4.48 Psychosis at Royal Opera: Devastating avant-garde anguish 4/5 Director Ted Huffman and composer Philip Venables’ opera version of Sarah Kane’s final play is a stunning journey into despair Evening Standard · Oct 20
The Alonetimes review – frenetic, funny and exhilarating music theatre Six performers navigate a disjointed world of online slang, loneliness and absurdity in the UK premiere of Jennifer Walshe and Philip Venables’ thrillingly original collaboration The Guardian - UK · Oct 20
4.48 Psychosis review – a dazzling, harrowing opera worthy of Sarah Kane’s furious writing Six fearless singers and the Chroma Ensemble, conducted with arresting immediacy by Naomi Woo, rise to the challenge of the brutal musical onslaughts and anarchic orchestrations of Philip Venables’ raw, imaginative score The Guardian - UK · Oct 18
The Faggots and Their Friends Between Revolutions review – unforgettable celebration of queer activism At times chaotic but never less than virtuosic, Philip Venables’ take on Larry Mitchell’s 70s manifesto is gritty but sensual and extravagant The Guardian - UK · Jun 29, 2023
‘We sing the word faggot lovingly, hundreds of times’: inside Manchester’s queerest show Composer Philip Venables and director Ted Huffman’s previous shows have caused panic attacks. How will The Faggots & Their Friends Between Revolutions go down? Ahead of its premiere, the duo talk f-words, love-ins and the capitalist patriarchy The Guardian - UK · Jun 26, 2023
If we defund opera saying it is for toffs, then only the toffs will go. Where’s the sense in that? It is painful to see our top companies starved of funds and strangled by politics, while our best artists head abroad, says the Guardian’s chief culture writer, Charlotte Higgins The Guardian - UK · Feb 20, 2023