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BIZARRE: Fender - You Need To See This

“Even though it’s a budget guitar, it’s great. Paul Stanley used to smash one up at the end of KISS shows”: The amps that defined punk, the custom electric that was “painted in a shed” – Bruce Watson on the gear behind Big Country’s sound

The Big Country guitarist pulls some choice guitars and amps out of the vault, and explains why the Esquire beats the Tele

Guitar World

“I was a child – he’d choose which records I would get royalties on and which I didn’t. He was stealing my money, and I didn’t realize it”: The untold story of “The Lost Beach Boy” David Marks

David Marks reflects on the surf-rock beginnings of one of the world's most beloved pop-rock institutions, recalling the good times, bad times, and his return to the fold

Guitar World

“I suspect Fender decided against building Thinlines with this specification because they would have been too expensive to manufacture”: What two 1967 prototypes tell us about the evolution of the Telecaster Thinline

Dave Davidson of Well Strung Guitars describes how, during 1967, Fender got busy developing an alternative to heavy ash Telecaster bodies

Guitar World

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“Damon got very good, so it was pretty hard to write with him around – especially when he was rejecting your songs”: How Graham Coxon came out from his Blur bandmate’s shadow

Noel Gallagher called him one of greatest guitar talents of his generation. Coxon explains why he doesn’t agree as he shares the origin story of his lost solo album and the future of Blur

Guitar World

“The very essence of the Fender aesthetic… It reigns supreme for its no-nonsense approach to a dual-channel, giggable package”: Fender Hot Rod Deluxe IV 30th Anniversary review

The ubiquitous Hot Rod Deluxe celebrates its 30th birthday with a snazzy new look and some subtle sonic enhancements

MusicRadar

“I was starting to get tired – as much as I hate to say it – of the very predictable Marshall sound”: Slash took his new favorite amp brand on the Guns N’ Roses tour without telling anyone

Slash pivoted from Marshall to Magnatone in a high profile move back in 2023

Guitar World

“I probably have a little more facility with my fingers than my dad – but I don’t think I’m as good a songwriter as him!” Sean Lennon on too many pedals, embracing Acoustasonics, and caring for his dad’s instruments

He’s glad Yoko Ono stopped him playing John Lennon’s guitars at the age of 12, as he looks forward to touring the new Claypool Lennon Delirium album, using as little gear as he can get away with

Guitar World

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"Ambitious in its vision, flawed in its execution. This might not be the guitar/bass hybrid you were hoping for": Fender Vintera III Early '60s Bass VI review

Fender's cult classic offset, beloved by The Beatles and beyond, is back and supposedly better than ever

Guitar World

“The company disagrees with Fender’s assessment”: PRS has been hit by a cease-and-desist from Fender – bringing John Mayer’s Silver Sky into the center of the S-style legal dispute

This has now become the highest-profile case of the entire dispute, and could well be one of the most hotly contested

Guitar World

“I said, ‘It’s everything I need. Can I borrow it to do my demo?’ They went, ‘Let me ask Ern’”: Steve Morse on how a gear nightmare lead him to Ernie Ball – and the signature guitar of his dreams

Morse has become one of Ernie Ball’s most loyal and high-profile endorsers – and it all started with a broken volume pedal

Guitar World

“The focus is on products that completely replicate the exact body design”: Fender is finally speaking out on its cease-and-desist strategy. We reveal the company’s endgame, how it plans to work with rivals and who it’s really going after

Fender might not be declaring war after all – but if its legal campaign succeeds, the guitar market will change forever

Guitar World

Hot 100: T3's picks of the greatest tech in 2026

The greatest products, the most interesting people, and the spiciest trends you need to know about in the year ahead

Some gear was designed specifically with Teles in mind – and these amps and pedals work especially well with Fender Telecasters

The world's first mass-produced electric inspired overdrive pedals, brought the best out of Fender's black-panel combos and pairs very nicely with a splash of some spring reverb

Guitar World

“You’re not going to get the perfect guitar just because it’s old and cool and original and worth money”: Eric Johnson tells us why vintage is not always best (even if he regrets selling his ’54 Strat)

The guitar-tone guru reflects on the instruments that have passed through his hands, and offers some advice for anyone shopping for a new guitar

Guitar World

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Guitar World

"I would prefer to see Fender tweak the pickups rather than the aesthetic": Fender Vintera III Mid '60s Telecaster review

Shifting the focus from the highlights of a decade to more specific years, Fender updates its Vintera range in a way that will please those who get a kick out of attention to vintage aesthetics

Tom’s Guide

This Fender Bluetooth speaker doubles as an amp for your guitar — and it’s just $300

This new Bluetooth speaker from Fender allows you to take your music — and guitars — anywhere and everywhere you want to go.

Guitar World

“The bass you think of when you go to pick a bass. It’s magic and it really has no limits”: Fender celebrates 75 years of the Precision Bass with three stunning anniversary models

We've got bling with the AmPro PJ Bass, OG mojo with the American Vintage II 1951 Precision Bass, and a super-glam Player II P Bass in Diamond Dust Sparkle...

Guitar World

“Fender wants a showdown”: What is Fender’s endgame in its cease and desist campaign against S-styles? This video might have the answer

Mike P. of the Eldorado Guitars argues that Fender's ruling in Germany was only the first move

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Guitar World

“A lot of people say, ‘I can draga guitar behind my car and then sell it for that price.’ It’s like, ‘OK, go do itthen!” In the court of the Master Builders – Fender’s Custom Shop gurus spill the secrets of their trade

With Fender’s Custom Shop nearing its 40th anniversary, we catch up with two of its most sought-after Master Builders, Austin MacNutt and Andy Hicks, to talk Teles, Jazzmasters, mods and more

Guitar World

“This is a PR disaster that will haunt Fender for years”: Two of guitar’s biggest YouTubers are cutting ties with Fender over its cease and desists

Fender has been widely criticized after it allegedly sent cease and desist letters to multiple builders that make Stratocaster-inspired guitars

MusicRadar

“There’s an almost played-in vintage feel to this new Offset that’s appealing: it doesn’t feel like a glossy new guitar”: Eastman FullerTone Offset '62 review

Having launched two very impressive FullerTone models last year, Eastman delivers another – the first with an offset vibrato and oh-so hipster style

Guitar World

“It’s comic book level villainy”: Your reactions to Fender’s cease and desist strategy – and how it could transform the S-style market

Fender’s decision to issue cease and desists to builders of Stratocaster-inspired electric guitars has been widely panned – but some argue it is their right to do so

MusicRadar

“This is like the center of gravity for the bass world”: Geezer Butler, Tal Wilkenfeld and Nate Mendel hail the legacy of the P Bass, as Fender celebrates its 75th anniversary

Fender unveils the 75th Anniversary P Bass Collection featuring a a stunning American Professional PJ Bass, a Player II P Bass in Diamond Dust Sparkle, and a retro American Vintage II 1951 model

Guitar World

“Despite its unassuming looks, I think this is a lot of guitar for the money”: Charvel Standard Series San Dimas Style 2 SD2 HH HT Gloss Black review

Charvel scales down its T-type to around half its usual outlay, but the quality remains largely intact

MusicRadar

“Just the quirky 7/8 time reminds me of Roger. It’s not a song I would have written. It points itself at Roger”: The classic track from The Dark Side Of The Moon that gave Pink Floyd their first US hit

“We created a 4/4 progression for the guitar solo and made the poor saxophone player play in 7/4”

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