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BIZARRE: 3 | Mind Blowing Facts

“It was extremely hard to deal with. But if you impose incredibly hard obstacles to making something, and people stay in the room, you might just get there”: The radical neutrality that gave birth to King Crimson’s Red

Robert Fripp, Bill Bruford, John Wetton and guests struggled to deliver the 1974 album that, for many years, remained severely underrated

Louder

“Boz would always have a bottle of Smirnoff in his bass case”: The epic life and high times of Bad Company bassist Boz Burrell, rock’n’roll’s ultimate cool dude

Boz Burrell bought effortless cool to King Crimson and Bad Company and died the way he lived – on his own terms

Louder

“I would call our approach organized chaos, but it drove Allan Holdsworth up the wall”: John Wetton has been the bass force behind a peak-period King Crimson lineup and two prog rock supergroups

A veteran of one of King Crimson’s classic lineups, John Wetton’s amazing career took him through a host of British prog bands

Guitar World

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“The aim was to be ‘the best group in the world’… this easily becomes confused with ‘the most successful group in the world,’ at which point the music may get lost”: Robert Fripp’s observation of King Crimson

Ever wondered what the band is all about? Here are several ways of approaching the question, suggested by the man who’s done the most thinking about it

Louder

“Stupefying seat-of-the-pants stuff nicely served by a crisp, revelatory sound mix… and ripe for reappraisal”: King Crimson’s Sheltering Skies

1982 live set, previously part-released as The Noise, finds the post-Discipline line-up repurposing prog

Louder

Dolly Parton Says She’d Duet With Beyoncé Live, But Defends The CMA Awards After Nomination Snub

“Beyoncé is a country girl in Texas and Louisiana, so she grew up with that base. It wasn’t like she just appeared out of nowhere.” The post Dolly Parton Says She’d Duet With Beyoncé Live, But Defends The CMA Awards After Nomination Snub first appeared on Bored Panda.

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“I acknowledged my masochistic side… my self-destructive nature peaked”: Louise Patricia Crane can’t escape her dark aspect, so she’s brought it into the light on her new album

Former The Eden House vocalist was determined to be brutally honest about herself on Netherworld, with assistance from Jakko Jakszyk and Ian Anderson

Louder

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“It was early days for the band. We’d gone out on a limb… it was by no means certain that the response would be positive”: Genesis’ early fears for Foxtrot

Barely planned, recorded in fits and starts and complete with one of King Crimson’s Mellotron, their 1972 album was, they believe, the moment they began to be taken seriously

Louder

“Robert Fripp was triggering sounds and I just responded… I told him I was feeling more comfortable, and he said: ‘You mean like you’re no longer being auditioned?’”: The series of incidents that led to Jakszyk, Fripp & Collins’ A Scarcity Of Miracles

The reunion of two bandmates who’d fallen out badly in the 70s, combined with the energy of a lifelong fan, resulted in a stunning album that assembled the leading lights of Crimson’s final era

Louder

“We were trying to get to that level of the music we really loved… It’s always slightly out of reach, but my God, you can have fun trying to get there”: Tears For Fears on their mystical purpose

A King Crimson show in 1981 kickstarted the duo’s partnership, powered by all kinds of prog and never completely destroyed by their battles

Louder

“Rory Gallagher’s a saint in my house. There’s even a saintly painting of him above where I hang my guitar”: Meet Louise Patricia Crane, the solo-loving songwriter, seeking new prog sounds with King Crimson’s Jakko Jakszyk

Netherworld is the sound of Crane and producer Jakszyk testing the boundaries of where guitar can go, in the company of special guests Tony Levin, Gary Husband and Ian Anderson

Guitar World

“Even with tensions rife, this music showcases the breathtaking musical telepathy they’d developed”: The best King Crimson songs of the 1970s

They were only around for half of the decade before splitting – but left an indelible mark with six albums of bold, visionary work

Louder

“All I can remember was Robert Fripp giving up completely, saying, ‘There’s no hope’”: King Crimson’s torturous journey through fourth album Islands – and its 30-year fallout

How King Crimson fractured, regrouped and fractured again as they made 1971 album Islands

Louder

King Crimson 1982 France concert to be released on vinyl and CD in September

King Crison's Sheltering Skies (Live in Fréjus, August 27th 1982) is the very first time a live album from the 1980s line-up has been released on vinyl

Louder

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The Independent UK

Inside the small-town poker game crashed by Bill Gates: ‘Bill smelled the bulls**t on the cattle rancher’

The billionaire joined a group of regular workers at Wyoming Fossils in Kemmerer on Monday for a $600 game of Texas hold ’em

Louder

Things are hotting up in the Worcestershire kitchen of Toyah Willcox and Robert Fripp

Robert Fripp and Toyah's Sunday Lunch returns with a blast through the Stooges' Search And Destroy

Louder

“They stuck me in contraptions to make sure he wouldn’t get decapitated”: Comic artist Mark Buckingham on being Peter Gabriel’s stunt double for Sledgehammer

Fables, Hellblazer and Miracleman creative’s prog journey includes ELO, Stackridge, IQ, Magenta, all the King Crimson he can buy… and The Wombles

Louder

The story of King Crimson's Red is on the cover of the new issue of Prog, on sale now!

Plus BEAT, Anthony Phillips, Hawkwind, The Tangent, SIx By Six, Whom Gods Destroy, Trifecta and loads more...

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Louder

“My discipline is doing what needs to be done, whether you like it or not… Robert decides what to do and Fripp has to go and do it”: How to survive over 50 years of King Crimson, by the only person who’s been there

Serious leader of a prog behemoth, hugely influential guitarist, half of the Toyah & Robert party band… who is the real Robert Fripp? He offers some tantalising hints

Louder

“They’d been to university, they had bank accounts; two of them were teachers; they had a car; they’d got a bank loan to buy a PA!”: Phil Manzanera always knew Roxy Music were going to make it

Guitarist who failed his first audition recalls making 1972 debut album for just £5,000

Louder

“We were both big ELP fans, and I’m sure if you look at our record collections back then you’d have seen Yes, Greenslade, King Crimson…” How electronic music duo Underworld grew up with a world of prog

No one would call dance outfit Underworld a prog band. But they grew up influenced by the whole genre, it appears

Guitar World

“Robert had a plan laid out that we would do three records in three years”: Adrian Belew on how King Crimson made an underrated prog classic in “this industrial musical junkyard we created”

Adrian Belew reveals what went on behind the scenes during the making of the band’s dual-personality 10th album, Three of a Perfect Pair – the final studio release from the Fripp/Belew/Levin/Bruford crew

Louder

“I’m 16 and they were my heroes… They started to laugh because I was also playing the echo parts. I didn’t know they were a special effect”: Obsessive attention to detail was always Eddie Jobson’s superpower

From a backstage performance for Curved Air to being dragged onstage by Frank Zappa and out-complicating King Crimson, the UK violinist has managed to ignore distractions from making music

Guitar World

“We started thinking, ‘Well, who could possibly be in the band?’ The only person I could think of was Steve”: Adrian Belew on how he and Steve Vai are forming a new guitar partnership ahead of a King Crimson supergroup tour

'Beat' will tour the band's ’80s material later this year, and the group's guitar duo is working on a partnership that can do the Belew/Fripp double act justice

Louder

“We didn’t go ‘That’s your job’ – we’d say ‘Why don’t you have a go?’ I can remember playing solos on Stylophone… In some places it was like 'the Martians have landed!‘” How Family made Bandstand, and where it took them

With a pre-King Crimson John Wetton on bass and a clutch of idiosyncratic songs with busy arrangements, the 1972 release cemented Roger Chapman and co’s position as one of the most influential bands of the era

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