and the RPO rose to their game-changing new conductor

The Guardian - UK

A Midsummer Night’s Dream review – Scottish Opera triumphs with nightmarish take on Britten

Staged as a dystopian psychodrama, this sure-footed production is played with beautifully delineated detail

The Guardian - UK

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The week in classical: A Midsummer Night’s Dream; The Cunning Little Vixen; Bath BachFest

Enchantment, glee and fresh voices are well met in Scottish Opera’s winning new production of Britten’s opera, while Janáček’s music holds court at ENO

The Guardian - UK

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Patricia Kopatchinskaja

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From analysis to the latest developments in health,
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English National Opera

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