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HISTORICAL FACTS: Max webster | History Defined

One Day has been a bestselling novel, a forgettable film, a beloved TV series – now can it be a musical?

David Nicholls’s romantic saga is heading to stage, in the very city where its characters first felt the sparks fly. But how to cram 20 years of romance into two tune-filled hours? By focusing on the little moments, say its creators

The Guardian - UK

The Importance of Being Earnest review – Stephen Fry’s Lady Bracknell presides over merrily queered comedy

Max Webster’s frisky Oscar Wilde revival, first seen at the National Theatre, arrives in the West End with a new cast

The Guardian - UK

The Importance of Being Earnest: 'Stephen Fry's Lady Bracknell is the trump card'

3/5 An all-star cast takes on Oscar Wilde’s classic in hyper-camp style

Evening Standard

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Titus Andronicus review – Simon Russell Beale is sublime amid epic horrors

Echoes of Gaza and Guantanamo ripple through the violence of Shakespeare’s paradoxically poetic play, immaculately staged by the RSC

The Guardian - UK

The Importance of Being Earnest at the National Theatre review: Ncuti Gatwa stars in a fizzing production

4/5 Expect Bridgerton-style colourblind casting and sexual fluidity in this radical reinvention of a 19th-century classic

Evening Standard

The importance of freeing Earnest – without bursting Oscar Wilde’s ‘delicate bubble of fancy’

The 1895 comedy has been staged with age-blind and all-male casts and even David Suchet as Lady Bracknell. Now reinvented again, at the National Theatre, the trick is to be seriously funny

The Guardian - UK

Sharon D Clarke: ‘When I first started being seen for TV roles it was just endless nurses’

The actor on playing Lady Bracknell at the National, the groundbreaking gay love story of Mr Loverman, and getting married on stage

The Guardian - UK

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Wonderful high-def clips of old Top Of The Pops performances are appearing on YouTube

Featuring Gillan, Thin Lizzy, Suzi Quatro, Whitesnake, Motörhead, Meat Loaf, 10cc, The Who, Max Webster, Emerson, Lake & Palmer, Genesis, Queen and more

Louder

The week in theatre: G; The Spy Who Came in from the Cold; The Real Thing – review

Reality is up for debate in Tife Kusoro’s rapid-fire new drama, David Eldridge’s nuanced take on John le Carré, and Tom Stoppard’s most loving play

The Guardian - UK

The Real Thing review – Tom Stoppard’s gem still shines

Passion and art are dissected in tricksy style in a production that manages to wrongfoot the audience

The Guardian - UK

The Real Thing at the Old Vic review: James McArdle is a revelation in this Stoppard play

Though it suffers from dated references, the script’s intelligence and passion shines through

Evening Standard

Is the theatre interval becoming a thing of the past?

Lasting Covid impact and need to attract audiences behind move to performances running straight through

The Guardian - UK

The week in theatre: The Cherry Orchard; Minority Report; Laughing Boy – review

The aged servant steals the show in a fast-paced 21st-century Chekhov, Max Webster’s dystopian sci-fi dazzles the eye, and a campaigning drama is tender and furious

The Guardian - UK

Minority Report review – futuristic fugitive thriller is criminally undercooked

Max Webster and David Haig’s ambitious female-led stage version of the sci-fi thriller is overwhelmed by its own optics

The Guardian - UK

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Evening Standard

David Tennant and Cush Jumbo's acclaimed Macbeth heads to the West End

Max Webster’s haunting, sell-out production returns this autumn

Louder

"Epitomising the blend of prog-rock chops, pop sensibility and Zappa-influenced weirdness that was Max's secret formula": Max Webster's High Class In Borrowed Shoes

High Class In Borrowed Shoes is the second album by extravagantly dressed Canadian rock eccentrics and Rush buddies Max Webster

The Independent UK

Macbeth review: David Tennant is a compellingly intense Scottish king in Donmar’s show of sonic trickery

Lady Macbeth’s whispers crackle in your ear as audience members wear headphones in Max Webster’s intimate production, but the sound design can sometimes feel like a distraction

Evening Standard

Macbeth at the Donmar Warehouse review: David Tennant is magnificent, so why sex it up with headphones?

Tennant and Cush Jumbo star as Shakespeare's murderous couple, but their work is overwhelmed by some ill-advised aural shenanigans

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The Guardian - UK

Macbeth review – David Tennant thrills in this high-concept production

The staging is imaginative and expressive, and the audience is immersed in the action by hearing everything through headphones

The Guardian - UK

30 autumn arts highlights, chosen by Observer critics

From Scorsese and Madonna to a Philip Guston retrospective, a Maria Callas tribute and Armando Iannucci’s play on Tory chaos, our writers pick the best things to see this autumn

The Guardian - UK

Cush Jumbo to join David Tennant in Macbeth at London’s Donmar Warehouse

The actor, who has previously starred as Hamlet at the Young Vic, is to play Lady Macbeth among a wave of star-powered Shakespeare productions this year

Daily Record

David Tennant will play Macbeth in Donmar Warehouse production in December

Scots star David Tennant has previously performed lead roles in Hamlet, Richard II and Romeo And Juliet.

Chicago Tribune

Review: ‘Life of Pi’ on Broadway has adventure aplenty but leaves behind the heart of the story

NEW YORK — Oceans — let alone lethal Bengal tigers on lifeboats — are usually a nightmare for Broadway; just look at the trouble Disney’s “The Little Mermaid” had in going under the sea. But in the 2019 stage version of “Life of Pi,” which was scripted by Lolita Chakrabarti,…

The Guardian - UK

No strings attached: the new wave of puppetry storming London’s West End

Sophisticated productions of Life of Pi and 101 Dalmatians are pushing the art of puppetry into new and sometimes surprisingly dark directions

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