Siegfried at Royal Opera: A spectacular triumph 4/5 The latest part of Wagner’s Ring cycle at Royal Opera is remarkably performed and staged Evening Standard · Mar 18
Siegfried review – invigorating and mesmerising staging, with Schager outstanding as Wagner’s hero The third opera of Barrie Kosky’s Ring cycle again places the naked ancient earth goddess centre stage in a thoughtful and deft production that boasts an excellent cast and orchestral playing that captures the score’s complex colours The Guardian - UK · Mar 18
Die Walküre review – Kosky’s formidable staging is full of magic and menace The second of the Royal Opera’s new Ring cycle again places Erda, the ancient Earth Mother, at its heart to create a memorable new production full of very fine singing and playing The Guardian - UK · May 2, 2025
‘Touching the soul is all that matters!’ The outrageous genius of Barrie Kosky and his Wagner phantasmagoria He put Carmen in a gorilla suit and had Das Rheingold’s Erda represented by an 82-year-old naked woman. What are the the director’s plans for his edge-of-the-seat Die Walküre? The Guardian - UK · Apr 23, 2025
Opera actor, 82, furious with critic for saying she looked a fright on first night ‘The “fright” look is all naturally mine,’ riposted Rose Knox-Peebles after FT reviewer assumed she had makeup on in Das Rheingold The Guardian - UK · Sep 20, 2023
‘The “fright” look is all naturally mine’: Octogenarian’s brilliant swipe at opera critic ‘The look is all naturally mine,’ she said The Independent UK · Sep 20, 2023
The week in classical: Das Rheingold; Lucerne festival review – all about oil From an all-consuming performance of Barrie Kosky’s fierce new Rheingold to a stage invasion in Lucerne, musical excellence and the climate emergency went hand in hand The Guardian - UK · Sep 16, 2023
Das Rheingold review – uncluttered staging is a compelling start to Kosky’s Ring cycle With the figure of earth goddess Erda present throughout, the message – of the despoliation of the natural world – is clear. There’s no weak link in a uniformly strong cast, and in the pit Pappano has the measure of Wagner’s grandeur and intimacy The Guardian - UK · Sep 12, 2023
The Rhinegold at London Coliseum review: a feast for the eyes but the flavours don’t quite add up The blazing fusion of music and drama is only kindled in the closing stages Evening Standard · Feb 20, 2023
The Rhinegold review – witty and insightful, Jones’s production delivers an emphatic win for ENO The Rhine shimmers, the gold dazzles and the gods posture – Richard Jones has by and large gone back to Wagnerian basics for his assured and cogent staging. In the pit, Martyn Brabbins and ENO’s orchestra add lustre The Guardian - UK · Feb 19, 2023