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THE TRUTH ABOUT: 2 - Caught on Camera

“It was a nightmare. My only experience was playing in my room where I was alone”: Laura Cox on the challenges of transitioning from YouTube to the studio – and how to conquer them

The French guitarist made her name with classic rock videos on YouTube, but when it came to cutting her teeth in the studio, Cox admits it was another story altogether...

Guitar World

“It took me 10 or 11 takes to get the timing on the intro right. Jimi easily could have just done it”: The life and times of Dave Mason, the former Traffic guitarist who made a habit of playing on iconic tracks

The Traffic guitarist’s best work of the ’60s and ’70s was magical, but the stop/start nature of his career held him off household-name status

Guitar World

“I bought it for 100 bucks. The guy didn’t think it was fixable. Years later, he came to a show and saw me playing it. He was mad – said I took advantage of him”: Jeff Tweedy says his mom has an eye for guitar bargains – these are the cheapest gems yet

The $100 purchase was in poor condition, and when he got it singing, its former owner was vexed...

Guitar World

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“I knew about it for years. I couldn’t tell anyone”: Eric Clapton's ‘Summersburst’ Les Paul – used on Cream's debut album – has finally been unearthed after 60 years

From England to New York and Paris, the 1960 Les Paul Standard Clapton used on Cream’s game-changing debut is now being brought to the masses of guitar aficionados, thanks to Matthieu Lucas of Matt’s Guitar Shop

Guitar World

“He plugged it in and we both shut up and went, ‘This is an amazing guitar.’ It just sounded extraordinary”: How a friendly rivalry with Jake Kiszka helped Chris Turpin bag this stunning double-cut

This 1961 Gibson Les Paul/SG is the guitar dreams are made of. And the two Mirador guitarists both had their hearts set on it. Turpin tells us how it all went down

Guitar World

“I said, ‘But Ed’s still alive. He’s still making amazing records. He’s still on tour. What guitar player would ever try to imitate him while he’s still working?’”: Joe Satriani recalls being approached by David Lee Roth for a Van Halen cover band

Satch may be filling Van Halen’s shoes during the Sammy Hagar-led Best of All Worlds tour, but he was reluctant for decades to play the legendary guitarist’s parts

Guitar World

“Dave had something so many guitar reviewers lack”: Remembering Dave Burrluck, our colleague and friend – and a guitar journalist who changed the game

Guitarist magazine editor Jamie Dickson reflects on the immense contribution of one of our industry’s most important voices

Guitar World

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“Its popularity extends beyond jazz boundaries – notable players include Steve Howe, B.B. King and even John Frusciante”: Why Gibson’s longest-running production electric remains one of the world’s more affordable vintage guitars

In production for seven decades, the hollow-bodied ES-175 was the perfect partner for jazzers of the 1950s – especially at its original $175 price point

Guitar World

“It’s like the wind is at your back when you’re playing it”: The difference between a PRS Silver Sky and Fender Stratocaster, according to a blues hero who plays both

The guitars have their own unique qualities in Philip Sayce's eyes – and both are welcome in his rig

Guitar World

“Without the guitar, I’d probably be a professional dog-walker or in jail”: The life and times of Motörhead guitarist Phil Campbell

Motörhead’s longest-serving guitarist was the perfect fit for a band whose bludgeoning sound and appetite for excess eclipsed all others

Guitar World

“I find that the electric guitar is almost a separate species”: Why being an acoustic guitarist doesn't necessarily make you an electric player – according to Eric Bibb

Bibb admits he won't be calling himself an electric guitar player anytime soon

Guitar World

“I sold the guitar to Bob Rock like an idiot for $10,000. Then Slash blew up, and I immediately missed out on about $150,000": Billy Duffy on the one guitar he wish he never sold

Duffy’s timing could hardly have been worse

Guitar World

“I was starting to get tired – as much as I hate to say it – of the very predictable Marshall sound”: Slash took his new favorite amp brand on the Guns N’ Roses tour without telling anyone

Slash pivoted from Marshall to Magnatone in a high profile move back in 2023

Guitar World

“It turned out to be the worst time to do an auction – his guitars really undersold”: The celebrity guitar auction where guitars did not sell for what they should have

Big money changed hands during the 2021 Neal Schon mega-auction but some collectors – Joe Bonamassa included – believed it was “brutal”, and he should have got a lot more

Guitar World

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Guitar World

“She put it under her bed and didn’t play it for 60 years. When I got it, it still had the original strings on it”: Why telling your guitar’s backstory could help it sell for more money

Reverb's Cyril Nigg offers some sage advice for selling your guitar, and it's just like Joe Bonamassa says: "I don't buy guitars, I buy stories"

Guitar World

“My dad said, ‘Take a seat – a band is coming in to make a record.’ I spotted a guitar case entering through the side door… carried by none other than B.B. King”: Billy Gibbons on how B.B. King changed his life

At the age of 7, seeing B.B. King lit the path for Gibbons as a blues guitarist. The ZZ Top legend discusses B.B.’s lasting impact

Guitar World

“I never liked the electric guitar. I’m just not drawn to it”: The life and times of Ralph Towner, the endlessly curious frontiersman of acoustic jazz who worked with everyone from Bill Bruford to Robben Ford

Taking influence from Indian classical, Brazilian bossa nova and beyond, this late jazz master’s touch and vision equalled anyone on the fusion scene

Guitar World

“I had a couple of drinks and started thinking, ‘I wonder if they have an Ovation Breadwinner…’” Jake E. Lee on the ultimate ’70s oddball guitar –and how he found a holy grail Marshall for $80 while touring with Ozzy

The ex-Ozzy guitarist talks about his love for SGs, his disdain for bad amps, andhow you can find a connection with the most unlikely instruments

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Guitar World

“I’ve never been a real hot player, and a lot of kids are hot players. I’m slow because I walk slow, talk slow, sing slow”: B.B. King in his own words – the blues’ greatest guitarist on heroes, influences and his philosophy

The King of the Blues on amp choice, T-Bone Walker, how he got his vibrato and more

MusicRadar

“I was a little uncomfortable, to be honest. I gradually convinced myself that it was okay”: Myles Kennedy on what it was like to play Jeff Buckley’s Telecaster – and how he felt unworthy to play it

Kennedy saluted one of his all-time heroes in 2019 when he performed Hallelujah live in Paris, and it was the first time Buckley's Tele had been played in public since his death in '97

Guitar World

“I turned up at my first audition with my Squier Telecaster – that was all I owned”: The 18-year-old who replaced one of Britpop’s most revered guitarists

In his late teens, Richard Oakes joined Suede at a point when they had released two hit-and-miss albums and were desperate for a global breakthrough

Guitar World

“Automatically you go into blues when you do that”: Big Country's golden guitar rule that steered them clear of the blues

The band drew great inspiration from Thin Lizzy’s sonic template, but they made a concerted effort to avoid being labeled as a blues band

Guitar World

“I’d buy a ‘54 Strat, and then I’d sell it, buy one, sell it… I just kept trading them off. I’ve been disappointed in some of those”: Eric Johnson on why a guitar's age, value, and cool factor don't necessarily make it a better instrument

Flirtations with vintage gems haven't always yielded the results the virtuoso wanted

Guitar World

“Something you’ll hear a lot of is, ‘Oh, you didn’t earn that relicing.’ But people who like it aren't thinking of it like that”: The real reason why relicing is so popular, according to a Fender Custom Shop Masterbuilder

The pre-worn fad is sweeping the guitar community, but why do some deride the concept as ‘stolen valor’?

Guitar World

“They’re 16 bars, and that’s it. There’s no extended solos”: Adrian Smith on why making music outside of Iron Maiden lets him stretch his soloing wings

In Smith/Kotzen, he’s relishing the chance to improvise and color outside of his usual lines, but admits that keeping up with Kotzen isn’t easy

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