The week in classical: Abomination: A DUP Opera; Aida – review Its Belfast premiere positively crackled, and four years on, Conor Mitchell’s lush, searing satire on DUP homophobia continues to provoke The Guardian - UK · May 13, 2023
Meeting Muti at age 10, Rustioni knew he wanted to conduct Daniele Rustioni knew he wanted to be a conductor from the time he was 10 The Independent UK · Mar 10, 2023
We asked people which Swansea ice cream was best - Joe's or Verdi's - this is what happened Some people were absolutely adamant Wales Online · Mar 9, 2023
Met cuts season to 18 operas, matching fewest in 4 decades The financially challenged Metropolitan Opera is cutting its schedule to 18 productions next season, matching pandemic-curtailed 2019-20 for the fewest since 14 in the strike-shortened 1980-81 season The Independent UK · Feb 22, 2023
The week in classical: Aida; Candide; Manchester Collective: Weather – review Verdi’s music reigns supreme in the Royal Opera’s austere new staging of Aida; a community Bernstein production raises the roof; and a cult 90s work has never felt more timely The Guardian - UK · Oct 1, 2022
Aida review – dour staging gains colour from the pit Robert Carsen’s new production of Verdi’s opera of Egypt and Ethiopia has ditched the cliches of exoticism to replace them with troubling images of contemporary conflict The Guardian - UK · Sep 26, 2022
Met Opera to open season with dark, murderous ‘Medea’ The Metropolitan Opera opens its new season Tuesday with its first production of “Medea,” a version of the classic Greek tale of a sorceress who murders her children after her lover chooses another woman The Independent UK · Sep 21, 2022
The week in classical: La Traviata; Salome; Jeneba Kanneh-Mason & the Philharmonia – review NI Opera’s excellent new Verdi production went straight to the heart, while Royal Opera’s Strauss revival failed to ignite. Plus, the next star Kanneh-Mason… The Guardian - UK · Sep 17, 2022
Fall classical music guide 2022: Collaborative Works Festival showcases Chicago composers, poets Riccardo Muti’s last season as music director of the CSO, and Lyric Opera’s “Don Carlo” are also among the highlights of the season. Chicago Sun-Times · Sep 2, 2022
The week in classical: Proms 2 & 5; Attila; Thomas Kelly – review Star violist Lawrence Power and John Wilson’s orchestra dazzle at the Proms. Elsewhere, fireworks on the stage and podium in early Verdi, and a young pianist astonishes The Guardian - UK · Jul 23, 2022
The First Night of the Proms review: This requiem at the Albert Hall was a dream This thrilling performance delivers light and darkness in equal measure Evening Standard · Jul 18, 2022
Pick of the BBC Proms 2022: Presenters on the concerts they can’t wait to see From the Ukrainian Freedom Orchestra, to a celebration of Aretha Franklin and the music of video games, BBC TV presenters on the Proms not to miss this summer Evening Standard · Jul 5, 2022
The week in classical: Samson et Dalila; Lise Davidsen & Freddie De Tommaso with James Baillieu Strength comes in many forms in the Royal Opera’s revelatory new Samson et Dalila; and two star singers in the ascendant hit all the high notes The Guardian - UK · Jun 4, 2022
For soprano Ailyn Perez, new opera roles and new marriage For soprano Ailyn Perez, being rejected by the man she loves is all part of the job onstage The Independent UK · Apr 6, 2022
The Independent UK · Feb 23, 2022 Met Opera shares 2022-23 season, Netrebko not in 'Lohengrin' Soprano Anna Netrebko added to her list of cancellations, withdrawing from a new production of Wagner’s “Lohengrin” at the Metropolitan Opera that is among seven new stagings the company announced for its 2022-23 season
Chicago Sun-Times · Feb 3, 2022 The Mix: Things to do in Chicago Feb. 3-9 Long Grove’s "Cocoa Crawl," Lyric Opera’s "Verdi’s Voices" concert, and a performance by Trinity Irish Dance Company are among the entertainment offerings in the week ahead.
The Guardian - UK · Jan 23, 2022 Rigoletto review – powerful update, led by stellar duo, is a revelation Underlining the otherness of Verdi’s court jester by making him a black man is a masterstroke by Femi Elufowoju, the leads sung with potency by Eric Greene and Jasmine Habersham