Things to do in London this weekend (January 5 – 7) Mike Daw returns for the first weekend guide of the new year with everything needed to make it a memorable one Evening Standard · Jan 4, 2024
Young Russian mezzo bids for breakout stardom in Met's new 'Carmen' Aigul Akhmetshina says she’s a fighter — and she’s had to be to make it to the Metropolitan Opera, where she leads a new production of Bizet’s “Carmen” opening on New Year’s Eve The Independent UK · Dec 27, 2023
La Scala's gala premiere of 'Don Carlo' is set to give Italian opera its due as a cultural treasure Italian melodrama’s official recognition as a global cultural treasure is getting trumpeted with La Scala’s season premiere of Verdi’s “Don Carlo.” The Independent UK · Dec 7, 2023
Keel Watson obituary Versatile opera singer who could move effortlessly between Wagner and Alice’s Adventures in Wonderland The Guardian - UK · Nov 15, 2023
John Adams: Antony and Cleopatra review – European premiere fuelled by molten chemistry In his ambitious and richly orchestrated 2022 opera, the American composer makes Shakespeare his own, with a star cast to match The Guardian - UK · Nov 4, 2023
The week in classical: La rondine; La traviata review – rapture and raw power Puccini’s flighty swallow soars in James Hurley’s gorgeous new production for Opera North. And Nicole Chevalier is devastating as the doomed Violetta in ENO’s impassioned revival of no-frills Verdi The Guardian - UK · Oct 28, 2023
The week in classical: Falstaff; Hatfield House chamber music festival – review Verdi’s late masterpiece ends on a riotous and sustainable high at Opera North. At the childhood home of Elizabeth I, a family affair and a memorable premiere The Guardian - UK · Oct 7, 2023
The week in classical: La forza del destino; Bayerisches Staatsorchester/ Jurowksi; Chouchane Siranossian – review Ignore the fanciful plot and submit to the musical glories of the Royal Opera’s bravura revival of unwieldy Verdi. And to the top of the mountain with Vladimir Jurowski and co The Guardian - UK · Sep 23, 2023
La Forza del Destino review – superb voices and slick dance routines for Loy’s reimagined Verdi Christoph Loy’s 2019 staging staging feels more cogent in this, its first revival, and baritone Etienne Dupuis is stunning as Carlo The Guardian - UK · Sep 20, 2023
Norwegian soprano Lise Davidsen taking on new challenges on two continents Norwegian soprano Lise Davidsen is embarking on her most ambitious season yet The Independent UK · Sep 6, 2023
Tenor Freddie de Tommaso, a young British sensation, makes US opera debut Tenor Freddie de Tommaso, who at 28 became an overnight sensation nearly two years ago after stepping in for a star who had taken ill, is so in demand that he sometimes has to turn down roles The Independent UK · Aug 21, 2023
Opera world split as director reinventions dominate Europe while US, Italy more muted The opera world is split in two: Some European productions reinvent works in ways composers never imagined, and traditional stagings favored in the U.S. are condemned by cognoscenti The Independent UK · Aug 15, 2023
Russian opera star sues US company after dropping her for refusing to criticise Putin’s war in Ukraine Soprano Anna Netrebko, once among the Metropolitan Opera’s biggest box office draws, has sued the company and general manager Peter Gelb, alleging defamation, breach of contract and other violations The Independent UK · Aug 6, 2023
Star soprano Anna Netrebko sues Met Opera over its decision to cut ties over Russia-Ukraine war Soprano Anna Netrebko, once among the Metropolitan Opera’s biggest box office draws, has sued the company and general manager Peter Gelb, alleging defamation, breach of contract and other violations The Independent UK · Aug 4, 2023
The Guardian - UK · Jul 8, 2023 The week in classical: Don Carlo; Woman at Point Zero; History of the Present – review Lise Davidsen is exceptional in Verdi’s masterly study of war and leadership; and Belfast is the focus of a bold four-woman collaboration on film
The Guardian - UK · Jul 6, 2023 Verdi: Un Ballo in Maschera review – Freddie De Tommaso stars in lustrous lockdown tragicomedy Recorded in two separate studios, Marek Janowski’s dashing recording of Verdi’s opera draws power from its authoritative star, even if the rest of the cast can’t quite measure up
The Guardian - UK · Jul 2, 2023 Don Carlo review – Lise Davidsen doesn’t disappoint in Verdi’s sprawling masterpiece The rising star, in her first major Verdi role, gives a tour de force of glorious singing in an otherwise unfocused production which struggles with character and dramatic intensity
The Independent UK · Jun 28, 2023 Muti ends 13 seasons with Chicago Symphony Orchestra with praise and honors — and Beethoven Riccardo Muti has ended 13 seasons as Chicago Symphony Orchestra's music director with praise and a series of honors
The Independent UK · Jun 26, 2023 Yannick Nézet-Séguin is remaking the Metropolitan Opera from the bottom up Yannick Nézet-Séguin is remaking the Metropolitan Opera from the bottom up
The Guardian - UK · Jun 19, 2023 BBC Cardiff Singer of the World review – a surprise winner and unexpected vocal delights Adolfo Corrado’s dramatic bass took the honours, but over the week’s competition there was plenty of excellent, stylish singing – and unexpected coloratura fireworks
The Guardian - UK · Jun 10, 2023 Il trovatore; The Planets; Dennis & Gnasher: Unleashed at the Orchestra review – from Bosch to Bash Street Spellbinding Jamie Barton and company excel in Adele Thomas’s clear-sighted take on volatile Verdi; to the final frontier via Peckham; and kazoos at the ready for a Beano Concerto
Chicago Sun-Times · Jun 9, 2023 Riccardo Muti: ‘I leave the position of music director knowing that I have done my best’ The world-renowned conductor, who is stepping down from his post with the Chicago Symphony Orchestra later this month, plans to return to the podium at Symphony Center, but less frequently and without the demands of being the orchestra’s music director.
The Independent UK · Jun 6, 2023 Speranza Scappucci to become Royal Opera's principal guest conductor Speranza Scappucci will become principal guest conductor of London’s Royal Opera starting with the 2025-26 season
The Guardian - UK · May 31, 2023 Rigoletto review – Verdi’s jester locks horns with the Bullingdon Club In an engaging but problematic staging, the Duke’s court is relocated to interwar Oxford, with Alison Langer’s beautifully sung Gilda a standout
The Independent UK · May 16, 2023 Sonja Frisell's lavish staging of Verdi's 'Aida' ends its 35-year-run at the Metropolitan Opera Sonja Frisell's production of Verdi's “Aida” ends a 35-year run at the Metropolitan Opera on Thursday with its 262nd performance