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SHOCKING: Mason marangella | Mind Blowing Facts

“I knew it was a better song than I’d written up to that point. I’d turned a corner as a songwriter. But in terms of thinking it was a hit, I had no idea”: How a pilgrimage to the crucible of rock ’n’ roll inspired the ’90s classic Walking In Memphis

“Me and the piano – that’s all I cared about”

“I was just a new guy, probably number nine on the list”: Larry Carlton on his nerve-shredding debut session with Quincy Jones – and the time he was called to play guitar on a Michael Jackson smash-hit

“I was just a new guy, probably number nine on the list”: Larry Carlton on his nerve-shredding debut session with Quincy Jones – and the time he was called to play guitar on a Michael Jackson smash-hit

Carlton's experiences are a great example of why a session player has to be ready for anything

“Brings ideas to life that I’ve been refining for over 17 years as a professional rig builder”: Gator teams up with Vertex Effects for a one-stop “unified pedalboard system” –complete with ’boards, bags and fasteners

“Brings ideas to life that I’ve been refining for over 17 years as a professional rig builder”: Gator teams up with Vertex Effects for a one-stop “unified pedalboard system” –complete with ’boards, bags and fasteners

Made with durable material, in three different sizes with and without risers, direct collaboration leaves no stone unturned in the quest for the ultimate pedalboard

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“They had the arrangement and I went, ‘Oh, this is finally my David Gilmour moment.’ The hair on my arms stood up”: Keith Scott on the making of Bryan Adams’ (Everything I Do) I Do It For You – the record-breaking hit no one saw coming

Scott remembers how a “plaintive melody” from Michael Kamen intrigued Mutt Lange and was shaped into Bryan Adams' biggest, hit, giving Robin Hood: Prince Of Thieves the anthem it needed

“All Strats aren't equal… Then it’s how you smack it, or zing it or strum it… A lot of it is that too”: Session guitar legend Michael Thompson reveals how he created the famous clean tone that’s on countless '80s and '90s hits

In a new video Thompson tells the backstory of his playing for NSYNC, All-4-One, Monica, Gloria Estefan and more.

“We’re looking at the movie going, ‘Urgh! It’s kinda cheesy. I don’t know if this is going to work”: How Chris Hayes wrote Huey Lewis and the News’ Back To The Future hit Power Of Love in his pyjamas

The Power Of Love scored Huey Lewis and the News their first number one and an Oscar nod but as Hayes remembers it he just “threw together” the guitar parts from the comfort of his couch

“I said, ‘Why don’t you just do all the guitars?’ He said, ‘I ain’t got the grease like you, mate!’”: Michael Thompson on living his “rock ’n’ roll fantasy” with Mutt Lange and Shania Twain – and the stories behind his biggest session hits

In a recent video interview, Thompson reflects on his career with Michael Bolton, Toni Braxton, Shania Twain and more, and talks about that time he showed Michael Jackson how an EBow worked

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“Quincy said, ‘Ritenour, this is Q. You gotta get down here right now!’”: Lee Ritenour reveals all about his top secret mission to save George Benson’s Give Me The Night solo

“Quincy said, ‘Ritenour, this is Q. You gotta get down here right now!’”: Lee Ritenour reveals all about his top secret mission to save George Benson’s Give Me The Night solo

After an unfortunate recording accident in the analogue tape days, Quincy Jones needed an 11th hour rescue job and duly made a late night call to the only player who could help

Can a $249 preamp/drive pedal and a few commonly found stompboxes nail the Dumble amp tones of classic SRV, Eric Johnson and John Mayer tracks?

Can a $249 preamp/drive pedal and a few commonly found stompboxes nail the Dumble amp tones of classic SRV, Eric Johnson and John Mayer tracks?

Pull on a set of headphones and judge for yourself as Vertex Effects' Mason Marangella puts his Steel Stringer at the heart of an everyday signal chain and A/Bs it against the original tracks

“I’m afraid of ghosts! I’m not the guy who’s gonna do anything to a ghost”: Ray Parker Jr shares the story of how he had just three days to write the Ghostbusters theme with $50,000 on the line

“I’m afraid of ghosts! I’m not the guy who’s gonna do anything to a ghost”: Ray Parker Jr shares the story of how he had just three days to write the Ghostbusters theme with $50,000 on the line

When a session’s running late, in your neighbourhood, who you gonna call?

“We all loved Larry Carlton’s guitar, it was just magic… We were all looking for guitars with chunky necks, to try and get the sustain that he had”: Session legend Dean Parks reveals the secrets of his most iconic Steely Dan and Eric Clapton guitar parts

“We all loved Larry Carlton’s guitar, it was just magic… We were all looking for guitars with chunky necks, to try and get the sustain that he had”: Session legend Dean Parks reveals the secrets of his most iconic Steely Dan and Eric Clapton guitar parts

You can hear Parks on Josie, Haitian Divorce, Change the World, Rikki Don’t Lose That Number and innumerable other songs – here, the guitarist unpacks the gear and recording sessions that forged them

A lost Dumble Overdrive Special that's been called “possibly the greatest amplifier ever made“ has resurfaced after 40 years

A lost Dumble Overdrive Special that's been called “possibly the greatest amplifier ever made“ has resurfaced after 40 years

Formerly owned by producer/guitarist Dennis Herring – known for his work with Bonnie Raitt and Buddy Guy – the amp now belongs to Jason Isbell

Up close with the ultimate Dumble Overdrive Special Jason Isbell calls “possibly the greatest amplifier ever made"

Up close with the ultimate Dumble Overdrive Special Jason Isbell calls “possibly the greatest amplifier ever made"

An in-depth look with Vertex Effects at the coveted unlabelled serial number 22 Overdrive Special amp Isbell bought

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