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YOU WONT BELIEVE: The london symphony orchestra | Mind Blowing Facts

Michael Tilson Thomas obituary

American conductor who brought high-octane dynamism to performances by the London Symphony Orchestra

The Guardian - UK

LSO / Chan / Stankiewicz review – Matthews’s oboe concerto is dense and dynamic

The London Symphony Orchestra’s Olivier Stankiewicz was the soloist for the premiere of Colin Matthews’s oboe concerto; Rachmaninov and Bartók followed, with Chan compelling and clear

The Guardian - UK

LSO/Treviño/ Kopatchinskaja review – he conducts with a coiled-spring muscularity

Robert Treviño’s sure hand led the London Symphony Orchestra through mystical Messiaen and cinematic Rachmaninoff with Patricia Kopatchinskaja precise and playful in Márton Illés’s Vont-tér

The Guardian - UK

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The Makropulos Affair review – Simon Rattle leads a sensational and thrilling semi-staging

The tension barely let up for two hours as Rattle led the London Symphony Orchestra and a commanding cast through this vital account of Janáček’s opera.

The Guardian - UK

London Symphony Orchestra announces John Harte as managing director

Harte, who was been Aurora orchestra’s chief executive since 2009, replaces Kathryn McDowell

The Guardian - UK

LSO/Pappano review – Musgrave’s Phoenix rises and Vaughan Williams’ London stirs the soul

An all British programme featured music by Thea Musgrave, Vaughan Williams and William Walton, with Antoine Tamestit an expressive and sensitive soloist in the latter’s Viola concerto

The Guardian - UK

Rosalía’s LUX: why the ‘pop-versus-classical’ question misses the point

LUX, the new album from Spanish singer-songwriter Rosalía, has been critically lauded. But opinion is divided among some commentators on whether it should be considered pop or classical music.

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Rosalía: Lux review – a demanding, distinctive clash of classical and chaos that couldn’t be by anyone else

The Catalan star’s monumental fourth LP features lyrics in 13 languages, references to female saints, the London Symphony Orchestra – and Björk on ‘divine intervention’

The Guardian - UK

LSO/Pappano review – big, bold and filled with blazing conviction

Bernstein’s Symphony No 3 evoked the Cuban missile crisis before Copland’s Third Symphony lifted us on a tide of postwar optimism

The Guardian - UK

Salome at the Barbican review: a gripping performance from a dream cast

5/5 Soprano Asmik Grigorian astounds in the title role, with the London Symphony Orchestra conducted by Antonio Pappano

Evening Standard

Salome review – a frankly astonishing concert performance

Asmik Grigorian heads one of the finest casts you could hope to hear, and every flicker of detail and colour in Strauss’s score hits home, as Antonio Pappano’s first season with the LSO climaxes in remarkable style

The Guardian - UK

No Friend but the Mountains at Barbican: 'speaks powerfully to the plight of refugees worldwide'

4/5 Luke Styles’ orchestral piece inspired by Behrouz Boochani’s account of detention on Manus Island was performed by the London Symphony Orchestra and Chorus during Refugee Week

Evening Standard

LSO/Dudamel/Rebeka review – relentless orchestral fireworks and bright moments

Starry conductor Gustavo Dudamel’s appearance with the London Symphony Orchestra saw Strauss and Ravel given explosive power but limited depth

The Guardian - UK

The Excursions of Mr Brouček review – Simon Rattle embraces Janáček’s baffling but beautiful opera

Simon Rattle and the London Symphony Orchestra’s survey of Janáček’s operas arrives at the zany Mr Brouček. With Peter Hoare in the lead role and the likes of Lucy Crowe and Aleš Briscein, the performances could not be bettered

The Guardian - UK

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Cypress Hill bring The Simpsons joke to life with London Symphony Orchestra live album

'Insane in the Brain' hitmakers Cypress Hill are releasing their special concert with the London Symphony Orchestra.

The Guardian - UK

LSO/Rattle review – old, new, borrowed and Boulez for conductor’s birthday concerts

World premieres by George Benjamin and Mark-Anthony Turnage were centrepieces of two concerts celebrating Rattle’s 70th, but it was symphonies – Brahms and Vaughan Williams – that were the high points

The Guardian - UK

New heights, fond farewells and daring acrobatics – the year in classical music

It was a thrilling year with glittering new works, an electrifying Proms season, Puccini in a laundry and Britten on a trapeze

The Guardian - UK

La Rondine review – Pappano and the LSO make Puccini glitter

The London Symphony Orchestra’s concert performance under their chief conductor made a compelling case for Puccini’s little-performed opera

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Evening Standard

£191 million repairs and revamp of Barbican Centre approved with work to ‘start in 2027’

Grade-II listed site is the home of the London Symphony Orchestra

The Guardian - UK

LSO/Adès review – Adámek’s concerto pits Isabelle Faust’s violin against a bullying orchestra

Follow Me by Ondřej Adámek is a vivid work that upends traditional relationships, while exhilarating and faultless Beethoven symphonies bookend the concert

The Guardian - UK

Nonclassical at 20 review – synths, screams and bubble wrap as record label celebrates with the LSO

Gabriel Prokofiev’s avant garde record label marked its 20th birthday with an engaging and energetic scaled up showcase

The Guardian - UK

LSO/Tilson Thomas review – emotional depth as Mahler’s Resurrection Symphony gleams

The London Symphony Orchestra’s Conductor Laureate Michael Tilson Thomas celebrated his 80th birthday with an authoritative but restrained account of Mahler’s Second with soloists Alice Coote and Siobhan Stagg

The Guardian - UK

LSO/Pappano/Wang/Lapwood review – high on feelgood factor

Soloists Yuja Wang and Anna Lapwood brought style and spectacle to Rachmaninov and Saint-Saëns

The Guardian - UK

The week in classical: Prom 37: Britten’s War Requiem; The Turn of the Screw – review

Britten’s explosive work is a rallying cry at the Proms, while a twilit production of his chamber opera feels properly ghostly

The Guardian - UK

Prom 37: Britten’s War Requiem review – a tragically relevant act of remembrance

Antonio Pappano seized every opportunity to build dramatic tension, while the London Symphony Orchestra played with fire and focus

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