BIZARRE: 9 - You Need To See This

The Wind in the Wilton’s review – Mr Toad and pals take on weaselly property developers

Piers Torday’s update of the children’s classic brings Kenneth Grahame’s animals to modern-day London

The Guardian - UK · Dec 1, 2022

The best theatre to stream this month: Age of Rage, A Scary Little Tempest and more

Our roundup of drama to watch at home includes Ivo van Hove’s epic, boisterous family fun and a dance fable for Christmas

The Guardian - UK · Dec 1, 2022

Jack and the Beanstalk review – sumptuously OTT panto has a big heart

A streetwise Jack sells his cow for a tin of baked beans in this sugar rush of a show, which is underpinned with an anti-greed moral about the collective good

The Guardian - UK · Nov 28, 2022

‘We put Disney in the bin’: Victoria Hamilton-Barritt on being theatre’s top Christmas villain

She starred in Lin-Manuel Miranda’s In the Heights while eight months pregnant and played Cinderella’s stepmother in Andrew Lloyd Webber’s abruptly closed musical. Now Hamilton-Barritt has bounced back as a tormented ogress in Hex

The Guardian - UK · Nov 22, 2022

The Royal Ballet: A Diamond Celebration review – looking forward with friends

World premieres, old favourites and a ballet legend in the house make for a memorable gala evening

The Guardian - UK · Nov 20, 2022

Pinocchio review – a truly bold take on Carlo Collodi’s classic

Mosquitos, cats and smartly defined morals feature in a complex and well-crafted reimagining of the beloved tale

The Guardian - UK · Nov 18, 2022

Here review – creepy and captivating kitchen-sink gothic

Clive Judd’s Papatango-winning play about a West Midlands family haunted by the past is unorthodox and invigorating

The Guardian - UK · Nov 18, 2022

The Royal Ballet: A Diamond Celebration review – pick ’n’ mix gala with some sparkles

A grab-bag of nine pieces, from Wheeldon to Tanowitz, make up a celebratory programme delivered with customary aplomb by the Royal’s dancers

The Guardian - UK · Nov 17, 2022

Candoco: In Side Out review – an intimate night of new work

Fresh pieces by the company of disabled and non-disabled dancers open up its artistic direction

The Guardian - UK · Nov 17, 2022

We don’t want to bring down the curtain on ENO, but opera has to change

Funding shake-ups have come as a shock, but offer the art form an opportunity to find a new direction and new audiences, says Darren Henley of Arts Council England

The Guardian - UK · Nov 14, 2022