4.48 Psychosis at Royal Opera: Devastating avant-garde anguish 4/5 Director Ted Huffman and composer Philip Venables’ opera version of Sarah Kane’s final play is a stunning journey into despair Evening Standard · 15h ago
4.48 Psychosis review – a dazzling, harrowing opera worthy of Sarah Kane’s furious writing Six fearless singers and the Chroma Ensemble, conducted with arresting immediacy by Naomi Woo, rise to the challenge of the brutal musical onslaughts and anarchic orchestrations of Philip Venables’ raw, imaginative score The Guardian - UK · Oct 18
Tosca at Glyndebourne: Adds a few shocking twists of the knife 5/5 Ted Huffman’s new production at Glyndebourne relocates Puccini’s opera to the Fascist period Evening Standard · May 27
Tosca review – Puccini’s high-octane bloodbath bonanza makes for a shocking festival kick-off Caitlin Gotimer’s Tosca goes from 0-60 in mere moments while the London Philharmonic unlock the barely contained violence in Ted Huffman’s long-awaited exceptional staging The Guardian - UK · May 22
‘Really entertaining in a horrible way’: the indestructible appeal of Tosca With its screams, sex, bells and bloodshed Puccini’s opera was initially derided as a noisy disaster. Ahead of Glyndebourne’s first ever production, we look the ‘shabby little shocker’ that’s become one of opera’s most bankable masterpieces The Guardian - UK · May 21
The week in classical: Eugene Onegin; Cavalleria rusticana; The Acts of Brízida Vaz/You Can’t Kill the Spirit– review An experimental staging of Tchaikovsky’s opera brings fresh ideas and a few misses, ambitious community opera thrives in south London and a Cornish company goes nuclear The Guardian - UK · Sep 28, 2024
Eugene Onegin at the Royal Opera review: this tale of heartbreaking regret gets the spine tingling This tale of missed opportunity is given fresh life by Ted Huffman Evening Standard · Sep 26, 2024
Eugene Onegin review – stripped back staging is compelling and probing Ted Huffman’s unfussy new production of Tchaikovsky’s opera is detailed and insightful. Kristina Mkhitaryan’s Tatyana is a particular highlight among a strong cast The Guardian - UK · Sep 25, 2024
The Faggots and Their Friends Between Revolutions review – unforgettable celebration of queer activism At times chaotic but never less than virtuosic, Philip Venables’ take on Larry Mitchell’s 70s manifesto is gritty but sensual and extravagant The Guardian - UK · Jun 29, 2023
‘We sing the word faggot lovingly, hundreds of times’: inside Manchester’s queerest show Composer Philip Venables and director Ted Huffman’s previous shows have caused panic attacks. How will The Faggots & Their Friends Between Revolutions go down? Ahead of its premiere, the duo talk f-words, love-ins and the capitalist patriarchy The Guardian - UK · Jun 26, 2023