THE TRUTH ABOUT: Ron nevison - The Untold Story

Jimmy Page on how a ‘lost guitar track’ almost derailed Led Zeppelin’s Physical Graffiti: “He erased one of the original guitar tracks. For some reason, he rubbed the damn thing out”

A miraculous salvage job rescued The Rover after an overdub ruined an original take

Guitar World · Aug 23

“A lot of people said it was Ozzy’s worst record ever. By the late ’90s, I thought, ‘I guess it was. I just really sucked on it’”: Jake E. Lee on his battle to make Ozzy Osbourne’s The Ultimate Sin – and how he learned to love it in spite of the critics

It was one battle after another, not least because Lee, a night creature, was forced to work in the afternoon, but it was the sound of the former Ozzy Osbourne guitarist reinventing metal guitar

Guitar World · Mar 14

“He told Sharon, ‘I know a lot of guitar players. We don’t have to use him’”: Jake E. Lee recalls how his conflict with producer Ron Nevison impacted Ozzy Osbourne’s The Ultimate Sin

The two clashed during the recording sessions – but a compromise was eventually reached

Guitar World · Jan 29

“Those were the cocaine ’80s. They devoted a whole day to auditioning snare drum samples –just to double-up the actual snare”: Nancy Wilson knew Heart had to adapt to survive the excesses of the 1980s – but she didn’t expect their greatest success

Heart's self-titled 1985 album was just what the doctor ordered, ushering in a triumphant second act for the iconic Seattle rockers

Guitar World · May 19, 2025

“My first love was always acoustic guitar. That was the element that I brought, the idea of embracing electric and acoustic sounds”: Nancy Wilson says she felt pressured to ditch the acoustics as Heart went for the mainstream in 1985

The band’s self-titled eighth record saw them evolving into a mainstream superpower, but Wilson would clash with producer Ron Nevison over the use of acoustic guitars

Guitar World · May 18, 2025

"They took cocaine in the studio while making it, but Obsession didn't suffer" The deluxe edition of UFO's final studio album with Michael Schenker still functions highly

The one with the balls. Michael Schenker's Last stand. And a masterclass from all five of them

Louder · Nov 24, 2024

"When all those glamour models were banging at my door, I should have opened it and let them all in": Phil Mogg on 50 years with UFO, life on the road and new band Moggs Motel

Phil Mogg reveals why Moggs Motel doesn't have an apostrophe

Louder · Oct 8, 2024

"I knew we were going nowhere fast and I had to get out": Triumph were on the cusp of superstardom – then they let it all go

By the end of the 70s Triumph were living up to their name. Then came the falling-out, the split, and 20 years of toxicity before they shared a stage again

Louder · Jul 17, 2024

"Neither particularly good or particularly bad. It's just bang average": Freedom At Point Zero by Jefferson Starship

Grace Slick and Marty Balin were gone but Jefferson Airplane had Jane, an AOR landmark, and riffs from Craig Chaquico that would guide the band into the gleaming 80s

Louder · Jan 8, 2024

“I don’t mean to be arrogant, but we had the goods. We knew what we were doing”: how Bad Company hit the bullseye with their classic second album Straight Shooter

Bad Company’s second album, Straight Shooter, was the one that sealed their superstardom

Louder · Dec 10, 2023