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YOU WONT BELIEVE: Wayne mcgregor - What They Never Told You

Wayne McGregor: 'Dance is like music - it opens channels of perception'

Choreographer, artist and expert on ‘physical intelligence’ Wayne McGregor talks about Alchemies at Royal Ballet and Opera and his inspirational new book

Evening Standard

Max Richter: the composer who crosses the invisible divide between ‘high’ and ‘low’ music

His first Oscar nomination, for Hamnet, is testament to the German-born British composer’s chameleon-like adaptability

The Guardian - UK

Woolf Works at Royal Ballet: Wayne McGregor chases brainbox ideas with electric sensation

4/5 Wayne McGregor’s response to the work of Virginia Woolf returns to Royal Ballet and continues to wield emotive power

Evening Standard

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From 28 Years Later: The Bone Temple to A$AP Rocky: your complete entertainment guide to the week ahead

Another visit to the UK’s putrid zombie aftermath, and the polymath rapper returns after eight years with a collb-packed blockbuster

The Guardian - UK

Unmissable London: The best theatre, film, dance, opera, TV and music of 2026

Christopher Nolan’s Odyssey. Lily Allen in the West End. A Gorillaz football stadium takeover. It’s all on in the capital

Evening Standard

Wayne McGregor: Infinite Bodies at Somerset House: 'The future of bodies in an AI world'

4/5 A staggering exhibition at Somerset House where choreographer Wayne McGregor explores the future of bodies in an AI world

Evening Standard

Wayne McGregor review: shimmering dance spectacular without a live dancer in sight

Installations, some triggered by the viewer’s own body, show off the wide range of a choreographer always fizzing with fresh ideas

The Guardian - UK

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‘A collaboration of the senses’: Royal Ballet teams up with blind artist for new show

Exclusive: using immersive descriptive audio, performance explores how blindness can redefine experience of dance

The Guardian - UK

‘It really bores me’: Wayne McGregor on why he won’t spell out his striking dance creations

The choreographer has paired the tragedies of Oedipus Rex and Antigone in a monumental double bill, Jocasta’s Line, which refuses to spoon-feed audiences

The Guardian - UK

Susan Sarandon, Whoopi Goldberg and Caliban’s take on The Tempest: the best theatre, comedy and dance of autumn 2025

Andrea Riseborough and Sarandon deliver a decade-hopping drama, superstar standups hit the road and Shobana Jeyasingh rewrites Shakespeare

The Guardian - UK

Smart, sharp and nonstop dance: how Twyla Tharp is bossing the Venice Dance Biennale in her 80s

Tharp picked up a Golden Lion award for her experimental and accessible choreography, while Carolina Bianchi won a Silver Lion for her fearless exploration of sexual assault

The Guardian - UK

Royal Ballet to perform Justin Peck’s Everywhere We Go, with music by Sufjan Stevens

Director Kevin O’Hare announces staging of NYCB choreographer Peck’s 2014 piece, as well as new works by Akram Khan and Cathy Marston

The Guardian - UK

The week in dance: Romeo and Juliet; Deepstaria – review

Matthew Ball and Yasmine Naghdi enchant as the Royal Ballet celebrates 60 years of Kenneth MacMillan’s classic. And into the void with Wayne McGregor

The Guardian - UK

These are the must-visit events taking place to celebrate Somerset House's 25th anniversary as a cultural hub

Mark your calendars with these showstopping events for Somerset House at 25

Marie Claire

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Wallpaper

Year in review: top 10 art and culture interviews of 2024, as selected by Wallpaper’s Hannah Silver

From Antony Gormley to St. Vincent and Mickalene Thomas – art & culture editor Hannah Silver looks back on the creatives we've most enjoyed catching up with during 2024

The Guardian - UK

The week in dance: MaddAddam; Gigenis: the Generation of the Earth – review

Margaret Atwood’s dystopian vision provides rich inspiration for Wayne McGregor, while Akram Khan goes back to his Indian classical roots to transfixing effect

The Guardian - UK

MaddAddam review – an epic dance through Margaret Atwood’s dystopia

Wayne McGregor’s take on the novelist’s complex tale is ambitious, beautiful and, though wanting in some parts, redeemed by incredible performances

Evening Standard

MaddAdam at the Royal Ballet review: Margaret Atwood's nightmarish dystopia is richly beautiful

3/5 An empathetic reckoning with the end of the world leaves you clinging to dance and music

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The Guardian - UK

Small step or a giant leap? What AI means for the dance world

As a new show co-created by an AI performer opens in France, industry leaders including Wayne McGregor, Tamara Rojo and Jonzi D contemplate the technology’s possibilities and perils

The Guardian - UK

Composer Max Richter: ‘I’m a low-key raver! I love all kinds of music’

The creator of the most streamed classical album of all time on working with Margaret Atwood, enjoying Eurovision, and uniting people through music

Wallpaper

Wayne McGregor on turning a post-apocalyptic trilogy by Margaret Atwood into a three-act ballet with Max Richter

Wayne McGregor's latest project is an adaptation of Margaret Atwood’s trilogy of novels, ‘Oryx and Crake’, ‘The Year of the Flood’ and ‘MaddAddam’, marking 16 years of his partnership with composer Max Richter

The Guardian - UK

Ballet star Joseph Sissens: ‘I’d be in this world of gross privilege, and then I’d go visit my brother in prison’

As the Royal Ballet’s newly minted principal, the dancer is on a mission to challenge the industry’s underlying racism from the inside. He discusses his first steps – and the role of his dreams

The Guardian - UK

‘Not having a phone is the dream’: Jamie xx on dance music, modern life and getting hooked on surfing

Since nailing the zeitgeist with the xx’s Mercury-winning debut, the DJ-producer has collaborated with everyone from Drake to Wayne McGregor. As his second solo LP drops, he talks about his newfound desire for calm

The Guardian - UK

A Six follow-up, an LA clown … and War Horse rides again: theatre, comedy and dance autumn preview

Why Am I So Single sets dating angst to music; more Hollywood stars hit the West End; and a Brummie dance trilogy reaches its finale

The Guardian - UK

Let’s get physical: the science of dance at the Venice Biennale

The dance festival’s opening weekend, under the theme We Humans, focused as much on gravity and technology as emotional connection

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