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FORGOTTEN HISTORY: Jeff beck - The Untold Story

“I heard this car come roaring up… Jeff’s coming out and he’s holding this guitar. He said, ‘Here, this is yours for getting me in the Yardbirds’”: The story of the Fender Telecaster that unites Jeff Beck and Jimmy Page

How a gift of thanks from one Yardbird alumnus to another turned a guitar into a bona-fide icon

Guitar World

“Peter and I were in a car and he started humming this melody. ‘What’s that?’ ‘Oh, that’s a song I wrote.’ I mean, Peter never wrote a song in his life! But he sings, ‘Beck, I hear you calling…’” Gene Simmons and Paul Stanley on the Kiss classic Destroyer

“It was musically and lyrically challenging – we were pushing the boundaries”

MusicRadar

"When Peter Grant played me the first Led Zeppelin album I thought he was having a laugh." Jeff Beck: My Life In 11 Songs

In 2008, Jeff Beck looked back on his stellar career, and talked about his solo work and his music with The Yardbirds, Robert Plant, Tina Turner, Stevie Wonder and more

Louder

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“There were just ideas pouring out of him… then he got on that helicopter and took off”: The legacy of Stevie Ray Vaughan, and what could have been

How SRV followed Texas Flood, wrestled blues guitar from the club to MTV and became the guitar hero everyone wanted to copy – all before passing too soon

Guitar World

“I had no money. I couldn’t pay for it, so I borrowed it and never took it back”: How Ronnie Wood began his path to rock royalty with a stolen Fender bass

Long before he was a Rolling Stone, Ronnie Wood played bass guitar on a ragged 12-bar blues with Jeff Beck

Guitar World

“I got a call from Keith Richards. He acted like he had known me for 20 years. He asked me to come over and play. They wanted me to join – I couldn’t believe that”: Why Jeff Beck turned down The Rolling Stones

The late guitar hero thought he’d been invited to jam for a weekend in the mid ’70s. He didn’t realize Keith Richards wanted him to replace Mick Taylor, as told in this exclusive book excerpt

Guitar World

“I wanted to know how he got the top note on Cause We’ve Ended As Lovers”: How Jeff Beck and Brian Robertson swapped guitars – and brought guitar synths to Motörhead

Robertson’s ill-fated stint in the band was short, but Jeff Beck helped him introduce an oddball instrument into their lore

Guitar World

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"We were playing to capacity crowds, six or seven nights a week, everywhere we went. So we figured something was about to happen." The story of 1966, the year that built rock

Before 1966, the blues was tired, worn out and unsexy. But then Jimmy Page, Jeff Beck, Eric Clapton, Peter Green and Jimi Hendrix created the modern guitar hero too

Louder

“I got really disillusioned with my playing... There were these other guitarists coming up around the block, and they could really play”: How the ’80s guitar scene left Jeff Beck feeling like an “observer”

He helped change the instrumental guitar scene forever. Then it nearly killed his career

Guitar World

“I was sitting there thinking, 'I have no idea how I'm learning that,' but somehow it's working because I learned those songs in a completely different way”: How Anika Nilles prepared for the Rush tour

She says she went down “the Rush rabbit hole”

MusicRadar

"Are you a guitarist too?" The day that rock legends Jimmy Page, Eric Clapton, Brian May and Jeff Beck met Queen Elizabeth II

"It doesn’t matter at all that she did not know who we are"

Louder

“I’ve been trying to prove myself constantly. When you get billed as some hotshot player, people will stand with their arms crossed as if to say, ‘Prove it’”: How Jared James Nichols took Blues Power to Dave Grohl's Studio 606 and super-sized his sound

On this year’s Louder Than Fate, Nichols is spreading his creative wings, and – with some help from a one-of-one amp made for Jeff Beck – venturing into new musical pastures

Guitar World

"All I want at the end of the day is for us to be Rush and to be amazing." Alex Lifeson and Geddy Lee are preparing to tour again - and the only goal is to be great

In our exclusive interview, Geddy Lee and Alex Lifeson explain how and why the Fifty Something tour came to be

Louder

“Finding a twin humbucker guitar that looks and sounds as good as this is far from easy”: Schecter Nick Johnston Traditional HH review

The newly appointed Mastodon guitarist gets heavy with his first dual humbucker signature, which comes in a fitting Silverburst-esque finish

Guitar World

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Guitar World

“Many drummers reached out to me in the aftermath of Neil’s passing. That was most distasteful to me”: Geddy Lee and Alex Lifeson on the drummers that tried to force a Rush reunion on them

The band was still in mourning when they started getting offers to replace Neil Peart

MusicRadar

“Back in the ’70s he got up with us and played Train Kept A-Rollin’. That was amazing, but of course I was intimidated. He’s a genius. He’s Mozart!”: Joe Perry salutes his guitar heroes Jimmy Page and Jeff Beck

“He was always pushing the edge – going into jazz”

Guitar World

“People would hate us, bully us, throw stuff at us and threaten to beat us up, but they wouldn’t leave. We thought, ‘Okay, we’ve got something’”: Devo’s Bob Mothersbaugh on accidental hits, audience provocations and the de-evolution of guitar

Devo's uncontrollable urge to make new noise sired a new-wave sound with a puckish punk energy. The ’70s wasn't ready for them. Are we not ready now?

Guitar World

“There were two camps. I came out of the Yardbirds camp – the Eric Clapton, Jeff Beck kind of things”: Why Todd Rundgren chose to play Gibsons over Fenders

Rundgren initially aligned himself with the Yardbirds guitar heroes, though would branch out in later years

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Guitar World

“I thought, ‘That’s the guitar Mike Bloomfield played…’ I just had to buy it”: The mistake that led Robben Ford to buy his first great instrument –and how Miles Davis and Jeff Beck took him to the Strat

As Ford returns with Two Shades of Blue, the Californian guitar legend drops by for a video lesson and to talk all things guitar, from his adventures with big-box jazz models to Strats

MusicRadar

“It was the way for me to learn to approach the guitar a different way, because Jeff Beck was not an early influence”: Robben Ford on rearranging John Lennon, iconic collaborations and paying tribute to Jeff Beck and amp guru Alexander Dumble

Two Shades Of Blues was conceived as a tribute to Beck and Ford's favourite amp builder, and it finds him exploring the Strat and making his own weather with his Overdrive Special

MusicRadar

"He started trying to play chords on it and he said ‘Malcolm! Bob! What’s wrong with this instrument? It only plays one note at a time!’": Dissecting the musical magic of Superstition, the song Stevie Wonder just couldn’t let go

“He played it to Motown, and they said, 'No way is Jeff Beck getting this song, it's too good’”

Guitar World

“Opening the case, we find ourselves transported back in time some 54 years”: How Gibson made the ultimate tribute to David Bowie guitarist Mick Ronson

This Collector’s Edition replica of Ronson’s Bowie-era ’68 Les Paul Custom transports you spiritually – and tonally – to the glory days of the Spiders from Mars (Hull) – but it does not come cheap

MusicRadar

“I knew that he liked me, and he would call me on the phone. ‘Robben, what you doing!?’” Robben Ford on how playing with Miles Davis made him feel untouchable

Ford wasn't a jazz player when he joined up with Davis in 1986 but he would soon learn – and it give him a sense of self-confidence that's with him to this day

Guitar World

“Those Fender Jazz basses sounded fantastic, but they scared the hell out of me”: Why bassist Paul Samwell-Smith chose a short-scale Epiphone for his “rave-ups” with the Yardbirds

The blues-rock opener from the band’s 1966 debut album showcases a standout example of Samwell-Smith’s fluid, freewheeling bass work

Guitar World

“I look down, I see the empty pit, and I see a bass guitar against the wall. I said, ‘Right, I’m gonna show you guys what I’ve got’”: When a teenage Suzi Quatro laid down a marker by jamming with Jeff Beck and Cozy Powell

The bassist was determined to prove her worth, and the impromptu jam was the perfect platform to do it

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