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UNCOVERED: 5 - The Untold Story

Nick Mason's Saucerful Of Secrets release new Steven Wilson ATMOS mix of Echoes

Pink Floyd's 23-minute 1972 epic Echoes was introduced into the Saucerful of Secrets live set in 2022

Louder

“Working with Nick Mason built my confidence. People recognised me as the guitarist I am”: How Gary Kemp came back from his post-pop wilderness to join the Pink Floyd family, and what Saucerful Of Secrets might do next

Ex Spandau Ballet member and movie star discusses being inspired by David Gilmour, Syd Barrett and Mick Ronson, the attitude-crushing mid-90s experience that derailed his career, and what drummer Mason is really like

Louder

“With its tone knob backed off this thing gets sasquatch-hairy without losing clarity. It’s a surprisingly killer stoner rock machine”: EVH SA-126 Standard review

Wolfgang Van Halen’s adventurous high-gain-friendly, semi-hollow signature gets a budget build – but does the magic carry across?

Guitar World

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“I play the double-neck and trade solos with Joe Walsh on Hotel California. It’s a bit terrifying, but it’s the greatest thing ever”: Chris Holt landed The Eagles without an audition – but his gigs with Mike Campbell and Don Henley might have helped

Former Don Henley sideman has a multi-amp rig when he plays with Mike Campbell, and a stipped down in-ears-only setup for the Sphere – but he always has 12 guitars standing by

Guitar World

“You can see we were stoned. Dave and I were completely out of our brains”: The epic story of Pink Floyd’s Live At Pompeii, the prog classic recorded next door to a volcano

Lights! Camera! Chaos! How Pink Floyd made their 1972 album Live At Pompeii

Louder

Before bitterness engulfed them – this was Pink Floyd at their experimental zenith

PLAYBACK: The 1972 concert film ‘Live at Pompeii’ has been restored and remixed for cinemas and IMAX. Stevie Chick explores how it captured the band at their majestic peak of invention

The Independent UK

“There was a girl who wrote letters to Fish in her own blood, and there was an American you could imagine having a John Lennon moment with. You have to be careful”: Steve Rothery’s life and times with Marillion

It’s always been about music for the veteran guitarist, although distractions have included catching fire at the band’s first gig, realising he should be much richer than he actually was, and an alternative career he came close to pursuing

Louder

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“I loved working with David Gilmour… but that was an uneasy collaboration”: Pete Townshend admits he’s not a natural collaborator – even with bandmates and fellow guitar heroes

That said, the Who guitarist did recently collaborate with an up-and-coming singer-songwriter...

Guitar World

“I’m imagining it was a very dry, kind of arid, close sound”: Steven Wilson on the challenges of mixing Pink Floyd At Pompeii – MCMLXXII, how the movie captures a band in transition, and why it is “pure Floyd”

Wilson was in conversation with former Pink Floyd drummer Nick Mason at a special BFI IMAX screening of Adrian Maben's recently restored and rereleased concert movie

MusicRadar

“I heard the Money solo and thought, ‘This is amazing!’ So I sent David a telegram saying, ‘Remember me? I'm in a band now called Roxy Music’”: Phil Manzanera on his friendship with David Gilmour, and the key to the Pink Floyd man's unmistakable tone

The two guitarists have worked on several records together, giving Manzanera the inside baseball of the tricks behind Gilmour's iconic guitar tone

Guitar World

“It's like saying, ‘Give a man a Les Paul, and he becomes Eric Clapton. It's not true’”: David Gilmour and Roger Waters hit back at criticism of the band's over-reliance on gear and synths when crafting The Dark Side of The Moon in newly unearthed clip

The clip is featured in Pink Floyd at Pompeii – MCMLXXII, the newly restored version of the band's groundbreaking Live At Pompeii film

Guitar World

‘It ain’t over till one of us is gone’: the pop stars who refuse to bury the hatchet

Madonna and Elton John thawed their frosty relationship this week – but from Mariah and J-Lo to David Gilmour and Roger Waters, plenty more are still at loggerheads

The Guardian - UK

“What they do harkens back to classic rock and real musicianship”: Amadou Bagayoko, singer and Malian guitar great, dies at 70

Half of the enormously successful duo Amadou & Mariam, Bagayoko developed a powerful guitar style that blended classic rock influences with more traditional West African sounds, jammed with David Gilmour, and collaborated with Damon Albarn

Guitar World

Amadou Bagayoko obituary

Malian singer-songwrier and guitarist who had international success in a duo with his wife Mariam

The Guardian - UK

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“I was working with David Gilmour and I said, ‘I can't work out how to play this.’ He couldn't either’”: Phil Manzanera tried to relearn one of his classic riffs after it was sampled by Kanye West and Jay-Z – and even the Pink Floyd hero couldn’t help him

The Roxy Music legend was ultimately saved by a younger player, who helped him get to grips once again with the iconic hook

MusicRadar

“She opened her mouth, and out came that orgasmic sound we know and love”: How a feat of spontaneous creativity resulted in one of Pink Floyd’s most majestic moments

A gentle meditation on mortality was brought to passionate life thanks to one woman’s improvised vocal

Al Jazeera

Four Afghan girl guitarists escaped the Taliban. Will they be forced back?

Yasemin, Zakia, Shukriya and Uzra, just 7, fled Afghanistan. A Trump order and Pakistan could send them back.

Louder

“It came very close to where I wasn’t going to do the album; I didn’t feel that what we’d agreed was fair”: How Pink Floyd made The Division Bell

Pink Floyd explored the theme of communication on 1994 album The Division Bell – despite their infamous communication issues

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Guitar World

“I did everything I could to keep it as authentic as possible, as an extension to my tribute to Pink Floyd, without stealing from them in any way”: Corey Feldman personally sought David Gilmour and Roger Waters' blessings for his Floyd-esque album

Last year, Feldman went viral for his shredding – which many accused of being 'fake' – an allegation later debunked by Feldman himself, as well as Limp Bizkit's Fred Durst

Louder

“We spent seven months on David Gilmour’s boat and almost bankrupted ourselves. But Bob encouraged us to dream big”: How Bob Ezrin brought out the prog in Kula Shaker

Crispian Mills hails the “complete maniac” Pink Floyd, Peter Gabriel and Alice Cooper producer for his work on 1999 album Peasants, Pigs & Astronauts

Louder

“The live recording sees the piece come to life… amid the sepulchral gloom there are moments of real beauty”: Roger Waters' Super Deluxe Box Set of his Dark Side Of The Moon Redux

The former Pink Floyd leader’s take on their 1973 signature album includes superior version of his moody reimagining.

MusicRadar

“Not that I was restricted in any way with Rush. I’m very proud of what we did. But this is a whole different kind of experience”: Alex Lifeson on disguised guitars, soloing strategies and finding fresh sounds and freedom with Envy Of None

Envy Of None's sophomore album, Stygian Waves, is the sound of Lifeson's post-Rush project stretching out with a sound you can really sink right into

Guitar World

“I had a huge cue sheet up on my amps. Except for the Comfortably Numb solo, there were no moments where I could say, ‘Forget everything. Just play’”: For David Gilmour, Pink Floyd’s wildly ambitious the Wall tour was a blast – and a challenge

Used to experimenting and improvising onstage, Gilmour suddenly found himself juggling a multitude of new responsibilities, and, on one occasion, dodging burning drapes...

Guitar World

“For Pink Floyd songs, David is happiest when I play an old Fender with a pick”: Session legend Guy Pratt on the Jazz Bass he bought from John Entwistle and how he conjured a “massive octave-pedal freakout” with Madonna

In addition to his main gig with David Gilmour, Guy Pratt has played bass on some monster hits, including Madonna’s Like a Prayer and Michael Jackson’s Earth Song

Louder

“I was unusually nervous… You may be doing exactly the same set, but it can have a completely different vibe.” When David Gilmour revisited Pompeii and faced the ghosts of Pink Floyd

Safer pyrotechnics, local hero status and the benefit of a Wallace & Gromit movie helped make his 2017 concert movie a very different experience from Floyd’s 1972 release

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