Get all your news in one place.

100's of premium titles.
One app.

Get all your news in one place.

100's of premium titles. One news app.

EXPLAINED: David crosby | Vintage Vibes

“It comes across as a song about peaceful love and hippie stuff, but it was a protest song”: The story of Hold My Hand, the single that launched Hootie & The Blowfish, the most unlikely mega-selling band of the 1990s

Their debut album sold 22 million

MusicRadar

"Jim Morrison was standing on the balcony shouting: ‘You guys suck! I got more talent in my big toe than your entire group!'" How Poco invented a brand-new sound - only to have it stolen by the Eagles

While everyone else was getting laid at the Tropicana, "squeaky-clean" Poco created a country-rock template others were quick to borrow

Louder

"Of course it was a drug song. We were stoned when we wrote it!" The story of the psychedelic masterpiece inspired by John Coltrane, Ravi Shankar and a trans-Atlantic aeroplane flight

Eight Miles High was the single that should have launched The Byrds into the stratosphere. So why did it instead mark the precise moment when it all came crashing down?

Louder

From analysis to the latest developments in health,
read the most diverse news in one place.

“When he started soloing he turned every knob up on the amp – all the way up. It was great!”: Sadler Vaden on when he and Jason Isbell jammed Little Wing with Pearl Jam's Mike McCready

Vaden and Isbell were playing the Paramount in Jimi Hendrix's hometown Seattle when they invited another local legend onstage to join them. A top-tier performance ensues

MusicRadar

“The atmosphere was intense. Manson said hello and I froze. There was a feeling of extreme evil in the room”: Jon Keliehor went from an unknown psychedelic group to playing with The Doors, turning down The Byrds and rubbing shoulders with Charles Manson

Jon Keliehor was on the frontlines of the West Coast rock scene in the late 60s

Louder

“The first three times I performed it in public, I burst into tears – because it brought back the intensity of the experience”: How Joni Mitchell wrote Woodstock – an era-defining song that spoke to a generation

An anthem inspired by the legendary music festival – by an artist who wasn’t actually there

MusicRadar

"The place was full of chickens, pigs and goats. The whole thing was fascinating": How an acid-tinged account of a North African adventure became the sound of the counterculture

With 60s pop music going psychedelic, Morocco's hippie trail inspired a song that took three years to come to fruition

Louder

Read news from The Economist, FT, and more,
with one subscription

Graham Nash still wants very specific Paul McCartney collaboration

Legendary songwriter Graham Nash has revealed one career goal he still wants to achieve - and it involves The Beatles icon Sir Paul McCartney.

BANG Premier

‘We need each other’: how a Black church and a white church joined forces after Hurricane Katrina

After New Orleans was ravaged 20 years ago, two places of worship teamed up to offer a space for devastated residents

The Guardian - US

“They all thought it was a bonkers idea but it worked. It was already a great song, but that one little thing made it different”: How the Eagles made somebody else’s song their own – and defined the sound of country rock

"Those open chords felt like an announcement: ‘And now... the Eagles!’”

MusicRadar

“I don’t think LSD had a real big impact on the songwriting or guitar playing… it was just that we saw brighter colors and got high!” Roger McGuinn on The Byrds’ influential guitar style, and why they didn’t follow The Kinks and The Who into distortion

The banjo-inspired Rickenbacker guitar icon recalls how Miles Davis got them signed and weighs up the merits of David Crosby and Clarence White

Guitar World

“George Martin came up to me that morning and said, ’Oh, I’ve got a poser for you... I know it’s never been done before, can you do it?“: The story of the greatest thing The Beatles ever recorded

How Sgt. Pepper's epic finale was created

MusicRadar

David Crosby was not happy about being followed by Judas Priest at Live Aid: “Some heavy metal garbage”

Live Aid was 40 years ago this month –but not everyone was down with some of the bands

Louder

‘His music documented an America that no longer exists’: Brian Wilson’s brilliance, by key collaborator Van Dyke Parks

Wilson bought Parks a Volvo when he’d barely met him – and together they brought sublime poetry to pop. He remembers the making of Smile, Surf’s Up and more

The Guardian - UK

Get all your
news in one place.

100's of premium titles.
One news app.

MusicRadar

“John said, ‘I don’t know where to go from here.’ So Paul said, ‘Well, I’ve got this other song I’ve been working on.’ They joined the two bits together to make one song”: The story of the greatest thing The Beatles ever recorded

How Sgt. Pepper's epic finale was created

Guitar World

“David Crosby said, ‘I don't like it, man. That folky 2/4 time never gonna play on the radio’”: The Byrds needed a hit or they’d be dropped. Releasing a cover of Bob Dylan's Mr. Tambourine Man as their first single was a gamble that paid off

Byrds guitarist Roger McGuinn was the third person to ever own a Rickenbacker 12-string, following George Harrison – and his timely purchase would completely transform the Dylan song, and the band's entire trajectory

The Independent UK

Neil Young – has the godfather of grunge just given us the first Maga anthem?

IN FOCUS: The Glastonbury headliner and contrarian-in-chief shows no signs of losing his edge. Stevie Chick explores his life, career, his new unreleased album from the Seventies and his ominous rock augury

Louder

“I played bass in the guitar war between Hendrix and Johnny Winter. It was so loud!”: Stephen Stills’ wild stories of Neil Young, Jimi Hendrix, Jimmy Page and Public Enemy

He’s jammed with Hendrix, hung out with Peter Sellers and ribbed Bob Dylan – you name them, Stephen Stills knows them

Get all your
news in one place.

100's of premium titles.
One news app.

Louder

“I’ve always embraced my musical schizophrenia, and this is just another room in that mansion of personality”: How Them Crooked Vultures became modern rock’s greatest one-and-done supergroup

What happened when Dave Grohl, Josh Homme and John Paul Jones teamed up in Them Crooked Vu.tures

Louder

"I did start by saying: 'Do we need another guitar solo here?'" David Gilmour on boomer fortune and the making of Luck And Strange

For Luck And Strange David Gilmour assembled a team that produced "the best album I've made since The Dark Side Of The Moon"

Louder

“Wordless vocals wail around the memory of his lost love, manifesting a grief too terrible to put into words”: David Crosby’s solo debut proved his prog credentials

If I Could Only Remember My Name, created during a challenging time in the folk rock icon’s life, demonstrated joy in artistic freedom as he pushed boundaries to prove his uniqueness

Louder

“Hendrix took a look at my first album and said: ‘I’ll try it this way’. I don’t appreciate that. But then I can’t play the guitar like him”: The chaotic story of Arthur Lee and Love, the 60s renegades who helped invent the LA scene

The Doors were stars but their Sunset Strip peers Love deserved to be equally famous

Guitar World

“When Clarence White entered the band, it elevated their guitar work. White and Roger McGuinn were electrifying”: Christian Parker on the Byrds’ legacy as folk-rock trailblazers, gear innovators and righteous players in their own right

Parker’s two consecutive albums of Byrds covers showcase the brilliance of one of the '60s most underappreciated guitar powerhouses

Guitar World

“It’s the most beautiful musical instrument that humans have constructed. It’s an impossibility, and truly an American invention”: Justin Vernon, aka Bon Iver, on why he put pedal steel guitar front and center on his latest release

Vernon reunited with pedal steel guitar master Greg Leisz – who previously worked with Eric Clapton, David Crosby, and Sheryl Crow – for his 2024 release SABLE

Guitar World

“I was so into that moment, it was like being stoned… not separated from the guitar and what I was playing. It was joyful”: From unexpected ES-335 solos to jams in a barn, here is your guitar guide to David Gilmour’s breathtaking Luck and Strange

Gilmour says it’s his best since 1973. It’s a solo work but was borne of collaboration. But it might just be the guitar album of the year, and we go track-by-track to parse its brilliance

1 2 3 4 5

People

From analysis to the latest developments in health,
read the most diverse news in one place.

Organisations

Read news from The Economist, FT, and more,
with one subscription

Topics

Places

Fourteen days free

Download the app

One app. One membership.
100+ trusted global sources.