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UNBELIEVABLE: 26 | History Defined

“The sound quality is incredible; it can be quite hard to tell the difference between the Kemper and a real amp”: Tony Iommi has been experimenting with digital amp modelers – and he’s used one to record new material

The guitarist has been using a Kemper in the studio, and his new music features a blend of both tube and digital amps

Guitar World

“I yelled, ‘Paul, George, Ringo and John, you guys were just wonderful!’ He said, ‘Ernie, if it were not for the Isley Brothers, the Beatles would still be in Liverpool’”: Ernie Isley on the time he met Paul McCartney – and they jammed Twist and Shout

The Isley Brothers and The Beatles both found career-making hits in Twist and Shout – and the two groups would prove pivotal for each other's musical trajectories

Guitar World

“Ozzy had been fired from Black Sabbath. People warned me against working with him because he didn’t have the best reputation”: Ozzy Osbourne bassist Bob Daisley on why he decided to bet on the Prince of Darkness’ post-Sabbath career

Daisley had just been unceremoniously replaced in Ritchie Blackmore’s band, Rainbow, when the opportunity to join Osbourne in his new venture came about

Guitar World

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“The store said, ‘We can’t get an amp before your gig.’ This gentleman walked up behind me and said, ‘You can use mine.’ It was John Entwistle”: Martyn LeNoble was once in desperate need of bass gear – and The Who’s low-end legend came to his rescue

When he first moved to the US, LeNoble was unable to ship has trusty Trace Elliott over with him. When a local bass store couldn't provide a replacement in time, Entwistle stepped in…

Guitar World

“The deal was if I wanted it back, I could let him know and buy it back. He passed away and Hard Rock Cafe knew nothing about the deal”: Tony Iommi tried to reclaim his iconic Gibson ‘Monkey’ SG but wasn’t allowed – because the person he sold it to died

After retiring the Monkey SG, the Black Sabbath legend sold it to the Hard Rock Cafe – but ran into a spot of bother when he tried to get it back

Guitar World

“The sonic equivalent of a fist-fight between James Hetfield and Alex Lifeson”: October 2024 Guitar World editors’ picks

The hot new tracks and deep cuts GW editors have been listening to this month

Guitar World

“These silly lists come out about the greatest guitar players – I usually don’t make those lists, or they’ll put me behind somebody who I could play circles around”: Billy Corgan on why he thinks he’s still under-appreciated as a guitarist

The creative force behind Smashing Pumpkins is often overlooked in the 'greatest guitarists of all time' conversation

Guitar World

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“When the Strat went, I couldn’t believe it. We went in to make our first album and the pickup went. I had to use the backup I kept on the side…” Tony Iommi was a Fender Stratocaster player before fate intervened – and he had to reach for his Gibson SG

Iommi went to the studio intent on recording Black Sabbath's debut album with his heavily modded Strat. Things didn't quite go according to plan...

Guitar World

“Everything I do in life is left-handed, except for guitar playing… Using a plectrum never felt comfortable in my right hand”: Jared James Nichols on how he came up with his unique fingerstyle approach – and why it can make your playing more expressive

In his debut Guitar World column, the master wrangler of the Les Paul shows us why you don't need a pick to wrestle a tune out of your guitar

Guitar World

“Over and over I would say, ‘It ain’t hitting me in the gut!’ All it took was one note... We went through 80 sets of pickups”: Eddie Van Halen details the years of onstage trials and workshop tribulations that shaped the EVH Wolfgang guitar

Back in 2009, GW sat down with a rejuvenated and re-energized Eddie Van Halen to get the full, twisty backstory of the signature model he referred to as “the culmination of 35 years of experimenting with guitars”

Guitar World

“Peter Buck came up to me and said, ‘You’re using different voicings than I do on the records, but it sounds good’”: How Jason Narducy went from playing bass in a cult punk band to covering R.E.M. with Hollywood veteran Michael Shannon

Narducy describes the “mind-blowing” moment of meeting Peter Buck and picking his brain about how he plays some key R.E.M. classics

Guitar World

“I tried to talk him down, and he turned on me. He goes, ‘There's nothing but feedback coming from your amp.’ I was not having it”: Martyn LeNoble on how his ill-fated stint with Jane’s Addiction came to a close after a clash with Perry Farrell

The Porno for Pyros co-founder was brought onboard to record bass for Jane's Addiction's third studio album, but was replaced at the last minute

Guitar World

“Ozzy told me about this young guitar player in LA who worked at a music school. I envisioned an older bloke with slippers, a cardigan and glasses”: Ozzy Osbourne bassist Bob Daisley on taking a chance on Randy Rhoads – despite label pushback

Daisley remembers playing with Rhoads for the first time and knowing right away that the dynamic was special

Guitar World

“It was an amazing-sounding instrument”: Gibson’s Jimmy Page SJ-200 is a five-figure signature model based on an acoustic he borrowed to record Led Zeppelin’s debut album – before it was stolen

According to Gibson, the new acoustic has been “rendered to Page’s exacting recollection”, owing to the apparent absence of the original model

Guitar World

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Guitar World

“Michael said, ‘I want you to lay something down.’ He puts in a little cassette tape, and he sings the solo and records it”: Session legend Paul Jackson Jr. on working with Michael Jackson – from his Jackson 5 era to Thriller, Beat It and beyond

Jackson Jr. reveals which guitar parts he played on Beat It – which also features the work of Steve Lukather and Eddie Van Halen

Guitar World

“We’re three very different players, still evolving on our instruments”: Joe Satriani, Steve Vai and Eric Johnson bring their A games for electrifying Crossroads jam in first pro-shot footage of G3 2024 tour

The original G3 trio recently reunited for this year's tour, and now it looks like Johnson's promise of a live album from the event is about to come true

Guitar World

“We decided, ‘Let's take the Jazzmaster out and put the Meteora in there to see if it's gonna work’”: Why Fender chose the Meteora over the Jazzmaster for its American Ultra II series

The Jazzmaster was notable in its absence from the new Ultra line-up, now, Fender’s Allen Abbassi explains why it chose to include the Meteora in its place

Guitar World

“I’ve probably had an equal number of guitars stolen as what I’ve sold”: Joe Perry names the desert-island pickup that nobody talks about, explains why there are no bad tones, and makes an appeal for the cheap guitar he foolishly sold and wants back

Aerosmith and Hollywood Vampires’ swaggering six-stringer runs through his many exploits, leading a hundreds-strong collection of unique, vintage and always usable guitars

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Guitar World

“Arguably one of the most significant Beatles and Lennon artefacts to come to market”: John Lennon’s first Vox amp – used at the Cavern and to record Please Please Me – is headed to auction

The Vox AC15 Twin, believed to be the unit purchased by Lennon at Liverpool’s Hessy’s Music, is going under the hammer with an auction estimate of $130,000-$260,000

Guitar World

“The sports car versions of all our classic models”: Fender’s new top-of-the-line American Ultra II guitars are more advanced than anything it has produced before – and feature its fastest necks yet

Upgraded pickups, a new neck profile, and a suite of high-end specs make up the all-new American Ultra II family, representing Fender's most cutting-edge guitar designs

Guitar World

“I worked on that crazy Fender Twin and never understood how it made such fabulous noise”: Stevie Ray Vaughan’s Twin Reverb amp, used in the recording of Texas Flood, Bowie sessions and live shows is up for sale... for over $600,000

The 1967 Twin is fitted with distinctive Electro Voice SRO 'coffee can' speakers, and was used by SRV during his Las Colinas rehearsals with David Bowie

Guitar World

“I got a call – ‘I’m putting a super band together, and I want you to be one of the guitar players.’ The other guitarist was Neal Schon from Santana”: How Les Dudek joined Journey “for two hours”

Recruited due to his stellar resume – which included studio work with the Allman Brothers Band and Steve Miller – Dudek turned down the gig to pursue a solo career

Guitar World

“When Guitar Player made its debut in 1967, it marked a new era for guitar”: Guitar Player magazine to cease print publication

The world's oldest continuously published magazine devoted to guitarists, guitar gear, and instruction, Guitar Player was instrumental to the careers of Steve Vai, Paul Gilbert, and Yngwie Malmsteen, to name just a few examples

Guitar World

“When we started in 1966, Eric and Jack had one Marshall each. Then it became a stack, then a double stack, and finally a triple stack”: Jack Bruce and Ginger Baker recount the wild story of Cream, rock's pioneering power trio

Cream changed rock forever, but within less than three years, internal and external tensions pulled them apart. This is their story, as told from within

Guitar World

“You have to be secure in yourself. I'm not intimidated to tell you to buy a Keeley pedal. If that tears my business apart, then my business sucks”: How Josh Scott built one of the world’s leading pedal firms by recommending his rivals

The JHS founder has become the internet’s go-to pedal guru. He tells GW about his pre-pedal days as a pawn-shop gear flipper, the Bad Monkey bubble – and the key to finding genuinely new guitar sounds

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