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MYSTERIOUS: Leo abrahams - What They Never Told You

Anohni review – masterful songbook reinventions are an out-of-body experience

Accompanied by a virtuosic band and powered by her operatic voice, Anohni is as good as Nina Simone at interpreting songs – and her own catalogue proves equally malleable yet strong

The Guardian - UK

Harry Styles reveals diverse line-up for 2026 Meltdown festival featuring jazz, pop, indie and electronic artists

Harry Styles reveals diverse line-up for 2026 Meltdown festival featuring jazz, pop, indie and electronic artists

The event will be held at the Southbank Centre in London this summer

The Independent UK

Harry Styles reveals Meltdown festival line-up including Royal Festival Hall gig

Harry Styles reveals Meltdown festival line-up including Royal Festival Hall gig

The event will be held at the Southbank Centre in London this summer

Evening Standard

From analysis to the latest developments in health,
read the most diverse news in one place.

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Harry Styles announces jazz, pop, indie and electronic artists for his Meltdown festival

London festival will feature an intimate Styles performance as well as appearances from Warpaint, Kamasi Washington, Devonté Hynes and more

The Guardian - UK

‘It was spooky’: folk singer Olivia Chaney on how a song reflecting her own Brontë-ish love triangle wound up in Wuthering Heights

Offsetting Charli xcx, Chaney’s take on 19th-century ballad Dark Eyed Sailor accompanies Margot Robbie on the moors – but it’s just a tiny part of her culture-crossing, history-vaulting musical catalogue

The Guardian - UK

“He’d already set everything up... The guitar was radically out of tune and the strings were virtually hanging off it”: Leo Abrahams on his Strat-wrestling initiation with Brian Eno, why he didn’t want to be famous, and what he learned from Paul Simon

The guitarist/producer has worked with Brett Anderson, Jarvis Cocker and Imogen Heap among others, but here he explains why his younger self might be slightly disappointed in his playing

“Due to digital, music now has a terrible sort of housewifely tidiness. It's possible to fix absolutely everything”: Brian Eno on sonic perfectionism, Bowie and his new collaborative double album with Beatie Wolfe

We visit Brian Eno in the studio to find out more about Luminal and Lateral, a collaborative project with conceptual artist Beatie Wolfe

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“I remember thinking, ‘Don’t panic, maybe he’ll come over’”: How a chance encounter at a guitar store led to Leo Abrahams becoming Brian Eno’s right-hand guitar man

“I remember thinking, ‘Don’t panic, maybe he’ll come over’”: How a chance encounter at a guitar store led to Leo Abrahams becoming Brian Eno’s right-hand guitar man

The versatile guitarist sets the record straight on his chance meeting with the synth-loving super producer

“I used to give myself a hard time about imperfections – the challenge now is finding out what makes it human”: Guitarists need to change their approach in the face of AI. Just ask Charlie Cunningham, the acoustic virtuoso fusing Meshuggah and fingerstyle

“I used to give myself a hard time about imperfections – the challenge now is finding out what makes it human”: Guitarists need to change their approach in the face of AI. Just ask Charlie Cunningham, the acoustic virtuoso fusing Meshuggah and fingerstyle

In defiance of the huge recent advances in tech, the UK guitarist’s new album In Light focuses on simplified sounds, less technical performance and embracing imperfection in the face of self-congratulatory AI

“Coldplay come on stage to that piece - who’s not going to like it when 20,000 people get up to your song?”: Our re-discovered classic interview with Jon Hopkins catches him on the verge of his most successful decade

“Coldplay come on stage to that piece - who’s not going to like it when 20,000 people get up to your song?”: Our re-discovered classic interview with Jon Hopkins catches him on the verge of his most successful decade

At the end of the 2000s, the IDM titan spoke to us about tech, his terrifying sessions with Coldplay and his desire to go somewhere new in the looming 2010s

“This is a hideous name drop, but…”: Jon Hopkins reveals what he learned from Brian Eno about music production

“This is a hideous name drop, but…”: Jon Hopkins reveals what he learned from Brian Eno about music production

“As much as possible, don't get bogged down in the tiny minutiae,” he says

Lance Gurisik: Proffer review – a heart-wrenching, genre-crossing compendium

Lance Gurisik: Proffer review – a heart-wrenching, genre-crossing compendium

The Australian composer’s latest offering is a mashup of electronica, minimalism, drum’n’bass and more – but it’s the orchestral tracks that really shine

The Guardian - UK

"He knows very little about an awful lot, but it’s how he applies that knowledge - and it’s down to confidence, too": How Brian Eno became music's ultimate renaissance man

"He knows very little about an awful lot, but it’s how he applies that knowledge - and it’s down to confidence, too": How Brian Eno became music's ultimate renaissance man

Producer, collaborator, hard-to-use synth champion, ambient maestro, app developer and chancer Brian Eno is certainly a pioneer, but of what? Well, how about everything?

Brian Eno announces first solo tour: London dates and how to get tickets

Titled Ships, the tour will travel across Europe, including two shows in London

Evening Standard

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