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DARK SECRETS: Danielle de niese - The Real Truth

The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun

A touring show was quite a challenge for the opera star’s first directorial gig, but dynamic singing, charismatic orchestral play and clever stage jokes pull it off brilliantly

The Guardian - UK

Rise and Fall of the City of Mahagonny review – big and brash staging for Brecht and Weill’s whisky-soaked dystopia

Jamie Manton’s new production for English National Opera is sparky and substantial. Danielle de Niese brings star quality to tarty Jenny, and the chorus are consistently superb

The Guardian - UK

Rise and Fall of the City of Mahagonny: A Trumpian 'hellhole' opera

4/5 The ENO bring Kurt Weill and Bertolt Brecht’s opera to the Coliseum as a dystopia for our times

Evening Standard

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‘It’s a high-wire act. Every choice matters’: Danielle de Niese takes on opera’s most notorious femme fatale

The Australian-born soprano’s version of Carmen is contemporary and emotionally complex: a factory worker in present-day Spain, entangled in a toxic relationship

The Guardian - AU

Carmen review - feminist take on opera’s notorious femme fatale has swagger and style

Maximalist design, gorgeous music and grim reality come together in a smart, seductive and spectacular production from Opera Australia

The Guardian - AU

BBCNOW/Martín/De Niese review – from Ravel’s masterful orchestration to Poulenc’s anguished monologue

This French double bill made for bold and effective programming. Danielle de Niese avoided too obvious histrionics and was heart-stopping as the rejected lover

The Guardian - UK

Danielle de Niese on starring in The Merry Widow: ‘It's opera’s Love Actually... a Christmas cracker’

The superstar soprano on Franz Lehár’s giddy opera, the art form’s superpower and singing in venues from Glyndebourne to Davos

Evening Standard

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The week in classical: The Merry Widow; Aldeburgh festival – review

Thomas Allen steals a witty, sparkling new production of Léhar’s masterpiece, and a cosmic world premiere from Judith Weir lives up to her star billing

The Guardian - UK

The Merry Widow review – De Niese and Olvera are compelling, but camp fun stifles subtlety

Double entendres, extra dialogue and sight gags ensure that Cal McCrystal’s new staging entertains, but it’s at the expense of emotional power. In the pit, John Wilson is superlative, likewise Germán Olvera’s charismatic Danilo

The Guardian - UK

The Seven Deadly Sins review – LPO play Brecht and Weill with bite and swing

Danielle de Niese took on twinned roles of dancer and singer Anna with great style, the evening introduced by João Barradas’s fiery accordion

The Guardian - UK

Classical music: Fiona Maddocks’s 10 best concerts and operas of 2023

Two tragic new operas, Mussorgsky with bells on and rousing community endeavours inspired and moved, while ENO hit highs despite a year of turmoil

The Guardian - UK

The week in classical: Cumnock Tryst; LSO: A Dance to the Music of Time

James MacMillan’s inspiring four-day festival brings together top-class professionals and local performers, and Antonio Pappano gives the Barbican a tantalising taster

The Guardian - UK

The week in theatre: Aspects of Love; Rose; The Shape of Things – review

A superb cast, including opera star Danielle de Niese, elevates Andrew Lloyd Webber’s plodding 80s musical; Maureen Lipman gives a one-woman masterclass; and Neil LaBute’s romcom gets a sharp, funny revival

The Guardian - UK

It’s a Wonderful Life review – operatic adaptation is on the side of the angels

Jake Heggie’s take on the heartwarming Christmas classic has a glittering, melodic score with a gift of a role for soprano Danielle de Niese as goofy guardian angel Clara

The Guardian - UK

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Evening Standard

ENO’s It’s a Wonderful Life star Danielle de Niese: ‘We need opera, we can’t just do Instagram and Tiktok’

The soprano on starring in an opera adaptation of the much-loved film, being at the ENO when its funding was cut and what it feels like on stage when audiences boo

The Guardian - UK

La Bohème review – Christmas comes early to the Royal Opera House

Juan Diego Flórez delivers a winning performance as Puccini’s least mature leading man, while Danielle de Niese’s Musetta is merciless

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