Rolando Villazón directs opera at the world's top houses while still singing Tenor Rolando Villazón has made his Metropolitan Opera directing debut with Bellini's “La Sonnambula.” The Independent UK · Oct 7, 2025
The Elixir of Love review – an intoxicating brush with a snake oil salesman English Touring Opera’s witty production sets this Donizetti comedy at the seaside, complete with donkey rides, fish and chips and a persuasive conman The Guardian - UK · Sep 29, 2025
Lucia di Lammermoor review – Jennifer France is a delight in touching and convincing Donizetti staging The unforced warmth of France’s heroine wins the audience’s sympathy from the outset in Cecilia Stinton’s thoughtful new staging of the bel canto bloodbath The Guardian - UK · Jul 23, 2025
Lucia di Lammermoor at Opera Holland Park review: the chorus is stiff but the leads soar 3/5 Jennifer France negotiates Donizetti’s exorbitant vocal demands with a blend of control and fearlessness that is wholly persuasive Evening Standard · Jul 21, 2025
The week in classical: The Elixir of Love; Septura; Bone-Afide – review Donizetti’s sparkling romcom is on a wartime footing in ENO’s sitcom-style new production. And in a great week for brass premieres, enter 22 trombones… The Guardian - UK · Nov 23, 2024
The Elixir of Love at London Coliseum review: bold, comic and full of sparkle 4/5 This winning reworking of Donizetti’s L’elisir d’amore is suffused with energy Evening Standard · Nov 18, 2024
The Elixir of Love review – Donizetti’s romcom staged as second world war sitcom is hugely enjoyable Set among land girls and flying aces Harry Fehr’s new staging is a lot of fun, with Thomas Atkins making a fine ENO debut and Rhian Lois a terrific lady of the manor The Guardian - UK · Nov 17, 2024
Lucia di Lammermoor review – a vocally breathtaking, disturbing to witness descent into madness Nadine Sierra is sensationally good as Lucia in this revival of Katie Mitchell’s production of Donizetti’s romantic tragedy – a dark, thoughtful and sometimes shocking interpretation for the post-#MeToo era The Guardian - UK · Apr 21, 2024
L’Elisir d’Amore review – Glyndebourne takes Donizetti into the 1950s with wit and charm A strong cast and gleeful chorus enliven this revival of Annabel Arden’s insightful production, which plays up the opera’s irony The Guardian - UK · Nov 12, 2023
Lucrezia Borgia review – dark and atmospheric Donizetti from English Touring Opera Eloise Lally straightforwardly tells this convoluted story of concealed identity ending in a mass poisoning The Guardian - UK · Mar 5, 2023
Don Pasquale review – stunning take on Donizetti with a Dangerous Liaisons-style twist Sensational performances help Mariame Clément’s interpretation achieve great emotional depth and subtlety The Guardian - UK · Jul 25, 2022
Buxton festival review – cowboys, canines and note-perfect farce Antony and Cleopatra conspired in a budget hotel and Donizetti’s slapstick triumphed in a glorious return of the opera pageant The Guardian - UK · Jul 15, 2022
The week in classical: Don Pasquale; Holst’s Sāvitri The charms of Donizetti’s comic opera continue to elude, while a Holst rarity shines in an elegant fusion of music and movement The Guardian - UK · May 7, 2022