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THE TRUTH ABOUT: Ed lyon | History Defined

Il Ritorno d’Ulisse review – a sensuous slice of opulence and luxury

Director John Caird and conductor Laurence Cummings bring Monteverdi back to the Chiltern Hills with polished, festive inclusivity

The Guardian - UK · Jun 19

Candide review – WNO go for broke with picaresque, Pythonesque craziness

Ed Lyon stands out in the titular role and there’s some witty animation, but Bernstein’s operetta feels too frenetic, with extra fizz forcefully injected

The Guardian - UK · Jun 23, 2023

Clorinda Agonistes review – a dance of love and death on the battlefield

A crusader and a Saracen have a fateful encounter in this richly layered work by Shobana Jeyasingh Dance, set to Monteverdi and a plangent score by Syrian-American composer Kareem Roustom

The Guardian - UK · Sep 11, 2022

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A rebel with a cause: how I breathed new life into Monteverdi’s Saracen warrior

It was the energy of the baroque gem Il Combattimento di Tancredi e Clorinda that first drew choreographer Shobana Jeyasingh, but its enigmatic heroine became an obsession. She explains why she has given Clorinda a new story – and an extra body

The Guardian - UK · Sep 7, 2022

Ed Lyon/James Cleverton/Psappha review – touching, lyrical premieres

Conor Mitchell’s Look Both Ways was the centrepiece of an evening of new music at the Cheltenham festival: a song cycle setting the love letters of Benjamin Britten and Peter Pears

The Guardian - UK · Jul 17, 2022

Orfeo review – descent to the underworld takes you to heaven

John Caird delivers a triumphant fusion of staging, choreography and performance – with Ed Lyon formidably assured in the title role

The Guardian - UK · Jun 2, 2022

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