Tannhäuser review – Lise Davidsen gleams though Albery’s Wagner misfires again Tim Albery’s second revival only fitfully illuminates the opera’s complexities, but the singing and acting are superb The Guardian - UK · Jan 30, 2023
The week in theatre: Othello; The Unfriend; On the Ropes – review Brute force speaks volumes in Frantic Assembly’s breathtaking Othello; Steven Moffat and co flirt with farce; and the story of Windrush boxer Vernon Vanriel hits home in song The Guardian - UK · Jan 29, 2023
Acosta Danza: Spectrum; Julie Cunningham: How Did We Get Here? – review Big personalities shine out in the Cuban company’s celebratory show. And Mel C holds her own in Cunningham’s opaque new work The Guardian - UK · Jan 28, 2023
Saint Jude review – delightfully disturbing immersive theatre in creepy clinic Taking part in a trial shift to help coma patients wake up, the tension grows as it slowly becomes clear why you’re really mining strangers’ secrets The Guardian - UK · Jan 27, 2023
We Didn’t Come to Hell for the Croissants review – wonderfully weird cabaret of the unexpected Jemma Kahn’s show begins with a striptease, then ponders existential questions before ending with an orgiastic dinner party The Guardian - UK · Jan 23, 2023
The Games We Play review – an absorbing mix of juggling, dance and philosophy Gandini Juggling’s multifaceted show delves into the history of the art form while keeping several other balls in the air The Guardian - UK · Jan 22, 2023
The Sleeping Beauty review – a vintage production rises and shines It’s unapologetically retro, and there’s no story, but the Royal Ballet’s latest revival of Petipa’s intricate masterpiece casts its spell The Guardian - UK · Jan 22, 2023
In the Net review – a tangled, scattergun study of global crises Misha Levkov’s dystopian debut examines migration, climate and community action but the drama is lost amid bland philosophical arguments The Guardian - UK · Jan 20, 2023
And Then the Rodeo Burned Down review – high noon for cowboy clowns Chloe Rice and Natasha Roland deliver a playful two-hander about the wild west, power structures and the costs of making art The Guardian - UK · Jan 20, 2023
Crybabies: Bagbeard review – sci-fi caper boldly goes down a storm The sketch trio throw a lot into their screwball adventure, from pagan festivals to alien apocalypse, but every gag pays off The Guardian - UK · Jan 19, 2023
Cirque du Soleil: Kurios review – a gasp-inducing steampunk celebration of virtuosity Sidi Larbi Cherkaoui’s choreography connects amazing talents from yo-yoers to contortionists in a slick and seamless show The Guardian - UK · Jan 19, 2023
George Takei’s Allegiance review – shocking history given musical uplift The Star Trek actor appears in an epic story of Japanese Americans interned after Pearl Harbor but there is never enough emotional force The Guardian - UK · Jan 18, 2023
Dance: Sarah Crompton’s five best shows of 2022 Past and present entwined in a sparkling postmodern revival, a sensational take on Stravinsky and Crystal Pite’s sublime dance of life The Guardian - UK · Dec 17, 2022
Classical music: Fiona Maddocks’s 10 best concerts and operas of 2022 Excellence and perilous funding went hand in hand, Salome sizzled, a piano great led the way, and India and Italy became musical neighbours The Guardian - UK · Dec 17, 2022
The Guardian - UK · Dec 16, 2022 The best dance of 2022 Exhilarating highlights this year ranged from tech-savvy ballet and a juggling celebration of Merce Cunningham to a daring flamenco Rite of Spring
The Guardian - UK · Dec 15, 2022 The best theatre of 2022 In a superb year for the stage, our chief critic gives 10 shows an extra round of applause. Plus, Guardian theatre reviewers each pick their 2022 standout
The Guardian - UK · Dec 13, 2022 From Wagatha Christie to Donald Trump: can rapid-fire real-life drama upstage the news? Dramatising the latest watercooler story doesn’t guarantee you box-office success. The stiffest competition may come from reality’s own high drama
The Guardian - UK · Dec 11, 2022 Ruination review – fabulous festive myth and murder from Lost Dog Ben Duke’s retelling of the Medea myth may not have the trappings of Christmas cheer, but its inventive wit brings real delight
The Guardian - UK · Dec 9, 2022 Gloriana review – superb singing and smart staging illuminate Britten’s coronation opera English National Opera’s one-off performance of Britten’s uneven opera was very fine in every respect, with Christine Rice an exceptional Elizabeth I
The Guardian - UK · Dec 8, 2022 Matthew Bourne’s Sleeping Beauty review – doing the fairytale twist Crammed with the choreographer’s trademark wit and OTT theatrics, this is an irresistible spin on the story
The Guardian - UK · Dec 7, 2022 The Nutcracker review – the Royal Ballet’s winter warmer This sumptuously designed production is a treat if you don’t dwell on the dramatic flaws and just enjoy the magical music and performances
The Guardian - UK · Dec 6, 2022 ‘Don’t waste time’: War Horse composer Adrian Sutton on living with an incurable cancer diagnosis Adrian Sutton has written acclaimed orchestral, choral and chamber works, and been Tony-nominated for his theatre scores. Now, as he prepares his final two concerts, he shares what he has learned from a life in music
The Guardian - UK · Dec 6, 2022 Ruination review – you’ll laugh and cry at this ‘Christmas show’ Medea Linbury theatre, Royal Opera House, LondonBen Duke brings fresh life to the classics again with deft movement between tragedy and comedy
The Independent UK · Dec 4, 2022 The Week on Stage: From Othello to Vardy v Rooney A guide to the week’s theatre
The Guardian - UK · Dec 3, 2022 The week in classical: It’s a Wonderful Life; A Child of Our Time; IMS Prussia Cove – review ENO’s warm-hearted production of Jake Heggie’s operatic take on the classic Frank Capra film is full of poignant ironies