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EXPLAINED: Michelle terry | Rare Historical Photos

Mother Courage and Her Children: Big, bold populist political theatre

4/5 Michelle Terry gives a bravura performance in this first staging of Brecht at Shakespeare’s Globe

Evening Standard

Mother Courage and her Children review – moving, funny and savage portrait of life during wartime

Forgoing Brecht’s usual distanciation, Anna Jordan’s new translation and Michelle Terry’s lovable performance bring out the humanity of a woman doing what’s necessary to keep herself and her family alive

The Guardian - UK

Why are Hollywood stars lining up to appear in a play they know nothing about?

Toby Jones, Frances McDormand and Mike Myers are some of those who have appeared alongside Tim Crouch in An Oak Tree, despite never having seen the script before. As the play celebrates its 20th anniversary, past performers explain its strange appeal

The Guardian - UK

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Three Sisters review – candlelit stage throws flickering light on a fiery family

Chekhov’s claustrophobic drama is perfectly suited to this intimate venue, with moments of humour leavening the heartbreak

The Guardian - UK

Three Sisters at the Globe review: Michelle Terry is riveting in this tale of suffering Russian gentlefolk

4/5 Chekhov’s aching subtlety and humanity finally finds an ideal home in Caroline Steinbeis’ production

Evening Standard

Government announces plans for first men’s health strategy

The move was hailed by experts, who say the blueprint will ‘bring real change’ to the lives of men across the country.

The Independent UK

Call for action on UK men’s health as 133,000 die early every year

Movember says British men have worse health than comparable countries and suffer stark regional inequalities

The Guardian - UK

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The week in theatre: Romeo & Juliet; Richard III; Passing Strange review – no fault in these stars

Jamie Lloyd’s youthfully intense staging gives us a Juliet for the ages; Michelle Terry’s king rises above the disability row; and the European premiere of a Broadway musical rocks but doesn’t soar

The Guardian - UK

Richard III at Shakespeare's Globe review: Michelle Terry shines but the show is shouty and unfocused

Bizarre pacing choices and gabbled lines undermine the production – but the Globe’s artistic director makes for a compelling king

Evening Standard

Richard III review – a fast-paced study of toxic masculinity with an almost entirely female cast

Michelle Terry portrays the king as a playfully antic sociopath in a lively production full of effective performances

The Guardian - UK

‘The level of hate was dangerous’: Michelle Terry on the backlash to her casting as Richard III

Artistic director of Shakespeare’s Globe says much of the anger about a non-disabled actor playing the role has been misogynistic

The Guardian - UK

Shardlake star Arthur Hughes: 'It's amazing to see disabled people in strong, cool, sexy roles'

The star of the new Tudor mystery show talks representation, playing villains and why the Globe’s upcoming production of Richard III is a misstep

Evening Standard

Murderer, manipulator… or not that bad at all? The reframing of Richard III

Five hundred years after his death, the monarch most reviled by Shakespeare is still courting controversy. A new play and documentary aim to change how he is seen

The Guardian - UK

Acting, disability and the problem with ‘lived experience’

Letters: Guardian readers respond to the row about a non-disabled actor playing Richard III at Shakespeare’s Globe

The Guardian - UK

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The Guardian - UK

Non-disabled Richard III actor to press on despite calls for recast

Michelle Terry, who is also the Globe’s artistic director, says she will not alter her physicality for role

The Guardian - UK

Shakespeare’s Globe criticised for casting non-disabled actor as Richard III

Disabled actors respond to the announcement that Michelle Terry, the Globe’s artistic director, will be taking up the role

The Week

A Midsummer Night’s Dream review: an ‘assured’ new staging at the Globe

“Many critics sigh at the prospect of yet another ‘Dream’, Shakespeare’s most accessible and most performed play,” said Fiona Mountford in The i Paper. Yet for me the play – a “joyful skip through the Athenian forest, packed as it is with errant lovers, mischievous fairies and some joyously bad…

The Guardian - UK

A Midsummer Night’s Dream review – giddy shenanigans with a brilliantly chaotic Puck

This bright, bold show tries to balance humour and darkness but tends to land on the silly side of things

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The Guardian - UK

What an English degree did for me, by Tulip Siddiq, Sarah Waters and more

As universities close their English literature courses, we celebrate 40 influential British graduates

The Independent UK

Joan of Arc to be made a non-binary character in new Globe production

Theatre bosses say the play, I, Joan, will ‘offer the possibility of another point of view’ when it arrives later this month.

The Guardian - UK

‘I’d crawl over broken glass to work here’: CBeebies take on Shakespeare

The BBC kids’ channel is known for its wit, invention and credo of inclusivity – but can its take on As You Like It captivate children? Just throw in a property developer baddie and some non-binary casting …

The Guardian - UK

The week in theatre: Patriots; The Tempest; King Lear

Tom Hollander excels in Peter Morgan’s incisive oligarch drama; Deborah Warner directs a fine Tempest; and Michelle Terry plays both the Fool and Cordelia to Kathryn Hunter’s Lear

The Guardian - UK

King Lear review – Kathryn Hunter’s frail, fond old ruler almost unbearably affecting

Back in the role she first played in 1997, Hunter uses her extraordinary transformative powers to show us the king as a geriatric child at the head of a disintegrating nation

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