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DARK SECRETS: 7 - The Real Truth

Donner just reinvented the travel guitar with a headless electric featuring an onboard amp, effects, Bluetooth and – wait for it – a detachable speaker

The HUSH-X Live and Live Pro feature a neck-through build, stainless steel frets, Bluetooth... everything you need from a take-anywhere guitar

MusicRadar

“I lost six months of scheduled work... It happened because I was a woman and I’d written pop songs”: Linda Perry calls Billie Joe Armstrong a “pussy” for backtracking on her producing Green Day

They got backlash from fans for working with Perry

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“I think when the creative person ends, he continues in the next existence. I’m a person who believes this life isn’t the be-all and end-all of everything”: Sonny Rollins has died, aged 95

Saxophonist was one of jazz’s greatest improvisers

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“Every time I sing ‘If everything could feel this real forever’ – and everyone else is singing it in time – that’s pretty powerful”: How Dave Grohl created the cathartic rock anthem that became the Foo Fighters’ signature song

“When I’ve written a song, I know what the drums should sound like in my head”

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“I wanted to have the most Steve Vai song possible on the record – but I didn’t want it to be the classic guitar battle”: Matteo Mancuso on his blockbuster Steve Vai collaboration – and the advice the guitar icon gave him

The Sicilian guitar maestro wrote the breathtaking Solar Wind to be the most Steve Vai song he could possibly write – and for the man himself to guest on

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“When we went to record it, the record company said, ‘Man, they won’t play that, it’s too long.’ But we said, ‘We don’t care!’”: How the young Lynyrd Skynyrd turned a simple love song into a southern rock epic

"Ronnie said, 'Just go till I tell you to quit!'"

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“I began writing a song in my head about the drudgery of being an astronaut. An entire verse fell out of my mind and onto the page”: The classic song that transformed Elton John into a global superstar

“Unfortunately, people identify it with David Bowie’s Space Oddity”

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“By using Sellotape I could make it play two preset rhythms at the same time, creating cool beats”: 50 years ago this summer, Jean-Michel Jarre began making the album that took electronic music global

'Dum da da da dem. Dum da da da dum.' You know the one…

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“It was very emotional. There was a feeling that this was the end”: The mystery of Abba’s melancholy parting shot

It was their final recording for 35 years

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“If we had stuck together we could have been as big as Led Zeppelin – or at the very least, Deep Purple. We had the stuff!”: The heavy rock innovators whose hard-hitting drummer was a star before John Bonham

“There was always friction – but it all worked for the creation of what we had"

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“There was a native American reservation where single men would find comfort in a bottle of very cheap wine called Cracklin’ Rose. That wine became their woman. I had to write a song about that”: Neil Diamond on his classic hits and the art of songwriting

“There’s no great difference between me and Metallica”

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I’m so obsessed with Olivia Rodrigo’s Drop Dead trance bass sound that I remade it in my DAW

We create our own transient-heavy synth bass with leanings towards the trance-heavy sounds of the 90s. ‘Drop Dead’ you exclaim? No way! We were Born Slippy!

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“People were like, ‘Lou Reed told me to get this!’ And I was like, ‘That’s nuts!’ I should definitely have that on the box”: Oliver Ackermann on the break-stuff philosophy that makes Death By Audio the world's most radical stompbox brand

Frontman/guitarist of NYC's A Place To Bury Strangers, pedal designer, noise enthusiast, renaissance man... Ackermann explains why all bets are off in his search for new sounds and tones

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The song Bob Dylan called the greatest ever written: “I just held two notes down… it’s shivery, icy, almost like outer space kind of sound. Glen went crazy and said ‘We have to get that, we gotta put that on the fade’” - The story of Wichita Lineman

“When I heard it I cried”

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“I told them I was dying and they didn’t believe me. I could tell by the look on my doctor’s face that there was something very, very wrong with me”: Robert Smith on the madness and the magic of The Cure’s early days

The goth legends’ ‘Doom Trilogy’ was aptly named

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“America’s where all the music we loved came from - rock ‘n’ roll, the blues and the whole thing”: Paul McCartney remembers The Beatles' first US TV appearance on The Ed Sullivan Show as he closes the final Late Show With Stephen Colbert

Plus, Colbert sings obscure Elvis Costello song with its writer

MusicRadar

“Firmly artist-centric, rooted in responsible AI, and will drive growth for the entire ecosystem”: Spotify and Universal to collaborate on new AI music creation system that will enable fans to generate remixes and covers for all to hear

Fans will be able to create legal AI remixes

MusicRadar

“I used to think expensive analogue synths were boring, but I learned how to make them exciting”: Olof Dreijer on vintage gear and why he "couldn't do what I do without Ableton"

Ever the outlier, beatless meditations and Zulu rap sit side-by-side on ex-The Knife member Olof Dreijer’s debut solo LP Loud Bloom

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“I lost my virginity to Talk Show Host... I lost my virginity to the intro of Talk Show Host”: Harry Styles pays a very personal tribute to Thom Yorke as the Radiohead frontman is honoured at the Ivor Novello awards

There were also wins for Jacob Alon, Lola Young and Kae Tempest

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“Honestly, this song, The Cure, has nothing to do with the band, The Cure”: Olivia Rodrigo gives the answer to the question that everyone’s been asking about her new single

“I think it's like a new perspective that I haven't really had the maturity maybe to express before in earlier albums,” she says

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“It’s not dark yet, but it’s gettin’ there…”: How Bob Dylan confronted his own mortality in a hauntingly beautiful song – and re-established himself as an artist of real creative relevance

Dylan wanted a more cinematic texture and a modern sound – but one that was rooted in old American music.

MusicRadar

Quizzy Gillespie: It's MusicRadar's Quiz of the Week #7!

Can you scale our top-ten music news quiz questions and get to number one?

MusicRadar

“I just shut up and didn’t talk and did whatever Brian told me to do”: Bruce Johnston and the surviving Beach Boys talk about the making of Pet Sounds

Brian Wilson’s masterpiece turns 60 this week

MusicRadar

Khemmis just made one of the best heavy metal records of the year using a $28 plastic fuzz pedal

Phil Pendergast's secret weapon was cheap, effective, and perhaps a lesson that cork-sniffing about gear can be a waste of time – and money

MusicRadar

“You can’t make music in a test tube and do math. There has to be spontaneity with a little planning and a lot of mistakes”: How Tool created enigmatic, brain-bursting alternative rock with a late-’90s masterpiece

“Very seldom are we playing in unison”

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