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HISTORICAL FACTS: Robby krieger - The Untold Story

“An insane killer, a lunatic, he’s going to do something bad. Give him a ride, why don’t you? But when the end comes, you realise Jim’s singing a beautiful, romantic song": The story of the Doors' beautifully bleak masterpiece

It was the last track Jim Morrison recorded

MusicRadar

"It reminded me of the politics of fear, like we're doing today": How the LA club scene in the 1960s shaped American rock then sparked a revolution

The Doors to a riot: Six months in the life of Sunset Strip

Louder

The Gibson SG Standard has been played by Angus Young, Robby Krieger, Eric Clapton, Frank Zappa, George Harrison... and the list goes on – but is it still underrated?

Raising the bar for upper-fret access, the SG is the solidbody electric that took the world by storm, but doesn't get the respect it deserves

Guitar World

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“Jim would come in too drunk to sing decently. Sometimes it was a phrase at a time”: The tortured story of The Doors’ Waiting For The Sun, the album that set Jim Morrison on the path to destruction

Three albums in and Jim Morrison was heading down a dark path

Louder

"On stage, I'd surrender to the ritual. It was like a meditation": Robby Krieger and John Densmore remember life with Jim Morrison and tell the acid-fuelled story of The Doors

Sixty years after The Doors took audiences on a destination-unknown thrill ride, Robby Krieger and John Densmore tell the band's wild story

Louder

“I said, ‘Mike, I don’t know how to tell you this, but that’s a note-for-note guitar solo from...” Mike McCready stole his Alive solo from Kiss – but Ace Frehley had already stolen it from another legendary classic rock band

The revelation comes from Gene Simmons, who sees no problem in bands taking inspiration – and lifting ideas – from others

Guitar World

“I was this short guy playing through a full stack, and the speakers were five feet from my head. It’s a miracle I can hear anything”: Buck Dharma on the Blue Öyster Cult story, his Gibson SG heroes, and what he really thinks of that SNL sketch

The Blue Öyster Cult co-founder looks back on one of the most remarkable stories in U.S. rock history, how the Reaper riff unlocked stardom and why they were never the “American Black Sabbath”

Guitar World

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Sex! Jazz! LSD! The Doors' Robby Krieger and John Densmore on their extraordinary ride - only in the new issue of Classic Rock

Also in this issue: Elton John, John Sykes, Jethro Tull, Bonnie Raitt, Led Zeppelin, The Wildhearts, Twisted Sister, Bon Mould, Black Spiders, Ice-T and more

Louder

"We were so fired up to go on before Jim checked out that we didn't acknowledge his death and grieve": When the music's over - the story of The Doors' strange afterlife

The death of talismanic frontman Jim Morrison in 1971 looked like it marked the end of the road for The Doors. But his bandmates had other ideas

Louder

“That was one thing I wanted to get right with Oliver. I went to his house and made sure he knew how that one had happened”: Robby Krieger sets the record straight on how a Doors classic was really written – and what the controversial movie got wrong

Oliver Stone's 1991 movie The Doors was panned for its historical inaccuracy – and Krieger is now clarifying how the band's songwriting process actually played out

Guitar World

“The Grateful Dead wouldn’t let us use their amps. Ray was aghast – he kept saying, ‘Pigpen? Someone named Pigpen won’t let me use his instrument?’”: With a volatile lead singer and no bass player, they left an indelible mark on rock

The Doors' ever-versatile and underrated guitar slinger, Robby Krieger, charts the band's career – from the difficulties of working with Jim Morrison, his best guitar solo, and the time they consciously stole from Cream

Guitar World

“Jim’s attitude was always: ‘Look out, man, I’m hell-bent on destruction.’ We couldn’t moralise”: How The Doors snatched victory from the jaws of chaos to make the classic Morrison Hotel album

By 1970, Jim Morrison was in an alcoholic spiral and facing jail time – but The Doors still managed to make one of their greatest albums in Morrison Hotel

Louder

“Jim’s whole shaman thing only became apparent later, after people wrote books about us. To us, he was just the frontman”: Jim Morrison – the man behind the myth, by the people who knew him

Shaman? Lizard King? Visionary? This was the real Jim Morrison, according to his Doors bandmates

Louder

The Doors’ Robby Krieger ditches his Gibson SG for a cardboard Telecaster to deliver his own take on a blues classic

Krieger debuts what looks like Cardboard Sessions' first-ever cardboard-built Tele, and trades solos with his son Waylon, who joins him on a matching cardboard Strat

Guitar World

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Louder

The 60th anniversary of The Doors is to be celebrated with a box set, a live album and a lavish book

1965 marks the 60th anniversary of Ray Manzarek and Jim Morrison's first encounter at Venice Beach

Louder

Doors guitarist Robby Krieger and Stewart Copeland of The Police among the stars confirmed for Rock ‘n’ Roll Fantasy Camp

Los Angeles camp attendees will learn from former members of The Doors, The Police, Nickelback, Black Sabbath and more

Guitar World

Robby Krieger, Skunk Baxter and Leland Sklar among rock veterans leading the February edition of the Rock ‘n’ Roll Fantasy Camp

The Masters of Rock: 2025 edition also features The Police's Stewart Copeland and wraps up with shows at LA's legendary Sunset Strip venues

Guitar World

“Riders on the Storm started off as a surf tune – then it somehow morphed into what it became…” Robby Krieger on honing his Doors guitar tone, overcoming “dentist’s syndrome”, and why slide guitar is the ultimate way to express yourself as a player

Robby Krieger breaks down his new album with the Soul Savages’ new album, and details his struggles to come up with his own sound during his time with the Doors

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Guitar World

Joe Satriani & Steve Vai – America's hottest new instrumental duo! Only in the new Guitar World

Plus! Judas Priest, Black Crowes, Matteo Mancuso, Dillinger Escape Plan, Robby Krieger, Carlos Cavazo, 10 Beatles/Stones collaborations, Lerxst Chi head & cabinet reviewed and more!

Guitar World

“I’d never buy one from the ’70s because I’ve always felt that there’s no such thing as a good guitar from that decade”: Robby Krieger on what makes his 1968 Gibson Barney Kessel special

In 1983, the Doors guitarist and rock legend posed on the cover of Guitar World with a 1968 Gibson Barney Kessell. Krieger reveals the story behind his fellow cover star – and why it isn’t an SG

MusicRadar

"I remember him coughing and spitting up blood, probably from smoking too many cigarettes. But in my mind, Jim was indestructible": Robby Krieger looks back on the making of The Doors' LA Woman

Classic interview: Revisiting a 2012 chat on the album where The Doors produced themselves for the first time and Jim Morrison's health decline became clear – "It was a stressful time"

Louder

Robby Krieger wrote The Doors' classic Light My Fire. But what he really wants, more than anything, is to have an instrumental hit

Taking influences from soul, jazz, blues, psychedelia and more, Robby Krieger's new group the Soul Savages have the pop charts in their sights

Guitar World

“He’s the best!”: Watch Andy Timmons and Paul Gilbert have big fun trading Robby Krieger licks on a helter-skelter guitar jam of the Doors’ Light My Fire

One minute they’re hanging out at Sweetwater Studios talking gear, technique, having “a friendly jam in A”, the next they’re playing a Dorian-infused Doors improv that’ll blow your mind

Louder

Light My Fire turned The Doors into superstars: For a moment, it also turned Jim Morrison into a target for the Mob

The Doors experienced their first taste of big success with Light My Fire, but it infuriated a certain Frank Sinatra

Guitar World

“It looked cool – especially when you took acid… those horns looked like the devil!”: The Doors’ Robby Krieger on his love of the SG, studio accidents and a challenging move away from his signature fingerstyle

The influential Doors guitarist is back with a new record. He explains how he’s (almost) found comfort in a new way of playing

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