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YOU WONT BELIEVE: Opera australia - What They Never Told You

Timothée Chalamet says nobody cares about opera and ballet. The backlash ignores an awkward truth

During a recent interview to promote his film Marty Supreme, Best Actor-nominee Timothée Chalamet said “no one cares about” opera and ballet anymore.

The Conversation

Why Is Timothée Chalamet Being Dragged By Opera Australia & Doja Cat? The Ballet & Opera Drama, Explained

Even the Australian Ballet has got in on the mess.

Pedestrian.tv

In a new production of Turandot, Opera Australia has found a star vehicle for Young Woo Kim

Were operas to be identified like episodes of Friends, Turandot would be “the one with Nessun Dorma”.

The Conversation

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Music and country life a pigeon pair for ex opera boss

As former Opera Australia artistic director Lyndon Terracini expands a rural festival, he is also soaking up country life - from meat raffles to pigeon racing.

AAP

The rebirth of Carmen: Bizet’s opera gets a modern treatment

One of history’s oldest and most treasured operas is about to inspire and challenge a new generation

The Guardian - AU

Opera Australia’s Tahu Matheson says next season’s line-up transcends theatre

From the depths of Paris to the heart of Australia’s high country, Opera Australia’s 70th anniversary program will bring audiences on a journey

The Guardian - AU

New La Bohème promises Aussie cast, 'dazzling fishnets'

Opera Australia will unveil an ambitious production of La Bohème that shifts the beloved opera from 1830s France to the cultural hub of Weimar Germany.

AAP

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'Young blood' to steer Opera Australia's new direction

Opera Australia has appointed a new head as the embattled performing arts company tries to turn around its finances and flagging audience numbers.

AAP

Turning 70, Opera Australia returns to milestone shows

Opera Australia returns to some of the company's milestone productions as it recruits new leadership and tries to get back in the black.

AAP

Opera Australia gives us a rocking Carmen for the post-#metoo era

The story of Carmen, in the 19th century opera by French composer George Bizet, is, at its simplest, the story of a developing tension between Carmen, a stereotypically racialised woman attempting to break free from society’s impositions and her already-written fate.

The Conversation

‘It’s a high-wire act. Every choice matters’: Danielle de Niese takes on opera’s most notorious femme fatale

The Australian-born soprano’s version of Carmen is contemporary and emotionally complex: a factory worker in present-day Spain, entangled in a toxic relationship

The Guardian - AU

Carmen review - feminist take on opera’s notorious femme fatale has swagger and style

Maximalist design, gorgeous music and grim reality come together in a smart, seductive and spectacular production from Opera Australia

The Guardian - AU

Opera Australia treads brutal Boulevard to a $10m loss

A production of the musical Sunset Boulevard helped drag Opera Australia's finances to an operating deficit of $10.6 million in 2024.

AAP

Candide review – a joyous, dazzling, bonkers satire

Sydney Opera House, Joan Sutherland TheatreDean Bryant, one of Australia’s greatest directors, coaxes magic out of Voltaire’s novella in an operetta that is both funny and meaningful

The Guardian - AU

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The Guardian - AU

Eucalyptus: The Opera review – luminous adaptation shimmers and pulsates with rhythms of bush

Jonathan Mills’s wondrous score adds a sense of mystery and myth to Murray Bail’s Miles Franklin-winning novel, in this adaptation by Opera Australia and Victorian Opera

The Conversation

What’s behind the spate of arts leadership departures in Australia? Perhaps a mismatch of values

The past few months has seen the sudden departure of leadership from some of the country’s most prestigious artistic companies: the Melbourne Symphony Orchestra, Queensland Ballet, Queensland Theatre, Opera Australia and the Adelaide Festival.

The Conversation

New Australian opera Gilgamesh captures the power of one of the world’s most ancient masterpieces

Gilgamesh, a new opera from Opera Australia, Sydney Chamber Opera and Carriageworks, gives a visceral retelling of a story from a forgotten age, exploring ideas of love, tyranny and what it means to be human.

AAP

Opera Aust's awkward 2025 launch after Jo Davies' exit

Just weeks after the unexpected exit of artistic director Jo Davies, Opera Australia is spruiking the 2025 program she created.

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The Conversation

Opera Eucalyptus is a lush adaptation of Murray Bail’s novel – with a modern twist

My first curiosities about the new opera Eucalyptus, an adaptation of Murray Bail’s multi-award-winning 1998 novel, were regarding how Ellen and the many stories told to her by her ultimately successful suitor would be portrayed.

The Guardian - AU

Opera Australia artistic director Jo Davies quits nine months into the job due to ‘differences of opinion’

Guardian Australia understands there were disagreements between Davies and the OA board, including over using overseas talent in shows

AAP

Opera artistic director quits, nine months into the job

Opera Australia artistic director Jo Davies has quit, effective immediately, midway through her inaugural season with the national company.

The Guardian - AU

Tosca at Margaret Court Arena review – Puccini opera just survives the stadium treatment

Margaret Court Arena, Melbourne, then touringStaged in the cavernous stadium while the State Theatre undergoes renovations, Puccini’s crowd-pleasing masterpiece feels too small for such a big setting

AAP

Opera Australia ready to serve up Tosca at tennis venue

Margaret Court Arena in Melbourne is hosting an opera for the first time, as a lack of venues in the city remains a challenge for Opera Australia.

AAP

Opera Australia grasps The Ring, but plunges to a loss

Opera Australia's groundbreaking production of Wagner's Ring Cycle contributed to another deficit for 2023.

The Guardian - AU

West Side Story on Sydney Harbour review: like falling in love for the first time

Under a canopy of stars and a backdrop of water, this revival digs deep to uncover the musical’s beating heart

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