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REVEALED: 7 | Vintage Vibes

The Tempest review – the bard in budgie smugglers

Sean Holmes’s gleefully comic take is a riot of holiday colour and fun, featuring luminous lilos, stag do bantz and a playful Prospero in eyewateringly tight trunks

The Guardian - UK

Billy Elliot the Musical review – the boy who just wants to dance is back in an electric new production

Nikolai Foster’s new version is more like a play with dance and songs, giving ideas around love and loss, community and isolation, passion and violence room to breathe

The Guardian - UK

Patriots review – Peter Morgan’s compelling study of Russian dissidence

Tom Hollander stars as Boris Berezovsky in The Crown creator’s new drama, which has a show-stealing performance by Will Keen as Vladimir Putin

The Guardian - UK

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Patriots at the Almeida Theatre review: Tom Hollander stars in Peter Morgan’s cracking oligarchs’ tale

Rupert Goold’s witty production about the oligarch who arguably created Putin and was then destroyed by him is sadly very timely

Evening Standard

The Seagull review – woodchip-walled Chekhov is hypnotic

Emilia Clarke and Indira Varma star in Jamie Lloyd’s stripped-back West End production which asks probing questions about performance

The Guardian - UK

Mad House review – David Harbour and Bill Pullman spar in dark family psychodrama

Theresa Rebeck’s play follows the relationship between a terminally ill father and a mentally unstable son

The Guardian - UK

A Doll’s House, Part 2 review – Ibsen’s Nora returns for second round

Noma Dumezweni is a compelling lead in Lucas Hnath’s sequel, which is well drawn but a little too tightly controlled

The Guardian - UK

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A Doll’s House, Part 2 review: A bit of Ibsen fanfic that’s more of a think piece than a drama

Noma Dumezweni stars in Lucas Hnath’s schematic Broadway hit about what Nora Helmer did next

The Independent UK

Cursed Child star Noma Dumezweni: ‘As a Black woman in acting, I’m fearless now’

A landmark turn as Hermione in the Harry Potter play brought the actor to Disney and HBO’s attention. Now she’s playing godmother to a new generation of Black talent

The Guardian - UK

Violet review – Coult’s debut opera opens Aldeburgh with assurance

Alice Birch’s elliptical story of a wife finding freedom as society disintegrates is opaque but Tom Coult’s confident and varied score gives the work power

The Guardian - UK

The Week on Stage: From The Glass Menagerie to Jordan Brookes

The highs and lows of the week’s theatre

The Independent UK

Britannicus review – political drama is deadly serious but full of sass

Timberlake Wertenbaker’s take on Racine’s version of ancient Rome is replete with power-crazed emperors, deadly poison and juicy family politics

The Guardian - UK

Nathaniel Curtis: ‘I’m tall, I’m half-Indian – the opportunities weren’t there five years ago’

The ‘It’s a Sin’ star waited half a decade for a decent gig – now he’s nabbed a major lead role on stage. He talks to Isobel Lewis about ‘Britannicus’ at the Lyric Hammersmith and why Russell T Davies’s Aids drama was so groundbreaking

The Independent UK

The Father and the Assassin review – gripping tale of the man who killed Gandhi

Anupama Chandrasekhar artfully unpicks the forces of history with a tale of violence and colonialism that echoes into today

The Guardian - UK

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The Independent UK

My Fair Lady review: Amara Okereke shines as Eliza Doolittle in Bartlett Sher’s glossy musical

Director wrings every last drop of comic potential out of classic musical

The Guardian - UK

My Fair Lady review – perfectly elegant, ever so sedate

Eliza Doolittle and Henry Higgins are back in a time capsule of nice frocks, great tunes and comic bickering – but it’s solid not spectacular

The Guardian - UK

The week in theatre: Oklahoma!; Unchain Me; House of Ife

Rodgers and Hammerstein’s first musical is roughed up; dreamthinkspeak amble around Brighton; and a first for Amharic on the British stage?

The Guardian - UK

House of Ife review – buried secrets unearthed by grief

A family gathers following a son’s death to tackle unfinished business provoked by cultural tensions and an absent father, in Beru Tessema’s absorbing play

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The Guardian - UK

Oklahoma! review – an invigorating take on Rodgers and Hammerstein’s classic

This modern, sexy and unsettling show injects thrills into a familiar musical, making it feel newly minted

Evening Standard

Oklahoma! review: Stripped back version is the best revival yet

After triumphing at the Tonys, this pared-back production comes to London

The Guardian - UK

The week in theatre: The Great Middlemarch Mystery; The 47th; For Black Boys Who Have Considered Suicide…

A site-specific quest gets to the heart of George Eliot’s novel; Mike Bartlett makes a Shakespearean tragedy of Trump; and six young black men find full expression in Ryan Calais Cameron’s eloquent new play

The Guardian - UK

Scandaltown review – smut and silliness in modern Restoration comedy

Mike Bartlett’s rambunctious capers with types including Lady Susan Climber and Matt Eton MP are great fun if not exactly stinging satire

Evening Standard

Scandaltown at the Lyric Hammersmith review: Mike Bartlett’s social pastiche is showy but insubstantial

This contemporary Restoration comedy is one of Bartlett’s sketchier works

The Guardian - UK

Cabaret’s Elliot Levey: ‘This Passover, an exodus is happening in real time’

As Jews prepare to recount the escape from Egypt over the Seder night, the Olivier award-winning actor reflects on his personal connection to the Ukrainian conflict

Evening Standard

The 47th, Old Vic review: A hideously transformative turn from Bertie Carvel as Trump

Mike Bartlett’s blank-verse drama about Trump running for president (again) is eloquent and clever, but has surprisingly little to say

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