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UNBELIEVABLE: Pauline oliveros - Caught on Camera

‘We did a seance for Beethoven, to see what he thought’: the playful, pioneering life of field-recording maestro Annea Lockwood

The New Zealand composer burned pianos, sampled earthquakes and recorded Belfast’s peace walls. And at 86 is still invested in her life’s work: to appreciate the music in everyday sound

The Guardian - UK

Helado Negro on working with the SAL-MAR Construction, a one-of-a-kind analogue synth and “self-generating compositional machine” from 1969: “This wasn’t parallel to developments fromMoog and ARP… this was so much in its own world”

Roberto Carlos Lange’s acclaimed latest album took him on a synth quest across the US. But it was back at home, piecing it all together in Ableton, that the rich tapestry took shape

MusicRadar

John Akomfrah’s British pavilion at Venice Biennale review – a magnificent and awful journey

The artist’s nightmare of colonial exile, ecology and globalisation – recurring endlessly over six interconnected video installations – leaves you unsettled, unhinged and gasping for air

The Guardian - UK

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‘There’s no such thing as a neutral algorithm’: the existential AI exhibition confronting Sydney

Artist Rafael Lozano-Hemmer’s Atmospheric Memory allows visitors to interact with generative tech – and become part of the show in unexpected ways

The Guardian - AU

From Signal to Decay Volume 1 – review: An exhibition that sings to itself

Using ambient, dubby noise as well as drawings and video art, Mathison’s engrossing show ‘plays’ the echoing spaces of the gallery

The Guardian - UK

‘He would get high before teaching’: how Mills College gave birth to music’s boldest minds

Fuelled by psychedelic counterculture, the Californian university has nurtured Steve Reich, Laurie Anderson and more – and caused riots at its concerts. But can it survive?

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