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UNCOVERED: 2 | History Defined

‘All the Beauty and the Bloodshed’ review: A nonfiction gem about photographer and activist Nan Goldin

When director Laura Poitras’ documentary “All the Beauty and the Bloodshed” snagged the top prize at this year’s Venice Film Festival, in a field of qualifying titles including “Tár” and “The Banshees of Inisherin,” accusations of contrarian virtue-signaling were flung hither and yon, in some cases even by people who’d…

Chicago Tribune

How one artist took on the Sacklers and shook their reputation in the art world

A new documentary All The Beauty and the Bloodshed tells the story of Nan Goldin, a photographer and activist who survived opioid addiction — then challenged members of the Sackler family.

WEKU

Artist Nan Goldin on addiction and taking on the Sackler dynasty: ‘I wanted to tell my truth’

Her battle against the billionaires who fuelled the opioid epidemic upended the art establishment. As a film about her life is released, she talks about family tragedy and her journey to activism

The Guardian - UK

From analysis to the latest developments in health,
read the most diverse news in one place.

London film festival 2022: Peter Bradshaw’s top 12 picks

A new Sam Mendes drama, Noah Baumbach adapts Don DeLillo and an amazing debut by Charlotte Wells: the Guardian’s chief film critic chooses his must-sees

The Guardian - UK

15 must-see films from the Toronto International Film Festival

It was like a muscle memory, quick to come back. That feeling of hustling from theater to theater, waiting in lines and just being surrounded by other people that used to be an annual tradition as part of the Toronto International Film Festival but for many longtime attendees has been…

Los Angeles Times

Poitras Documentary Wins Top Prize at Venice Film Festival

“All the Beauty and the Bloodshed,” Laura Poitras’s epic documentary about photographer Nan Goldin and her activism against the Sackler family and their art connections has been awarded the Golden Lion for best film at the 79th Venice International Film Festival. Poitras, the American filmmaker behind the Oscar-winning Edward Snowden…

Asharq Al-Awsat

Venice film festival 2022 week two roundup – discomfort and joy

A mood of theatricality prevailed at this year’s edition – a bleak but furiously cinematic Marilyn Monroe biopic and a forbiddingly austere French courtroom drama being the most distinctive offerings

The Guardian - UK

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Artists must expose corruption, urges director of documentary on opioid crisis

The story of Nan Goldin, a photographer who campaigned against the Sackler family’s Purdue Pharma, premieres at the Venice Film Festival

The Guardian - UK

Laura Poitras film spotlights activist photographer Goldin

Laura Poitras' Nan Goldin documentary "All the Beauty and the Bloodshed,” is having its world premiere at the Venice Film Festival on Saturday, where it is part of the main competition slate

The Independent UK

At 90, the Venice Film Festival Looks Better than Ever

Cinema’s biggest stars just seem to shine a bit brighter at the Venice International Film Festival, which begins this week in the Northern Italian city. Think of Lady Gaga, a woman who has never shied away from a grand entrance, somehow topping even herself delicately perched over the edge of…

Asharq Al-Awsat

At 90, the Venice Film Festival looks better than ever

For director and actor Olivia Wilde, the dream of the Venice International Film Festival was woven into the fabric of her new film, “Don’t Worry Darling.”

The Independent UK

New York Film Festival sets lineup for 60th edition

The New York Film Festival will celebrate its 60th anniversary with a robust 32-film main slate and a number of hometown tales, including James Gray’s Queens coming-of-age drama “Armageddon Time” and Laura Poitras’ documentary “All the Beauty and the Bloodshed,” about artist Nan Goldin’s battle against the Sackler family

The Independent UK

Venice film festival 2022: Line-up, attendees and everything else there is to know

This year’s festival promises major star-power, but no blockbusters

Evening Standard

Stomach-churning, creepy and surreal: David Cronenberg’s return to body horror

With Cronenberg’s latest film ‘Crimes of the Future’ about to screen in Cannes, Geoffrey Macnab looks at the director’s morbid fascination with body horror, and says it’s a real achievement if it provokes as much outrage as his bloodiest earlier works

The Independent UK

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