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DARK SECRETS: Guitarist - The Real Truth

“It’s like the wind is at your back when you’re playing it”: The difference between a PRS Silver Sky and Fender Stratocaster, according to a blues hero who plays both

The guitars have their own unique qualities in Philip Sayce's eyes – and both are welcome in his rig

Guitar World

“Without the guitar, I’d probably be a professional dog-walker or in jail”: The life and times of Motörhead guitarist Phil Campbell

Motörhead’s longest-serving guitarist was the perfect fit for a band whose bludgeoning sound and appetite for excess eclipsed all others

Guitar World

“I find that the electric guitar is almost a separate species”: Why being an acoustic guitarist doesn't necessarily make you an electric player – according to Eric Bibb

Bibb admits he won't be calling himself an electric guitar player anytime soon

Guitar World

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“I sold the guitar to Bob Rock like an idiot for $10,000. Then Slash blew up, and I immediately missed out on about $150,000": Billy Duffy on the one guitar he wish he never sold

Duffy’s timing could hardly have been worse

Guitar World

“I was starting to get tired – as much as I hate to say it – of the very predictable Marshall sound”: Slash took his new favorite amp brand on the Guns N’ Roses tour without telling anyone

Slash pivoted from Marshall to Magnatone in a high profile move back in 2023

Guitar World

“It turned out to be the worst time to do an auction – his guitars really undersold”: The celebrity guitar auction where guitars did not sell for what they should have

Big money changed hands during the 2021 Neal Schon mega-auction but some collectors – Joe Bonamassa included – believed it was “brutal”, and he should have got a lot more

Guitar World

“She put it under her bed and didn’t play it for 60 years. When I got it, it still had the original strings on it”: Why telling your guitar’s backstory could help it sell for more money

Reverb's Cyril Nigg offers some sage advice for selling your guitar, and it's just like Joe Bonamassa says: "I don't buy guitars, I buy stories"

Guitar World

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“My dad said, ‘Take a seat – a band is coming in to make a record.’ I spotted a guitar case entering through the side door… carried by none other than B.B. King”: Billy Gibbons on how B.B. King changed his life

At the age of 7, seeing B.B. King lit the path for Gibbons as a blues guitarist. The ZZ Top legend discusses B.B.’s lasting impact

Guitar World

“I never liked the electric guitar. I’m just not drawn to it”: The life and times of Ralph Towner, the endlessly curious frontiersman of acoustic jazz who worked with everyone from Bill Bruford to Robben Ford

Taking influence from Indian classical, Brazilian bossa nova and beyond, this late jazz master’s touch and vision equalled anyone on the fusion scene

Guitar World

“I had a couple of drinks and started thinking, ‘I wonder if they have an Ovation Breadwinner…’” Jake E. Lee on the ultimate ’70s oddball guitar –and how he found a holy grail Marshall for $80 while touring with Ozzy

The ex-Ozzy guitarist talks about his love for SGs, his disdain for bad amps, andhow you can find a connection with the most unlikely instruments

Guitar World

“I’ve never been a real hot player, and a lot of kids are hot players. I’m slow because I walk slow, talk slow, sing slow”: B.B. King in his own words – the blues’ greatest guitarist on heroes, influences and his philosophy

The King of the Blues on amp choice, T-Bone Walker, how he got his vibrato and more

Guitar World

“I was a little uncomfortable, to be honest. I gradually convinced myself that it was okay”: Myles Kennedy on what it was like to play Jeff Buckley’s Telecaster – and how he felt unworthy to play it

Kennedy saluted one of his all-time heroes in 2019 when he performed Hallelujah live in Paris, and it was the first time Buckley's Tele had been played in public since his death in '97

MusicRadar

“I turned up at my first audition with my Squier Telecaster – that was all I owned”: The 18-year-old who replaced one of Britpop’s most revered guitarists

In his late teens, Richard Oakes joined Suede at a point when they had released two hit-and-miss albums and were desperate for a global breakthrough

Guitar World

“Automatically you go into blues when you do that”: Big Country's golden guitar rule that steered them clear of the blues

The band drew great inspiration from Thin Lizzy’s sonic template, but they made a concerted effort to avoid being labeled as a blues band

Guitar World

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Guitar World

“I’d buy a ‘54 Strat, and then I’d sell it, buy one, sell it… I just kept trading them off. I’ve been disappointed in some of those”: Eric Johnson on why a guitar's age, value, and cool factor don't necessarily make it a better instrument

Flirtations with vintage gems haven't always yielded the results the virtuoso wanted

Guitar World

“Something you’ll hear a lot of is, ‘Oh, you didn’t earn that relicing.’ But people who like it aren't thinking of it like that”: The real reason why relicing is so popular, according to a Fender Custom Shop Masterbuilder

The pre-worn fad is sweeping the guitar community, but why do some deride the concept as ‘stolen valor’?

Guitar World

“They’re 16 bars, and that’s it. There’s no extended solos”: Adrian Smith on why making music outside of Iron Maiden lets him stretch his soloing wings

In Smith/Kotzen, he’s relishing the chance to improvise and color outside of his usual lines, but admits that keeping up with Kotzen isn’t easy

Guitar World

“When it came out, there was no experimental reverb pedal category. Ifeel like it’s the first. Quote me on that!” How EarthQuaker Devices went beyond the boutique pedal boom and took left-field tones mainstream

EQD founder Jamie Stillman on the pedal that made the company famous, why the overcomplicated is not for him, and the stompbox that serves death metal and country guitarists alike

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Guitar World

“Opening the case, we find ourselves transported back in time some 54 years”: How Gibson made the ultimate tribute to David Bowie guitarist Mick Ronson

This Collector’s Edition replica of Ronson’s Bowie-era ’68 Les Paul Custom transports you spiritually – and tonally – to the glory days of the Spiders from Mars (Hull) – but it does not come cheap

Guitar World

“It’s a really good guitar, especially for the price”: Jake E. Lee has added Yungblud’s signature guitar to his collection

The former Ozzy Osbourne guitarist has been playing the affordable Epiphone – and he's impressed

Guitar World

“I don’t think anyone has changed the world as much with their guitar”: Grammy-nominated Malian changemaker Fatoumata Diawara reveals her biggest guitar hero

Diawara recently made history herself by becoming the first woman of color to collaborate with Epiphone on a signature guitar

Guitar World

“I’ve spoken to a lot of people about it – many of them think it will make more this time around”: David Gilmour’s Black Strat could be about to break records all over again

It was the world's most expensive guitar when sold at auction in 2019, but as it goes under the hammer in the Jim Irsay Collection, there are a number of reasons to think it will claim another record

Guitar World

“I'm probably gonna get 150 guitarists telling me how I'm doing this wrong, but this is just what works for me”: Samantha Fish reveals the “cheat” she uses to emulate a pedal steel guitar

Despite calling it a “hot mess,” Samantha Fish says a volume pedal is her tried-and-tested approach to creating volume swells

Guitar World

“I was a little uncomfortable, to be honest”: Why Myles Kennedy felt uneasy using Jeff Buckley’s Telecaster to play Hallelujah

Kennedy played Buckley’s iconic 'Grace' Tele for a special tribute performance of Hallelujah in 2019

Guitar World

“Great neck shape, playability and setup – and it’s gig-ready, something we don’t always say about Epiphone, or indeed Gibson”: Epiphone Fatoumata Diawara SG review

Grammy-nominated Malian singer and guitarist Fatoumata Diawara joins forces with Epiphone to produce a vivid-looking and wicked-sounding SG that’s a celebration of her style

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