On my radar: Lesley Sharp’s cultural highlights The actor on her love of dance, the reality TV series Below Deck and what helps her to write The Guardian - UK · Jun 24, 2023
‘God, I really need a pint after that’: actors on the toll of dying on stage night after night What’s it like to expire every evening, often in devastating, drawn-out scenes? Nathan Lane, Josette Simon and more talk about how playing death messes with their minds – and describe the ‘de-role’ rituals that bring them back The Guardian - UK · Jun 21, 2023
Werther review – Kaufmann heads strong cast in stylishly sung and fabulously played revival This revival of Benoît Jacquot’s 2004 staging of Massenet’s tragedy sees Antonio Pappano and his orchestra on top form. Kaufmann was not at full strength but Aigul Akhmetshina’s Charlotte shone The Guardian - UK · Jun 21, 2023
Ariadne auf Naxos review – austere staging makes room for the riches of Strauss Natalya Romaniw’s Ariadne shines in an unfussy production that is, at its best, breathtakingly effective and beautiful The Guardian - UK · Jun 19, 2023
Royal Ballet triple bill review – McGregor and Wheeldon at the top of their game Wayne McGregor’s incisive new ballet conjures the very brushstrokes of the late Carmen Herrera; Bernstein meets Les Sylphides in a muscular Christopher Wheeldon revival; ; and Laura Morera bows out in style The Guardian - UK · Jun 18, 2023
‘Don’t be frightened of chaos’: Mark Rylance answers questions from readers and famous fans The revered actor, passionate activist and I Ching devotee fields queries on self-doubt, levelling up the arts, and turning loss into beauty The Guardian - UK · Jun 18, 2023
Rufus Norris has made the National Theatre more diverse – on both sides of the curtain The director, who has announced he is stepping down, should be credited for opening up the organisation and steering it through the Covid crisis. Now, who’s next for the NT job? The Guardian - UK · Jun 15, 2023
42nd Street review – frivolous fantasy given punch, precision and panache This classic song-and-dancer directed by Jonathan Church has a tight ensemble cast and sunny vibes throughout The Guardian - UK · Jun 14, 2023
The week in theatre: Aspects of Love; Rose; The Shape of Things – review A superb cast, including opera star Danielle de Niese, elevates Andrew Lloyd Webber’s plodding 80s musical; Maureen Lipman gives a one-woman masterclass; and Neil LaBute’s romcom gets a sharp, funny revival The Guardian - UK · Jun 4, 2023
‘They don’t know the rules’: actors hit back at theatregoers phoning, drinking and fighting What’s it like to star in a play when audience members watch football, ring friends, open lagers or pass round entire chickens? Actors vent their anger at the ‘Netflix mindset’ of the new post-Covid generation The Guardian - UK · May 29, 2023
Encore! Surefire shows returning for the Edinburgh festival in 2023 In the run-up to the festival, our writers will choose new productions that have caught their eye – but here’s a selection of those we’ve already reviewed The Guardian - UK · May 29, 2023
Aspects of Love review – a preposterous blast from the past Michael Ball returns to sing Love Changes Everything, this time as the uncle, in Andrew Lloyd Webber’s musical of romantic entanglements The Guardian - UK · May 26, 2023
A Midsummer Night’s Dream review – giddy shenanigans with a brilliantly chaotic Puck This bright, bold show tries to balance humour and darkness but tends to land on the silly side of things The Guardian - UK · May 23, 2023
Wozzeck review – Gerhaher’s victim shuffles towards disaster in nuanced staging Deborah Warner’s focused and vivid new production avoids caricature, and, with superb singing and Antonio Pappano’s conducting, drama and music dovetail perfectly The Guardian - UK · May 21, 2023
The Guardian - UK · May 19, 2023 A Brief List of Everyone Who Died review – a lifetime of loss From childhood pets to octogenarian friends, playwright Jacob Marx Rice addresses mortality in a warm and thoughtful play
The Guardian - UK · May 16, 2023 Turbocharge philanthropy, conga to Beethoven, ditch the ukuleles: 10 ways to save classical music After cuts by Arts Council England and the BBC, Simon Rattle says UK opera houses and orchestras have never faced greater peril. How can they fight back? Top musicians outline their battle plans
The Guardian - UK · May 14, 2023 UniVerse: A Dark Crystal Odyssey review – earth, air, fire and water send a powerful message in Wayne McGregor premiere This bleak but powerful meditation on our ailing planet combines dance, poetry, film and music to startling effect
The Guardian - UK · May 12, 2023 Skid/Saaba review – speed, struggle and surrender on a steep slope GöteborgsOperans Danskompani’s versatile dancers tumble, slide and climb in Damien Jalet’s vertiginous piece then switch to more measured movements by Sharon Eyal
The Guardian - UK · May 7, 2023 Violin virtuoso joins ‘real battle’ to save classical music from UK funding cuts Soloist Nicola Benedetti has added her voice to those speaking up for a genre now facing severe financial constraints
The Guardian - UK · May 7, 2023 Candy Gigi: Friday Night Sinner! review – all-out bid for showbiz glory Torn between wifely duty and her dream to become ‘the Jewish Barbra Streisand’, this would-be star finds an in-between world of outrageous comedy
The Guardian - UK · May 5, 2023 August in England review – Lenny Henry’s remarkable one-man show about the Windrush scandal The actor makes his debut as a playwright with a richly detailed character study, performing with warm humour and outrage at injustice
The Guardian - UK · Apr 29, 2023 The week in classical: Blue; Bach: Mass in B Minor – review A potent US tale of Black lives hits home with fervour and humanity at ENO. Plus shock and roar from John Eliot Gardiner at 80
The Guardian - UK · Apr 28, 2023 Symphony of Sorrowful Songs review – Gorecki’s triptych retains its visceral power in thoughtful staging Isabella Bywater’s production for ENO of Henryk Górecki’s popular Third Symphony is effective and affecting, with conductor Lidiya Yankovskaya’s reading refreshingly unsentimental
The Guardian - UK · Apr 26, 2023 Dixon and Daughters review – comic domestic noir reveals grim shadows When Mary returns home from prison, there is both humour and horror in store, as Deborah Bruce’s play explores a cycle of abuse
The Guardian - UK · Apr 26, 2023 Jules and Jim review – an affecting love triangle but no match for Truffaut While there is compassion and curiosity in Timberlake Wertenbaker’s adaptation, this production lacks the whirlwind quality of Roché’s novel and the film