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BIZARRE: 2 | Mind Blowing Facts

Three things with Lisa McCune: ‘I’ve never found coffee nirvana but this machine comes close’

In Guardian Australia’s weekly interview about objects, the actor and four-time Gold Logie winner tells us about her near-perfect kitchen contraption – and a little brown beret

The Guardian - AU · Nov 24, 2024

Sweat review – sociological snapshot doesn’t always make for compelling drama

Wharf 1 theatre, Sydney Theatre CompanyIn Pulitzer winner that ‘explains Trump’s win’ in 2016, everyone looks the part and hits their marks but the spiral into toxicity is mechanical

The Guardian - AU · Nov 16, 2024

Dear Evan Hansen: Australian production of Broadway hit puts mental health centre stage

The team behind the new staging of the Tony award-winning show leaned into emotional authenticity and a design that evokes the overwhelming experience of social media

The Guardian - AU · Oct 6, 2024

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Talented Mr Ripley and the Shiralee headline Sydney Theatre Company’s 2025 season

Picnic at Hanging Rock, Happy Days and aged care musical Bloom also on next year’s STC program, which will the last from outgoing artistic director Kip Williams

The Guardian - AU · Sep 4, 2024

Philip Quast: ‘I don’t have anything left to say in theatre, it’s not my turn any more’

The three-time Olivier award winner, and ‘voice of Playschool’, on why musicals have been a curse and love, and why it’s now time to leave

The Guardian - AU · Aug 9, 2024

Sydney Theatre Company’s Dracula: a virtuosic performance, sexy staging, and a queer rewriting

The figure of Dracula has always lived somewhere between the written word, screen projections and our fantasy lives. His story is tailor-made for one of Kip Williams’ hybrid adaptations.

The Conversation · Jul 8, 2024

Dracula review – a clever and playful victory lap for Kip Williams’ gothic cine-theatre trilogy

Zahra Newman is remarkable in the director’s last production with the company

The Guardian - AU · Jul 7, 2024

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New play American Signs looks at the nefarious world of consultancies – but leaves Australia off the hook

Anchuli Felicia King’s new one-performer piece, American Signs, written for the talented Catherine Văn-Davies, thrusts us into the world of a campus hire at “The Firm”, one of the “Big Three” consultancies in the United States.

The Conversation · Jun 20, 2024

The President review – Hugo Weaving satire verges on an endurance test

Sydney Theatre CompanyWeaving delivers a funny, commanding performance but this rarely performed 1975 Thomas Bernhard play feels neither relevant nor prescient

The Guardian - AU · Apr 18, 2024

Hugo Weaving: ‘This is the hardest thing I’ve ever done’

Thirty years after Priscilla, Queen of the Desert thrust him on to the international stage, the actor discusses tiring of Hollywood villains and his most challenging role yet

The Guardian - AU · Apr 12, 2024

No Pay? No Way! review – this 50-year-old cost-of-living satire is perfect for today’s Australia

Drama theatre, Sydney Opera HouseSet in the aftermath of a riot in a supermarket over skyrocketing prices, Marieke Hardy’s adaptation of Dario Fo is marvellously funny

The Guardian - AU · Apr 11, 2024

Three things with Kerry Armstrong: ‘He’d hidden the engagement ring in his board shorts’

In Guardian Australia’s weekly interview about objects, the actor tells us of a lucky escape from a house fire – and being robbed in New York

The Guardian - AU · Apr 7, 2024

The Picture of Dorian Gray’s Kip Williams steps down as Sydney Theatre Company artistic director

Williams, who directed the play, leaving company to prepare for its potential Broadway season following acclaimed West End run starring Sarah Snook

The Guardian - AU · Apr 5, 2024

David Williamson: ‘Australian drama has ignored the elephant in the room – we’re an unfair and unequal society’

At 82, anger still inspires the elder statesman of Australian theatre. As he comes out of retirement, Williamson muses on inequality, escaping death and why we’re in the ‘bread and circus’ phase of culture

The Guardian - AU · Mar 15, 2024

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AAP · Feb 13, 2024

Heather Mitchell delights in return as RBG in hit play

The Sydney Theatre Company's RBG: Of Many, One was a sellout in 2022. It's returning with a second run followed by a national tour.

The Guardian - AU · Dec 21, 2023

Australia on stage: the best theatre, musicals, dance and opera of 2023

From ballet to Afrofuturism to a world-class immersive spectacle, Guardian Australia critics pick out the best live stage experiences of the year

AAP · Nov 29, 2023

Theatre company acts after Palestine protest backlash

The Sydney Theatre Company has apologised for the way it has responded to a protest by actors at an opening night performance.

The Conversation · Nov 27, 2023

Chekhov called The Seagull 'a comedy'. The Sydney Theatre Company seems to forget it was a tragedy, too

What is comedy?

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The Guardian - AU · Nov 26, 2023

Three things with Brooke Satchwell: ‘I don’t go anywhere without a head torch’

In our weekly series about objects, the actor tell us about her blended bear family - and her rubber band habit

The Guardian - AU · Nov 26, 2023

The Seagull review – Sigrid Thornton and Toby Schmitz star in contemporary take on Chekhov

Andrew Upton’s adaptation transplants the play’s ensemble to Australia in the early 2000s, where they discover the cost of art and thwarted dreams

The Conversation · Oct 17, 2023

Australian theatre companies are shunning Shakespeare. A much-needed break, or a mistake?

A decade ago, William Shakespeare was the most performed playwright in Australia. In 2024 not one mainstage theatre company in Australia will perform Shakespeare. The only exception will be Bell Shakespeare.

The Guardian - AU · Sep 19, 2023

Indigenous and culturally diverse Australians more likely to attend arts events, study finds

Diversity advocates say more funding and leadership opportunities are needed to match the high participation rates

The Guardian - AU · Sep 18, 2023

The Visitors review – Wesley Enoch at his best in play that thrums with fresh potency

Jane Harrison’s play tells of the first fleet landing from the perspective of the First Nations people watching. It’s a story set in the past – but its most potent questions are about the future

The Conversation · Sep 11, 2023

Sydney Theatre Company's new The Importance of Being Earnest: fresh, funny and completely joyous

It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and performed in February 1895, Ibsen’s A Doll’s House was already 16 years old. Both plays, in different ways, expose the foundations of society (marriage; class; money; property) to searching critique.

The Conversation · Jul 18, 2023

'This is the way the world ends': Nevil Shute's On the Beach warned us of nuclear annihilation. It's still a hot-button issue

One of the most haunting poems of the 20th century, T.S. Eliot’s The Hollow Men (1925), concludes:

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